Andy Warhol's Original Ideas

The following essay will be analysing the artwork Marilyn Diptych by Andy Warhol which is an acrylic on canvas, silkscreen print. The artwork measures 2054 x 1448 x 20mm and the artwork was painted in the year 1962. The analysis will be done by discussing the following in detail: the formal elements, the size, materials and techniques used, line, shape/form, colour, tone as well as the function and meaning of the piece. The analysis will also cover the historical significance of the piece with the connotative meaning but mainly focussing on the denotative meaning of Marilyn Diptych by Andy Warhol.

As a profound influence on the twentieth century pop art movement, Andy Warhol ascended to become a cornerstone in the modern art world. After taking cues from society in the mid-twentieth century, as well as conversing with Muriel Latow, Warhol did what many artists strived to do but failed. Andy also extracted many of his ideas from other artists and built on them. He put a culture on canvas and revolutionized pop art for a life time.

Andy Warhol being not simply a Pop artist, but an American artist who was known as the master of Pop Art, and about two of Warhol’s most famous paintings; Coca-Cola and Campbell’s Soup Cans. Andy Warhol was an artist and filmmaker, an initiator for the Pop Art movement in the 1960s. Warhol used mass production techniques to elevate art into the supposed unoriginality of the commercial culture of the United States. Warhol’s early drawings frequently recalls the Anglo-Saxon tradition of nonsense humor, a characteristically childlike exuberance, and the fact that Warhol was successfully earning a living in the advertising industry at the time was sufficient for many to dismiss his entire artistic output during this period as “commercial art”. Fifty years ago, Pop art captured the spirit of Warhol’s young art, but that basic structure has been (to most people) a revealing profitless movement for years. Pop art was a 1960s movement that focused on everyday objects, comic books and mediated images — now seems quaint and playful, but not Warhol. In the first part of Andy Warhol’s career he was an iconoclast, in the second, the artist as businessman. In 1960 Warhol’s graphic works underwent a fundamental change in terms of subject matter, accompanied at about the same time by a change in technique. Warhol’s graphic work covers areas not normally associated with the art of the twentieth century, and which might even be considered unique. In Andy Warhol’s paintings and prints of

Hailed as the founding father of the Pop Art movement in the late 1950's and early 1960's, Andy Warhol, through his endeavors, brought forward society's obsession with mass culture and allowed it to become the subject of his art. He produced works that defied and challenged the popular notion of what art should be by disputing the "traditional conventions pertaining to the uniqueness, authenticity, and authorship" of art (Faerna 28). However, it is an injustice to say that Warhol's goals primarily included the desire to create such a ground-breaking and salient style of American art or to entertain the public by making his own artistic contributions. Rather, Andy Warhol's interests were more entwined in his own self-interest and greed.

Almost every person who knows anything about the art world has heard of the artist named Andy Warhol. A prominent figure in his field during his time, he had a large influence on the public, as well as other artists of that day. He inspired many and brought a new flair to art that made people happy during a time of innovation and change, some good some bad. He is still widely known and recognized today by older and younger generations, who all agree that his art is and always will be timeless. Artists that came after him look at him with admiration, and use his influences and creativity to create and discover new ways to make magnificent art.

Andy Warhol being one of the biggest influences in my work made him the obvious choice for this assignment. I see Warhol's influence on the world we live in everyday and strongly believe he helped in creating the pop culture obsession in America.

When you go to an art show do you understand the symbolic interpretation of the pieces? Don’t feel bad, most people don’t. What’s so upsetting about that is that you really miss out on the experience. When I think about interpretation of art I think of Andy Warhol. Andy Warhol’s use of iconography changed not only the art world but the people who came into contact with his art. Once you understand his life and art, you will understand his art as a symbolic representation.

The first superstar of American art, Andy Warhol was obsessed with fame, glamour, and money. He is best known for his images of stars and celebrities and for his reproductions of symbols of the American society.

Warhol was an American artist and a leading figure in the pop art movement. First of all, “Pop art is based on the modern pop culture and mass media, as a dictionary definition.” (Merriam- Webster) This is a form of art that most of us are familiar with in todays world, because its easy to understand and relate to. Warhol was the one that started this!

The cans were hand painted with synthetic polymer paint, each can made to be a carbon copy of the previous one is what he aspired to do. When he made these he painted the cans identically and then stamped the fleur de lys pattern at the bottom. It was not until after this piece he began using a silkscreen process. Warhol says he was inspired by the soup cans because “...used to drink it. I used to have the same lunch every day, for 20 years, I guess, the same thing over and over again.” (qtd. in MoMa). When he created this piece you could suppose it was nostalgic because of his memories of eating a can of soup everyday for lunch for so long.

Andrew Warhola was born August Sixth, 1928, in Pittsburgh Pennsylvania. He was the youngest son of Julie and Andrej Warhola, both immigrants from Czechoslovakia. After a quiet childhood spent alternately alone and in art classes, Andrew went to college. He then got a job doing commercial art, largely advertisements for large companies. Over time his name was shortened and Andy Warhol changed the face of modern art. Through his silver lined Factory and the many people who frequented it a revolution was born. This paper will discuss some of these people and examine the impact they all made on modern art.

Imagine walking down the street being blinded by the bright light reflecting off of every building. The sounds of everyday life sound like their coming at you from every direction. As you’re walking, you notice a leaf on the sidewalk and it averts your eyes from the view ahead. Then, you notice a pipe protruding from the wall of a building and it averts your eyes from the leaf. Everything around you is still excessively bright and loud. This is what hundreds of thousands of people are dealing with on a day to day basis including well known singers, artists, scientists, and actors. These people are famous for a wide variety of things and have influenced our world while obtaining autism. Majority of our population won’t even realize the impact

In some ways pictures speak louder than words. Every artist was once an amateur, a person who took time to develop their skills, broaden their imagination, understand the elements, figure out what they want to talk about with their art and, at the same time, love what they do. That’s what brands them to be original.

All three paintings are very different in their own way in regards to aesthetics. Warhol’s “The Gun” has few colors, but shows the gun slightly pointing inward towards the viewer. His use of the silk screen gave the picture imperfections, which make it unique. Lichtenstien’s “Girl with Ball” is one of the most unique forms of painting I have ever seen done. His use of Benday dots shows an image that looks to be done by machine. The lines are very distinct and the body of the subject is completely outlined in black giving an intense feeling. The spatial relationships in the painting bring us to focus on the face of the girl. “Migration” has no distinct lines, but with strategically placed items, he brings them all together with running paint into neighboring areas. The relationships of all the items and their spatial arrangement only give us more to work with in

Andy had two brothers that were older than him, one by 3 years and one by 6.