Angélique Kidjo's Song Orisha

Language and details of this passage echo references to the biblical accounts of Abraham and Isaac. By cutting down his son in the face of fear with a machete, we see that Okonkwo is looking to preserve his faith in his culture by adhering to tradition. From this passage, we already see allusions to the binding of Isaac from the Bible. Both stories show a strong relationship between father and son. Like Okonkwo wanting to stick to values, Abraham wants to keep God’s promise of multiple descendants in exchange for loyalty. Abraham puts God’s commandments above his personal feelings and almost sacrifices his son until he is stopped by an angel. Okonkwo looks to show loyalty to the village and preserve tradition by sacrificing his adopted son. Okonkwo, unlike Abraham, actually kills his son. Although they both have their differences the sacrifice of Ikemefuna definitely alludes to the biblical story of Abraham and Isaac.

Achebe tells us this story through examples of imagery, theme, and symbolism. He combines it all to tell us the story of Okonkwo and his

The book Interpreter of the Maldives is a collection of short stories by Jhumpa Lahiri that examines the relationship between Indian and American culture. Lahiri does this by using motifs, patterns and themes that recur throughout the short stories. The relationship between the two cultures is not only evident in romantic relationships of Indian-Americans, but in Lahiri’s description of clothing. Lahiri's description of clothing in the short stories, Sexy, This Blessed House and the Third and Final Continent, show how well a character is adapting/accepting American culture.

The way in which the women of the Igbo village are presented, by Achebe, make it seem as if they serve very little purpose to the society. The main character, Okonkwo, is infatuated with making sure he does not turn out to be like his father. By living in a village where manliness was crucial and weakness was not, Okonkwo viewed his father as being a weak and cowardly mean because he could barely support his family. To make sure he did not become an adult that resembled his father, he developed the characteristics of being brave, wealthy and even violent. Since he acquired these traits, it gave him a sense of superiority over his wives and the other women of the village. Perhaps because of Okonkwo’s behavior, the women of the village are treated with less respect. It is portrayed by Achebe that the women of the Igbo village only purpose is looking after the children and helping their husbands when or if it is needed. Although the women of the Igbo village are described as being insignificant, the women are the people that fill in the gaps in the society. For example, the women are the ones that cook, clean, take care of everyone, help harvest and grow food, as well as all the other everyday tasks that are easily overlooked.

The play “No Child”, written by Nilaja Sun showcases a teacher, Ms. Sun as a teaching artist who is under a grant to facilitate the production of a play, teaching and encouraging live theoretical performances in a dysfunctional environment.No Child is a reflection of Nilaja Sun’s experiences as a teaching artist in the public school system in New York. In the play Ms. Sun brings a senses of hope and inspiration not only to the students but to the teachers as well in one of the toughest classrooms of Malcolm X High School, in Bronx, New York. The narrator of the play is a observant Janitor of the Malcolm X High School. Since he has been performing his job related duties as a janitor he witnessed the struggles and obstacle faced by the school and students. No Child accurately illustrates students, teachers and communities imprisoned by a corrupted public school system.

a. Most of the collective music manifestations found in sub-Saharan Africa represent the community, and encourage group participation using a method that is called call-and-response. If they aren’t using a call-and-response such music’s are usually to be found at events such as religious ceremonies, and/or most other ritual based activities.

Every time you step onto the stage the movement you show reveals you as the dancer but also the dance that was created. A ballet isn’t as simple as an arabesque or balancé de côté that are put together to provide a show. Each ballerina on the stage brings their own personal approach to how they dance, it’s a little more psychological than one may think. As said by Likolani Brown “you have to work hard but also not lose track of who you are and you have to remember why you do it. You do it because you love it and you have something individual to give to the art.” For a dancer it’s not just the determination but the personality in dancing that fully brings one to the art. In ballet or any form of dance there are two elements which are inward and outward. Inward being the choreography or creativity of an artist tied together with the outward putting pressure on that artist to create a product. This product of art has to keep the ballet world spinning even though so little is understood about the ballet. So, how can we as ballerinas can we really communicate the inward with each other or with the audience when the pressure of the outward lies so heavily? A ballerina will speak no words but will be heard because the movements that we make is our own form of communication. Movements, choreography, terminology are all things a ballerina would use to really say something, to explore and discover more about each other. For dancers this form is so unique and special to us because we

