Anger and Injustice Described in Wilfred Owen's Poem Dulce et Decorum est

A similar attitude can be found in Wilfred Owen’s poem Dulce et Decorum Est in which the author reveals the horrors of war through several poetic devices. Owen’s attitude toward war is first revealed through vivid imagery found on lines 9-16 at which point the author illustrates the scene of a soldier failing to put on his gas mask and dying in mustard gas. Within this scene the author also uses aggressive diction with words such as “drowning”, “guttering”, and “choking”, all of which invoke in the reader a sense of sympathy and understanding of the horrible acts both witnessed and experienced by soldiers. Owen’s also employs different purposes for each stanza in the poem, the first stanza is very literal in the description of the soldiers, with a constant meter, until it is broken by different punctuation, seemingly representing the struggle of the broken down group to keep pace. The second stanza reveals an ugly and horrific side of warfare with the appalling description of a soldier in “an ecstasy of fumbling” for his gas mask but unfortunately fails to put it on in time. Owen then uses the word “drowning” to describe said soldier, which is both metaphorical, as he is lost “under a green sea”, but also to describe the atrocious effects of mustard gas which liquefies the lungs of its victims. The third stanza

Wilfred Owen employs sensory imagery to capture the horrifying nature of the soldiers’ deaths, making the poetry

Wilfred Owen's war poems central features include the wastage involved with war, horrors of war and the physical effects of war. These features are seen in the poems "Dulce Et Decorum Est" and "Anthem for Doomed Youth" here Owen engages with the reader appealing to the readers empathy that is felt towards the soldier. These poems interact to explore the experiences of the soldiers on the battlefields including the realities of using gas as a weapon in war and help to highlight the incorrect glorification of war. This continuous interaction invites the reader to connect with the poems to develop a more thorough

Wilfred Owen, who had served in World War 1 and died while defending his country age 25, wrote the poem ‘Dulce Et Decorum Est’ as an attempt to dismantle the unrealistic expectations about war that boys who are ‘ardent for some desperate glory’ have taken from television and that has been reinforced by warmongers. Conveying horrific and frightening imagery from the war he served in, Owen expresses his strongly anti-war sentiments to the reader. Through the

Second, striking similes are used throughout the whole poem. The speaker does not content himself with using age-old phrases or comparisons. His similes are unique and gripping. "Like old beggars under sacks," "like a man in fire or lime," and "like a devil's sick of sin," help to add vivid mental pictures to the poem. The soldier's uniforms are ripped and threadbare from all the fighting, and they are so exhausted that they bend over as they walk. The man that breathed the mustard gas is in such incredible pain that all he can do is jerk about as if he were on fire. After a while, the gas causes his face to sag until he resembles something from the horrors of hell. The speaker's similes are ones that cause the reader to stop and just think about what is being described

Wilfred Owen uses language and poetic devices to evoke sympathy for the soldier in the poem by using in-depth descriptions. An example of this is in the first stanza where the soldier in the poem ‘shivered in his ghastly suit of grey’. The ‘g’ sound in the words ‘ghastly’ and ‘grey’ emphasises the horror of ‘ghastly’ combined with the dreariness of ‘grey’, which are now the two main features of his life. The word ‘ghastly’ shows something that is strange and unnatural. The adjective ‘grey’, which has connotations of bleakness, portrays an image of darkness and monotony. Furthermore, the verb ‘shivered’ shows that he is vulnerable and exposed. In the phrase, ‘Legless, sewn short at elbow’, the sibilance at the end of ‘Legless’, and in ‘sewn short’ tell us that the short-syllable words are ruthlessly to the point, so it emphasises the fact that the soldier has no arms and legs because of his wounds.

Owen uses Imagery as another method to convey the brutality of war and also as a means of contrast to show his life before and after. In the third stanza he creates a picture of blood being poured away; “poured it down shell-holes till the veins ran dry” and he uses metaphorical language to emphasis the point that he nearly bled to death as you cannot literally pour the blood out of your veins.

