Andy Warhol's Pop Art

There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his career Van Gogh has painted many works. One of those magnificent paintings is “Starry Night” by Vincent Van Gogh. In the other hand we will discuss one of the popular paintings “ Gold Marilyn” by Andy Warhol. Warhol is also the most famous of the Pop Artists and played a major role in making the art movement popular.

Attention Getter: The American culture is so engulfed into consumerism that we take every day items and objects for granted we don 't necessarily realize the impact and importance to have on our life and how we live vicariously through them. Today I 'm going to talk about one man that took these concepts into his artistic ability and thereby created a whole new culture in what we see is art today. This man who is considered one of the fathers of pop art goes by the name of Andy Warhol.

1985 (Figure 2) first appeared in 1985 plastered on billboards around New York City. The piece is illustrated in monochrome colours so to not distract viewers from the meaning of the poster. The harsh contrast in colours between the black writing and white background make the piece stand out and draw the attention of bypassers. Written on the artwork is a list of well-known museums in New York City and beside them is a score of how many women artists have had one-person exhibits there in the past year. The results showed that the Guggenheim, Metropolitan and Whitney museums each had zero, whilst the Modern museum had one. These results are supposed to shock the audience and make gallery curators feel a sense of guilt, that it’s clear the art world don’t appreciate women artists like they do men. Whist they are confronting the public with that truth they are also providing another critical message with this piece. The Guerrilla Girls identified these museums by first name, not out of convenience, but to make a statement, that the only museums to allow women artist some form of respect like male artist do was the ‘modern’ museum. Emphasising the fact that gender discrimination and bias nature in the art world should be in the past, and the only museum that realises and recognises this is the modern one. The poster’s main message challenges the patriarchal world of art and confronts art galleries

Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch & Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution.

For the second art encounter I visited the Museum of Art at BYU and viewed the Andy Warhol and Pablo Picasso print exhibit.There were several other modernist artist on display in the exhibit, such as Lichtenstein and Kalloeitz, however Warhol and Picasso were the artist that are most talked about in this course. Both of these artist are considered to be modernist, however their works look very different. Andy Warhol’s iconic Marilyn Monroe print was on display showing the industrial, pop side of modernist art. Warhol’s art imitates the negative social norms of the time. His lowd use of neon color and choice of subject add to the growing popularity of veneration of celebrities. He also was one of the first artist to mass produce his art, adding

When studying artists, styles of art and their respective time period, it is always important to find a few key artists that were responsible for the rise of new art trends. Traditionally, art has often a reflection of the most important elements within its respective time period, such as wars, religions, royalty, culture and expression. This is why the study of art history is needs to look deeper than simply understanding how certain artworks were created. Among the various artists studied in the course, Andy Warhol is definitely one of the most influential. Far ahead of his time in thinking and talented in several media forms, Warhol was a product of his time and defined his era with the use of his artwork, giving rise to other artists within the same time period. This paper will argue that Warhol was not only an influence to modern art, he defined the concept of "pop art", which combined consumerism and pop culture, creating works that questioned the norm of society at the time, while providing a strong influence to future artists. Warhol was hugely successful in his artistic efforts and several of his staple works will be discussed in regards to its significance and representation of its respective period of time, as well as Warhol’s influence on the history of art.

To complete my project I decided to visit the museum of contemporary art. The piece I’m going to focus on is Andy Warhol’s Telephone, which was painted in 1961. I had already chosen to do my essay on this piece because I’d been interested in Warhol and his overarching themes of consumerism and product idolization in America. Although this piece isn’t blatantly judging America and its materialistic mentality, I like the commentary he was attempting to make about traditional and modern forms of art.

