Anita Desai 's Clear Light Of Day

The whimsicality of Jatayu, the youth and innocence of Topshe, the villainy of Meghraj and the intensity and brilliance of Feluda all come together in Ray’s world to make a story that spans generations and has become an integral part of Bengali culture. What is most striking about Ray’s version of the investigator is that he isn’t an im- possible character, Feluda loves sweets, scolds his younger cousin and acts the part of a Bengali gentleman in a way that endears to him to young readers who look up to him as an elder

I chose All the Light We Cannot See because I’m really interested in reading,or learning,anything about World War II, so it was a perfect pick for me since the book was based around the World War II time period. I must admit, the book was extremely long and I did have a hard time forcing myself to pick up the book and continue reading it. It felt like it would never end. Fortunately, the author’s writing style was really descriptive and you can easily see whatever the character saw, or heard whatever the characters heard. The fact that I could easily see the cities Anthony Doerr described,or hear the oceans he made the characters hear, really helped me continue reading the book until I finished it.

In Anthony Doerr’s All The Light We Cannot See , a blind girl named Marie-Laure LeBlanc lives with her father, Daniel LeBlanc, in Paris. When Marie-Laure was a little girl, she went on a children’s tour of the museum where her father worked. On the tour, the tour guide talks about this stone called the Sea of Flames and it was said that the keeper of the stone would live forever, but as long as he kept it, all the people that he loved would face many problems. When she is twelve years old, the Nazis occupy Paris, so Marie-Laure and her father flee the city, with the Sea of Flames, to go live with her great uncle and aunt, Etienne LeBlanc and Madame Manec in Saint-Malo. A forty-one year old man named Sergeant Major Reinhold von Rumpel, is very

Although books full of words are more efficient in delivering and describing what the author feels, sometimes pictures can give a deep meaning depending on how they are organized. The Veil by Marjane Satrapi’s is a graphic novel that’s organized in a particular way, to deliver a certain message through the pictures. Marjane includes different sizes and frames that serve what she is thinking and feeling. Choosing certain sizes, frames and colours isn’t arbitrary. As each box increases in size, it means that she wants to emphasize the message behind that box, or show her relation to that particular text. Contrast is also one of the main elements that Marjane uses in her graphic novel. For example, on page five, there is a big picture of

From two different perspectives of the war, the author of this book showed that, depending on location and timing, everyone can be affected differently by warfare. It followed the story of two children who grew up on opposite sides of World War II. When their paths crossed, they developed feelings for one another, disregarding the fact that their historical circumstances placed them on opposing sides of the war. In the book All the Light We Cannot See, Anthony Doerr depicted how internal principles were able to overpower external pressures.

In a social setting where the presence of God is absent, love simply cannot exist. It is a common-truth that human beings require love; in a society where love cannot and does not exist, the void where that “love” would have existed becomes filled with deluded misconceptions of what love truly is. In Marie-Claire Blais’ Mad Shadows, Blais clearly illustrates what happens genuine love cannot exist and is replaced by misinterpretations, with the use of well developed character relationships. In many of the relationships (romantic and otherwise) displayed

All the light We Cannot See, by Anthony Doerr, chronicles the lives and relationship between Marie and Werner, two children who grew up in France and Germany. The society around them forces discriminatory ideals that cloud their perception of the world, but they find its meaning through their own self-definition. In this, they are both guided by a single radio and the message and legacy that it contains. Throughout the book, the author isolated the two characters, but also created subtle connections between the two. The most important of which would be the radio. It created a bond between the two where they learned from each other’s experiences and struggles. All the Light We Cannot See recreates a new picture of the world by contrasting the two separate journeys taken by Marie- Laure LeBlanc and Werner Pfennig to gain that image, which is guided by the power of a radio and the message it contains, ultimately leading to the meeting of the two characters that officially forms an image of the world where one’s actions are valued more than one’s physical features.

Ruta Sepetys is the author for Between the Shades of Gray, a novel that captures the truth of Siberian camps and the annexation of the Balkans by Stalin. Ruta Sepetys got the idea to write this fictional story when she visited her family in Lithuania and got the chance to discover more about her heritage. She got very fascinated about her family’s struggle to keep memories of her grandparents because of the annexation of Lithuania to the USSR. This conflict urged her to find out more about the feelings and people’s memoirs during this period in World War II so, she started interviewing the survivors from the Siberian gulags and gathered information to write her novel. The book was also inspired by her father, Jonas Sepetys, who escape

Aleksandr Solzhenitsyn once wrote that “the line dividing good and evil cuts through the heart of every human being.” And that couldn’t be more prevalent in the book, All the Light We Cannot See by Anthony Doerr. Every single character struggles with the internal conflicts of right versus wrong, forcing them to do things that will change their life indefinitely. Whether it’s through Werner’s choice to murder a one of his one Nazi officers to save Marie-Laure, Or through Etienne’s actions to stop being a bystander of the war and instead risk his life to help defeat the Germans.

This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.

An analogy has been drawn about how she was in the past and how is she now. She was a carefree person, demanding love in her life, wanting to take care of her children and become a house wife and now she works as a schoolteacher, has become a responsible person concerned about her husband and child, struggling for her son’s life, bearing tantrums of her sister-in-law and living in a small house in a small city. On the other hand, Komal, sister-in-law of Anjali is a character shown who seems to be frustrated from her life from the time she has lost her husband. The book has depicted another face of an Indian woman, who lives her entire life following the customs that the society has decided for a widow. Anjali tried to make her first marriage successful by taking care of small things like making her husband, his favorite cardamom chai and best of meals while Prakash’s second wife Indu was never concerned about any of his likings and gave priority to her own personal

‘All The Bright Places’ is a story about love and depression, where a boy, Finch, helps Violet find the will to live, while he has trouble keeping his head above water. My family has gone through the stress, anger and sadness of depression, too: my cousin, Mitch, committed suicide by hanging himself. Although it has been two years, the pain has still not completely gone away.

In the book “Unbearable lightness: a story of loss and gain”, author Portia De Rossi takes her audience through her life explaining how she dealt with Anorexia and Bulimia while trying to achieve her dreams in the public eye. She takes you into her mind and lets you know her thoughts and goals. She shares what herself and thousands of other people struggle through everyday. She explains how her constant need for perfection almost ruined her life.

Attia Hosain is a feminist writer and broadcaster. Her novel Sunlight on a Broken Column (1961) depicts the theme of decay fading away of a traditional family of Lucknow. The disintegration of the family takes place of various reasons. In the novel, politics begin to affect the family affairs. The son and father hold to two different ideologies. As a nationalist Muslim, Hamid calls the Muslim league communal. Saleem thinks that the congress is an anti Muslim organization. The present paper aims at an in depth critical study of the novel.

According to Judith Butler’s theory, gender is a social concept and not a natural part of being, therefore making it unstable and fluid. Gender identities are produced through what Butler calls “performativity,” the repetitive acts of expression that form and define the notions of masculinity and femininity. These repeated performances are engrained within the heteronormative society and impose these gendered expectations on individuals. In this respect, gender is something inherent in a person, however Butler writes “gender is always a doing, though not a doing by a subject who might be said to pre-exist the deed.” In Olga Tokarczuk’s House of Day, House of Night identity is undoubtedly central to the characters’ stories, specifically the strict social constructs of gender that is snarled with one’s identity. Tokarczuk’s novel presents a mosaic of stories that put into question heteronormative gender roles, while offering an alternative way of existence. Analyzing House of Day, House of Night with Judith Butler’s gender theory demonstrates the characters struggles within the rigid constructions of gender and how some ultimately deal with moving past such restricting expectations.