Andy Warhol Appropriation

I believe Warhol seen the events taken place in the photo as unnecessary force among people. Despite America claiming being a nation of freedom, he wanted to show how full of hypocrisy people are to believe that everyone is treated equal. He also wanted to express his empathy for the conflict between two races of

Contemporary art has a long history of appropriating material into new work such as Duchamp’s ready-mades where he recontexualizes found source material, the photo collages of Hannah Hoch and today’s remix culture. In Remixthebook, Mark Amerika (2011) argues that in Postproduction art, “the artist takes what has already been produced in culture and, through creative postproduction means, expresses a new cultural configuration that both speaks to contemporary culture as well as the source material that has been remixed”. Traditional crafts such as patchwork and quilt making have also contained ideas of transformation of old collected materials into new forms. By the frugally collecting and repurposing of these waste materials, Gower critiques

Racial and cultural appropriation has become increasingly significant in society within the past 30 years. “The idea of “cultural appropriation” has recently entered mainstream

Cultural appropriation is not seen exclusively in dance but rather a multitude of pop culture. For example in fashion. Fashion is a huge part of today's culture, and many designers created their clothing through the inspiration of other objects and or culture. Appropriation begins to

In Randa Jarrar’s essay Why I can’t stand white belly dancers she bluntly addresses the predicament of cultural appropriation. Jarrar’s main purpose is to inform her audience on appropriation, whether it’s done oblivious or uncaring of the situation. There are many ways she presents the situation, the tone she takes on to convey the problem is unsympathetic and transparent.

For the second art encounter I visited the Museum of Art at BYU and viewed the Andy Warhol and Pablo Picasso print exhibit.There were several other modernist artist on display in the exhibit, such as Lichtenstein and Kalloeitz, however Warhol and Picasso were the artist that are most talked about in this course. Both of these artist are considered to be modernist, however their works look very different. Andy Warhol’s iconic Marilyn Monroe print was on display showing the industrial, pop side of modernist art. Warhol’s art imitates the negative social norms of the time. His lowd use of neon color and choice of subject add to the growing popularity of veneration of celebrities. He also was one of the first artist to mass produce his art, adding

Meaningful appropriation remains a vital precept of creativity and innovation. In the last 20 years, many artists have constructed knowledge in forms of contemporary art from both social and cultural sources. Artists have continuously remixed contents from certain cultures for new expressive purposes. It is often deemed by members of the originating cultures, that appropriation in the arts is disrespectful, as cultural elements become distorted and lost in translation. Meaningful appropriation however is often misunderstood and is mainly viewed as borrowing that is in some way inappropriate, unauthorised or undesirable. Although, artists in remix culture have not necessarily attempted to destroy cultures, but instead offer a new perspective to individuals by bringing divergent cultures together through art. Artists such as Stella McCartney, a designer famously known for her creation ‘Chinatown Plaid, 2013’ in fashion, utilises dominant creative strategies such as remixing and collaging of fabrics in order to convey her artistic vision, which highly compliments both the ‘Refugee’ work culture and female individuals as strong and resilient. In a similar sense, digital artist Michael Guppy remixes artworks using programs such as Adobe Photoshop in order to remove central elements from famous artworks, a reoccurring theme in his work in which he explores both the social and cultural side of technology and how it transforms society. Whereas, graphic designer Thomas Robson

One of the main criticisms the Adorno and Horkheimer had of the art produced within the culture industry was that everything produced was made to look different but in actuality everything produced was identical (Adorno and Horkheimer). Adorno and Horkheimer claim that “under monopoly all mass culture is identical” (Adorno and Horkheimer) this concept can be seen and applied to

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

I was looking at a bunch of Warhol’s paintings and I was confused. I was just staring at them and I’m thinking “why don’t you look like a Warhol?’ Then I realize that these paintings are from when he was younger. This was before he defined his aesthetic. I believe this was his discovering phase then he goes into his silk screening phase. Andy Warhol used current icons from the world for his work. One of the famous icons was the Campbell’s soup can. In 1962 Warhol displayed his Campbell's soup piece, one canvas for each 32 types of Campbell's soup. In 1960, Warhol began producing his first canvases, which he based on comic strip subjects. In 1961, he started using the method of silk screening. Silk screening starts with a stencil drawing then transferred with glue onto silk. Warhol's first silkscreen was Campbell’s Soup cans. Campbell’s Soup was an icon in the 1960s that gave you a sense of comfort. In spite of that, Warhol’s Soup Can paintings were to provoke concern about value. At first glance it may seem like a joke but it’s actually a sophisticated and thought-provoking artistic statement. In the 1960s Andy Warhol made a sculpture that was extension of what Warhol had done with the Campbell's Soup Cans, Brillo Boxes. The Brillo Boxes were made out of wood but made to look accurately like the boxes found in the

Throughout history, the issue of appropriation in art has become a heated debate on whether it is good or whether it is bad. Appropriation is fundamentally the act of taking something from somewhere else and placing it into a new context. In art, appropriation is seen as using (or taking) someone else's artwork, manipulating it and ultimately changing the whole meaning behind the work. It is seen as a significant issue as many people (including art critics, art historians and art enthusiasts) see appropriation as whilst, others see it as being inappropriate and immoral, and see the growth in appropriation as being a destroyer of art. It is of the opinion that art indeed "feeds off itself" and every artwork, art movement, and art period is

Andy Warhol did a lot of paintings, mostly comics of artist or ads. The one that became his favorite one was the Campbell’s soup cans. The idea of him painting this painting came through an ad he saw at a gallery. This painting is different than all the paintings he has done throughout his career because it’s comic-strip painting.

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.

The beginning of 20th century was a time of drastic change. New developments were made in the arenas of the classical sciences, social science, psychology and philosophy - each challenging traditional thought. Industrialization and the introduction of many new, challenging concepts in the fields of politics as well as the development of new technologies gave artist more freedom to innovate and break the rules of traditional art. By using new materials, techniques and the new approach artists were pushing boundaries of what has previously been accepted art practice in order to invent radically new styles.

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.