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

In “Invisible Child,” a New York Times article written by Andrea Elliot, we follow a day in the life of a young African American girl, Dasani, growing up in New York City. However, instead of living in an “Empire State of Mind,” Dasani lives in the slums, growing up homeless with her two drug addicted parents and seven siblings. Dasani often finds herself taking care of her siblings, making sure they have enough to eat, tying shoelaces, changing diapers, getting them to the bus stop in time, and the list goes on. An 11 year old girl, essentially taking care of a whole family, as well as taking care of herself by going to school, receiving an education, and partaking in extra-curricular activities. Elliot captures the life and struggles of a family well under the poverty line, giving us an unprecedented look into what Dasani must do each day not just to grow up in New York City, but to survive.

     The book focuses on one of the tribe members, Okonkwo. He is a well respected member of the tribe. Okonkwo is a good example of a respected member of the tribe who also has great renown. He is known as a great wrestler and warrior of the nine villages of the tribe. He is a very powerful and influential member.

Teju Cole’s phenomenally written original novel majorly takes place in New York City. Cole character was easy to relate to because of his Nigerian American decent being that I am a Ghanaian American. Cole is a Nigerian American. He was born and raised in Lagos, Nigeria and came to the United States in 1992 at the age of seventeen. Cole is also well educated and is a graduate student at Columbia University. I found it insightful how in the novel Cole met several various types of people, including other immigrants. He met and shared stories with a Haitian shoe shiner, at work in Penn Station; a Liberian, imprisoned for over two years in a dentition center in Queens; and a Moroccan student working at an Internet café. I enjoyed the fact that the narrator was well stocked minded. He touched on the topics of art, music, and interesting books. He had a very eclectic set of interest.

The off-beat sequences of the electric guitar create a reggae feel for the song endorsing it to be mellow. Throughout the song, the electric guitar does not have any solos but variations of its sequence are repeated throughout the structure of the song. Doing so gives the lead singers’ message more priority. The domination of the classic drum kit creates a ‘head-bobbing’ motion for some when listening to this song, helping it become more popular and an easily enjoyable song.

Okonkwo fears for his disturbingly weak son, Nyowe, and teaches him with his stories- "masculine stories of violence and bloodshed." (p. 53) But Nyowe prefers the stories of his mother- stories which teach wisdom rather than action. Nyowe knows that it pleases his father to listen to his stories, but it is apparent that Nyowe is a thinking person. As Nyowe absorbs the shock of Ikemefuna's death, we feel the first break in the solidarity of the clan. ."Nyowe knew that Ikemefuna had been killed, and something seemed to give way inside him, like the snapping of a tightened bow." (p. 61) Nyowe is forming his own impressions of the rituals of his society.

This passage, found as a conclusion to a chapter in Chinua Achebe's Things Fall Apart, takes place after Okonkwo's return to Umuofia. A new English missionary has been set up in the village and has caused a great divide between the villagers. The main purpose of the section is to describe some of these events and changes that have taken place in Umuofia since Okonkwo's return. The passage is structured in three parts, each detailing about a different aspect. The first section focuses on Okonkwo's son Nwoye's conversion to Christianity and subsequent successes. The second part goes into detail about Okonkwo's arrival home to his clan and the change in the village. Finally, the last section includes Okonkwo's inner feelings and opinions

African heritage emanates from a different tone and poetic genius in in Gabriel Okara’s poetic imagination in Fisherman Invocation. Okara concerns with the problems of man and human existence. Okara’s love of music, art and literature is reflected in his close attention to details of scenery. Also as a painter, Okara’s ability to create an atmosphere, a mood or a situation is one of his greatest poetic styles. Fisherman’s Invocation centers around the plight of human condition, and particularly, Okara’s attention to the Nigerian people who have gone through the periods of national and personal conflicts and crises. Okara meditates on the indigenous imagery, and the traumas and tribulations of nation building that left Nigerians divided.