And Stereotypes In Black Feminist Thought By Patricia Hill Collins

Racial stereotypes have always been a serious issue in society. The stereotypes impact many aspects of our life. We more or less get carried away by our perceptions toward race, and judge people in a certain frame unconsciously, as Omi set forth in In Living Color: Race and American Culture. Taken by Hilary Swift, this photo presents an African American woman, waiting for a bus that can take her to the Kitchen of Love, a food pantry that located in Philadelphia aiming to feed people suffering from hunger, where she volunteers. It happens in dawn so it’s still dark outside. The surroundings give us an idea that it should take place in a black neighborhood (Stolberg “Black Voters, Aghast at Trump, Find a Place of Food and Comfort”). The woman is staring at the direction where the bus is coming, with a smile on her face. As a photojournalistic image, this photo is aiming to portrait a kind and helpful African American woman, however, does this photo really “positively” portrait an African American woman?

With these mediums of oppression, her first theory, referred to as the Matrix of Domination is brought up. Previous models of oppression were considered additive, or hierarchal, meaning that they must be ranked. Collins uses the experiences of black women to explain that all these modes of oppression, gender, race and class are interlocking and equally important when viewing domination. This bleeds mores into Part II, but the essentials are discussed in this section.

The systematic, oppressive dehumanization of black womanhood was not a mere consequence of racism. It was a calculated method of social control, manipulation, and misogyny. With capitalism on the forefront of the American society during the Reconstruction years, and a booming manufacturing economy was on the rise, white supremacy capitalism patriarchy needed a group to be at the very bottom of the social hierarchy, a scapegoat. That scapegoat was black women. Manumitted black women showed that when given the same opportunities to live their lives like humans, they surpassed and excelled in all areas. Their success was a direct challenge to the racist ideologies that darker races were inherently inferior. Racist

While racial stereotypes contribute to the majority of the short story “Recitatif” by Toni Morrison, Morrison uses these stereotypes to convey a much larger issue. Morrison uses the stereotypes of intelligence, social class, and the character’s behavior and attitude to break the racial code. The two characters, Twyla and Roberta, realize that it is not about race but about their experiences of relating Maggie to their mothers that makes them similar. Many readers try to figure out which character is which race and as they go through, trying to figure out these clues. All they do is realize their own stereotypes.

When a black woman lowers her life standard, she invites outsiders to pose judgement on the entire group. These unethical behaviors of black women is capitalized off of by mainstream media. Shows such as VH1’s Love and Hip Hop keeps the negative stereotypes of a black woman alive. The black woman who rises above all adversity gains value and respect amongst the

Making a first impression is akin to a scientific process, albeit a biased one, in which one is put under personal microscopes and scrutinizing eyes frantically searching for a taxonomic stereotype: “black” and “white, “rich” and “poor”, “smart” and “simple”. In fact, one cannot go through a single day without being pushed and squeezed into these one-word adjectives - as if they could totally encompass the depth of an individual. In Deborah Tannen’s There Is No Unmarked Woman, women are “marked”, or judged, through such adjectives based on both the choices that they take and don’t take: from their attire, their hairstyles, their shoes, and even their relationship status. Whereas Tannen claims that women don’t have the freedom to be unmarked like men, Brent Staples’ conflict with his identity as a black man, described in his essay Just Walk on By, reveal a critical point of disagreement in which black men, like women, are also predominantly viewed as members of a stereotype; in which one realizes that - regardless of race, gender, nationality, or any other category - there is not one individual that is a stranger to being marked.

Along with the Mammy stereotype, the portrayal of Black women as being lecherous by nature is also a continuing stereotype. Lewd, hypersexual and loose are a few descriptive words associated with this stereotype (Thomas et. al, 2004). The Jezebel is everything the Mammy is not. Physically, she is seen as being a mixed-raced woman with Eurocentric features that those who fall into the physical characterization of the Mammy try to achieve. She has light-skin, less kinky hair, smaller lips and a more slender nose. Although the Jezebel fits the Eurocentric beauty standards, this image “branded Black women as being sexually promiscuous and immoral” (West, p. 294) due to the sexual violence committed against them during slavery. Hutchings et. al (2010) argues that, “explicit racial cues are not necessarily a thing of the past and under certain conditions they can be

The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, asexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. The typical stereotype about Black men is the violent, misogynistic thug, and the ever-enduring pimp. These images portrayed in media and popular culture createpowerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women

“No other group in America has so had their identity socialized out of existence as have Black women… when Black people are talked about the focus tends to be on Black men; and when women are talked about the focus tends to be on white women.” - Bell Hooks

In this paper I will be giving an essay that will have a brief introduction on how my overall topic has evolved from the nineteenth century to the twentieth century, ending with my thesis statement that will show you how it has evolved. This will also tell you how its evolutionary change has impacted our modern society of today.

The United States prides itself on being a land of opportunities, and in many ways it is. We look at countries like South Africa, which not long ago was segregated through the laws of Apartheid, and we are glad that we are so much further along than the land of Mandela. However, every now and then we need to stop and ask ourselves just how far along we really are, and we have to wonder if many of the once oppressed countries we helped free are not passing us up in the area of civil rights and opportunity.

The article titled, Black Women Thought; Matrix of Domination, by Patricia Hill Collins explores the oppression of African-American women. While there is also a theme of individual empowerment, Collins’ ends the article by stating, “only collective action can effectively generate lasting social transformation of political and economic institutions” (cite). I believe Collins’ motivation for this article was to bring awareness and to inspire change.

Patricia Hill Collins’ piece, “Defining Black Feminist Thought”, sets out to do exactly that: to determine what Black Feminism is, who is a Black Feminist, and who can become a Black Feminist. While not always specifically stated, her argument and analysis arises from the historical context of the role of Black women in feminist and activist spaces, as well as the social reality of differing lived experiences of Black women from traditional white female feminists. Created in 1990, Collins’ work is well situated in the time period of Third Wave Feminist thinking, incorporating strong themes of the need for intersectionality and alternate opinions within feminism, as well as proposing that multiple versions of feminism can be possible,

In Patricia Hill Collins’ “Mammies, Matriarchs, and Other Controlling Images,” she illustrates four main stereotypes that Black women face. The first controlling image applied to African American women is “The Mammy.” The mammy is the faithful, obedient servant to the white family and the stereotype attempts to hide the fact that black women who work for white families are being exploited. By loving and caring for her white “children” more than her own, the mammy symbolizes the dominant group’s perceptions of the ideal black female relationship to elite white male power. The smiling mammy signals her agreement with the situation, seemingly accepting her subordination (Collins, 71). Next is the image of the Black matriarch (Collins, 73). According to the stereotype, they spend too much time away from home, are overly aggressive and unfeminine, and allegedly emasculate their lovers and husbands. This stereotype attempts to control conduct by punishing black women for assertiveness and hides the oppression by making it seem that black women are naturally this way (Collins, 74-75).

Black feminist thought has gained popularity in recent years and remains a noteworthy matter in view of the fact that in the United States black women form an oppressed group. Inequality entails a complex situation, in which oppression cannot be identified as one type, for example, race, gender, class or sexual preference. In this particular situation, we will acknowledge the challenges from the standpoint of black feminists. Patricia Hill Collins educates us through the four tenets of black epistemology, in addition to the contradictions against the scientific methods of social science; positivistic knowledge. Beyond the characteristics of epistemology, there are several key implications for black feminist thought.