An exhibition never fails in taking the spectator on a journey through the chosen art’s narrative. The vast selection of exhibitions that were available at the National Gallery of Art made it difficult to narrow down the preferred choices. While examining the exhibition list one word seemed to capture my attention. Urban. I had the privilege to be born in a foreign city and to grow up in yet another city. This perspective colored my gallery selection and placed emphasis on the word “Urban.” Located in the West Wing of the Natural Gallery of Art, “Urban Scene 1920-1950” is an exhibition that reveals the four century-old artistic interpretation of the dynamic life that comes with residing in a city. Part of the beauty of the exhibition is the incorporation of less recognized American artists that worked on various printmaking techniques to create these astonishing achievements. The installation utilized minimalistic styles that introduced the viewer to various cities in the US. During the

Hailed as the founding father of the Pop Art movement in the late 1950's and early 1960's, Andy Warhol, through his endeavors, brought forward society's obsession with mass culture and allowed it to become the subject of his art. He produced works that defied and challenged the popular notion of what art should be by disputing the "traditional conventions pertaining to the uniqueness, authenticity, and authorship" of art (Faerna 28). However, it is an injustice to say that Warhol's goals primarily included the desire to create such a ground-breaking and salient style of American art or to entertain the public by making his own artistic contributions. Rather, Andy Warhol's interests were more entwined in his own self-interest and greed.

The year Warhol began the Death and Disaster series was also the year of the exhibition of his most notable contributions to pop art, the Campbell’s Soup Cans. Throughout his career Warhol simultaneously worked on different series and projects, but in the early sixties the energy of his Pop works contrasted dramatically with his macabre series on violent death. Henry Geldzahler recalled midnight phone calls from Andy in the mid-sixties when he said he was afraid of dying if he went to sleep. “He wouldn’t fall asleep until dawn cracked because sleep equals death and night is fearsome, and if you fall asleep at night, you’re not quite sure about waking up again.” Andy Warhol’s obsession with death began long before his

One of his jobs was to design the weather map for NBC’s morning news. In 1952 Warhol held his first exhibit, it was not a financial success, but it enhanced Warhol’s reputation as a commercial artist. But his spare time was now taken up with pop art, inspired by Jasper Johns and Robert Rauschenberg, two young pop artist, Warhol had come across in 1958. He began to paint, draw and print everyday objects such as, dollar bills, soup cans, postage stamps, comic strips, and soda bottles. According to Warhol, these were some of the consumer products “on which America is built.”

In order to discuss pop art I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces behind the American movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionist start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.

The message found in Andy Warhol’s artwork is there is more to life than what is seen with the naked eye and that there is value in every aspect in life. By creating a grocery store as well as items found in a grocery store Warhol was showing that even the most basic of items can hold value depending upon how you perceive them. Andy Warhol’s artwork does hold a mirror up to society the repetition and simplistic style in his artwork makes you question the meaning of the art and makes you take a deeper look into your life to see.

Andy Warhol (1928-1987), was born Andrew Warhola to Slovak immigrants. He was an artist from Pittsburgh, Pennsylvania, who later in life, went on to move to New York city to pursue his career. (video reference) Some of Warhol’s’ early pop art images included the 210 Coke Bottles, 200 One Dollar Bills, Campbell’s Soup Cans, and Marilyn Monroe prints that were produced onto a large canvas using the repetitive technique of print making. This particular type of work that Warhol produced is something that had contributed to America’s sudden infatuation with consumerism. (Tate Org, n.d) The pop art movement was effective because people who lived everyday lives were able to relate to Andy’s artwork, as well as formulate their own opinions to what they think the ideas and reasoning behind Warhol’s artwork were (Kearney, 2012) What influenced Andy to create artwork that included film stars who were apart of popular culture, was the interest he took in film stars

I believe his art work is brilliant. He definitely revolutionized the way Americans view celebrities with his paintings. Even in today's age, people are striving to be a celebrity by use of social media. Warhol was just another artist who made things from paintings, prints, sculptures, posters that people could buy and collect. Warhol was a conceptual artist, too, whose greatest work of art, I believe, was being Andy Warhol. What did it mean to be Andy Warhol? It meant knowing how to twist the dials and pull the levers of the staid art world machinery. Sometimes the goal was simply to impose objects of seemingly superficial content cans of soup, portraits of rich celebrities, flowers, cows into a world that takes itself incredibly seriously.