Andy Warhol's Informative Speech: Modern Pop Art

In the late 1950’s, Warhol began to have the interest in painting. He painted his first well-known paintings, which was based on comics, and ads he found in 1961. The next year the big spots lights came on and he had his big introduction on the Campbell’s Soup Can series, which changed him completely. Shortly after, Warhol got the inspiration and started working on a large variety of movie star portraits, including Elvis Presley, Elizabeth Taylor, and the biggest of all Marilyn Monroe. Using screen-printing process, and knowing that Marilyn was one of the biggest deaths in a while, he decided to take that for granted and come up with this marvilent idea to make him go viral.

This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more

One of the most prominent human weaknesses that is revealed when conflict arises between the individual and the collective is fear. Arthur Miller explores human weakness caused by fear in his play The Crucible through false accusations and writes about this weakness in his article “Why I Wrote The Crucible: An Artist’s Answer to Politics.” Patrick Henry also addresses fear in individuals that arise from struggles with the collective in his speech “Give Me Liberty or Give Me Death (1775).” Ultimately, these texts all address the fear of being different, which drives people to match their beliefs with the beliefs of the collective, because those who do not conform to the norms of the collective receive differential and unequal treatment, thus suggesting that people who have different beliefs or practices from the majority tend to be silenced since it is difficult for them to overcome the collective’s discrimination against them.

Although they both were modern artists, Warhol’s paintings led the developments of pop art which is different from Affandi’s realistic paintings. Warhol is famous for the silk-screens he produced of renowned people such as Marilyn Monroe, Elvis Presley, etc. Many of Warhol’s subjects consisted of famous people, soup cans and flowers. The process of the silk screens began with a photograph that will be printed by pressing the paint onto the paintings with colors. His experiment of the silkscreen allowed him to open numerous exhibitions in both America and Europe.

Andy Warhol was the artist who wanted to use the methods around him that were developing. He was the artist who accepted the change of the culture. Similar to his idea about the development of technology, the mainstream of Pop art was to be more positive on creating new forms of expression rather than the Abstract Expression that was the traditional style of art in America at the time using new methods.

When considering the life and works of Andy Warhol, one thing is agreed upon for good or bad, he changed the visual construction of the world we live in. His window advertisements were the beginning of an era, where art would be seen in an array of forms away from the traditional paintings and sculptures of the old world. He made people see everyday material objects in a whole new light; through "Pop Art" he could transform mundane into extraordinary. He was a working man, a social climber, a builder, an acquirer of goods, and a known homosexual. These attributes all contributed to the interesting and complicated nature of his art.

When we eat a slice of pizza we tend to wash it down with a bottle of Coke when we 're feeling sick we tend to have some Campbell 's chicken noodle soup when we think of rock 'n ' roll the name Elvis Presley comes to mind and for America 's sweetheart and movie actress there is none other than Marilyn Monroe. These for iconic objects and figures all have one thing in common they have stood the test of time and continue to be a part of American culture. Today I 'm going to talk about one man who took these ideas and started a new movement in the early 1960s it movement coined pop art where everyday recognizable images that have stood the test of time and continue to influence and be a part of American culture. This man goes by the name of Andy Warhol.

Why did Andy Warhol choose to use famous people to represent pop-art? Warhol used his process throughout the 1960s to reproduce multiple portraits of celebrities, including Marilyn Diptych, Michael Jackson , Elizabeth TaylorV and Mao. Andy Warhol duplicated images of mass-produced commercial prints, using famous people, suggesting that the media marketed celebrities just like products. Warhol, was fascinated with the rich and famous since his childhood.

In Andy Warhol’s time he was seen as very commercial and not truly a defined artist. Warhol was very popular to average society but never quite Throughout his whole life he has had struggles with Sydenham’s chorea, terrible shyness, and lastly making artwork acceptable to other artists. And as we get farther from his time we see how much value and meaning there was in his work.

Andy Warhol is one of the most famous and influential artists of the 20th century. Warhol like many other artists had a childhood experience that would forever change and help transform him into the adult he became. As a young boy Warhol had a nervous system disease that left him

Andy Warhol is known as one of the biggest pop art icons as well as one of the most inspiring and influential artists who changed the way art was produced by the next generation. Warhol was not only the most well known Pop artist but was also somewhat of a catalyst of the movement. Warhol started his career working as a commercial illustrator in New York before he began to make art that would be shown in galleries. Warhol established his reputation as a Pop artist in the early 1960’s. His Marilyn Diptych may have helped establish this title.

Andy Warhol being not simply a Pop artist, but an American artist who was known as the master of Pop Art, and about two of Warhol’s most famous paintings; Coca-Cola and Campbell’s Soup Cans. Andy Warhol was an artist and filmmaker, an initiator for the Pop Art movement in the 1960s. Warhol used mass production techniques to elevate art into the supposed unoriginality of the commercial culture of the United States. Warhol’s early drawings frequently recalls the Anglo-Saxon tradition of nonsense humor, a characteristically childlike exuberance, and the fact that Warhol was successfully earning a living in the advertising industry at the time was sufficient for many to dismiss his entire artistic output during this period as “commercial art”. Fifty years ago, Pop art captured the spirit of Warhol’s young art, but that basic structure has been (to most people) a revealing profitless movement for years. Pop art was a 1960s movement that focused on everyday objects, comic books and mediated images — now seems quaint and playful, but not Warhol. In the first part of Andy Warhol’s career he was an iconoclast, in the second, the artist as businessman. In 1960 Warhol’s graphic works underwent a fundamental change in terms of subject matter, accompanied at about the same time by a change in technique. Warhol’s graphic work covers areas not normally associated with the art of the twentieth century, and which might even be considered unique. In Andy Warhol’s paintings and prints of

The Norm Violation that I performed took place in six different places, but mostly in the same environment. The Violations took place in Sayreville, New Brunswick, North Brunswick, Hazlet, Marlboro, and Matawan. You may now be asking yourself, what is in these towns that perform the same function? It could be a Police Department, Fire Department, a Food Market, a Burger King or even a Car Dealership. Well let me tell you that if you guessed any of these you were close but you didn't pin the tail on the donkey. The setting for my Norm Violation took place at several Movie Theaters in Middlesex and Monmouth Counties.

The first superstar of American art, Andy Warhol was obsessed with fame, glamour, and money. He is best known for his images of stars and celebrities and for his reproductions of symbols of the American society.

Arguably one of his most famous pieces of art, Whamm! displays this method of painting. Those methods make the panels look different from the original panels but remarkably similar at the same time. By designing his subjects the way the mass media portrayed them, rather than attempting to accurately reproduce the subject Lichtenstein helped define the Pop Art movement.