This technique serves to emphasize the solemn and serious content. In stanza one, Owen describes the soldiers as they set off towards the army base from the front line. The simile "Bent double, like old beggars"(1) not only says that they are tired, but that they are so tired they have been brought down to the level of beggars who have not slept in a bed for weeks on end. Also, the simile "coughing like hags"(2) helps to depict the soldiers? poor health and depressed state of mind. Owen makes us picture the soldiers as ill, disturbed and utterly exhausted. He shows that this is not the government-projected stereotype of a soldier, in gleaming boots and crisp new uniform, but is the true illustration of the poor mental and physical state of the soldiers. By telling us that many of the platoon are barefoot, Owen gives us an idea of how awful the soldiers? journey already is; it then gets even worse. Owen tells us that the soldiers, although they must have been trained, still do not notice the deadly mustard gas shells being fired at them from behind; such is the extent of their exhaustion.

This image is definitely not the glamorous picture of glory that, say army recruitment presents; worse, the soldiers are doing worse than civilians. As soon as the next stanza “[m]en marched asleep. Many had lost their boots” (5). They have lost their usual awareness and move mechanically; that doesn’t sound appealing! It gets worse: “[b]ut limped on, blood-shod. All went lame; all blind” (6). So now they’re limping, apparently wounded, covered in blood, and can’t even see? It worsens further, “[d]runk with fatigue; deaf even to the hoots/ Of tired, outstripped Five-Nines that dropped behind” (7-8). The soldiers are so exhausted it incapacitates them, and they can no longer hear the bullets being fired. This poem sounds like a distorted nightmare, except the speaker is living it, and even reliving the torment of the soldier’s death while he is unconscious. Owen’s wording expresses that the soldiers are merely men, deteriorating and inconceivably overwhelmed the opposite of positive war poetry containing glory and honor.

Wilfred Owen, a World War One poet, revealed the unsettling subject matter of war by using his own personal perspective to explore the harsh brutal reality of war.

Another tool in developing the effectiveness of the poem is the use of compelling figurative language in the poem helps to reveal the reality of war. In the first line, the metaphor, ?Bent double, like old beggars under sacks,?(1) shows us that the troops are so tired that they can be compared to old beggars. Also, the simile "coughing like hags"(2) helps to depict the soldiers? poor health and depressed state of mind. Owen makes us picture the soldiers as ill, disturbed and utterly exhausted Another great use of simile, ?His hanging face, like a devil's sick of sin,?(20) suggests that his face is probably covered with blood which is the color symbolizing the devil. A very powerful metaphor is the comparison of painful experiences of the troops to ??vile, incurable sores on innocent tongues.?(24) This metaphor emphasizes that the troops will never forget these horrific experiences. As you can see, Owen has used figurative language so effectively that the reader gets drawn into the poem.

In Dulce Et Decorum Est Wilfred Owen makes war seem horrific. When describing the soldiers, he says ‘Coughing like old

<br>Owen uses simile to explain better the situation faced by the men. Simile is often used by poets and is used mainly for description in Dulce Et Decorum Est. The poet provides us with these similes as he has simplified them to a state in which we would understand them. An example of this would be: "flound'ring like a man in fire or lime…" this example makes us aware of the movement which this soldier would use during the gas attack "flound'ring". Another implication this simile has is that the soldier would not be in control of the situation as if a man was on fire he would not be able to put it out simply and this would be similar with the soldier used in the example as this would be an unusually helpless situation for him to be in. Owen does not use simile as much as the previous kinds of imagery.

The First World War was a time of great loss of life and bloodshed. Wilfred Owen, a soldier fighting with the British Army, wrote the poem Dulce et Decorum est to describe, possibly to the public, the horrific consequences of taking part and fighting in the war. During the poem, he describes the aftermath of a poison gas attack, and the injuries sustained by a soldier whom had inhaled the deadly substance. Owen uses gruesome imagery to vividly show in verse the horrible death the soldier faces, in the trenches of France. The poem Dulce et Decorum est is widely regarded as one of the greatest war poems ever written, and is a fine example of an anti-war protest in the form of poetry.

Simile is often used by poets and is used mainly for description in Dulce Et Decorum Est. The poet provides us with these similes as he has simplified them to a state in which we would understand them. An example of this would be: “flound’ring like a man in fire or lime…” this example makes us aware of the movement which this soldier would use during the gas attack “flound’ring”. Another implication this simile has is that the soldier would not be in control of the situation as if a man was on fire he would not be able to put it out simply and this would be similar with the soldier used in the example as this would be an unusually helpless situation for him to be in. Owen does not use simile as much as the previous kinds of imagery.