Anne Bradstreet Prologue Poem

In the opening, she shares her childhood encounters with women in prose with the children’s rhyme “a little girl who had a curl”. This personal anecdote introduces the topic of the portrayal of women in literature, as well as establishes a connection with her audience.

Anne Bradstreet’s feelings about her home represent the most material conflict. When her home burned down she wrote the poem to voice these feelings of hers. She describes the awakening to the “shrieks of dreadful voice” and going out to watch “the flame consume” her “dwelling place”. But she comforts herself with good Puritan dogma. The burning of the house is God’s doing and his doings should not be questioned. In looking over the stanzas where she

"The Author to Her Book" shows Bradstreet's feelings about the unauthorized printing of her work. She expresses her modesty about her ability to write by comparing her work to "homespun cloth" meaning that is was coarse and unrefined. Bradstreet also uses humor to express her feelings about the publication of her work without corrections, but there is still some genuine discomfort. "At thy return my blushing was not small" shows that she was a bit embarrassed about the world reading her rough drafts, but she amends her view towards the book as the poem continues. "Yet being mine own, at length affection would Thy blemishes amend…" illustrates that she truly loves her poetry, and after it is "cleaned" she takes pride in it. She show her delight in her work with the admonition "If for thy Father asked, say thou had'st none." Bradstreet wanted everyone to recognize her for the talented woman writer that she was, but requested this acknowledgment in a humble way.

In “The Author to Her Book,” Bradstreet is inundated in indecision and internal struggles over the virtues and shortfalls of her abilities and the book that she produced. As human beings we associate and sympathize with each other through similar experiences. It is difficult to sympathize with someone when you don’t know where they are coming from and don’t know what they are dealing with. Similar experiences and common bonds are what allow us to extend our sincere appreciation and understanding for another human being’s situation. In this poem an elaborate struggle between pride and shame manifests itself through an extended metaphor in which she equates her book to her own child.

The poem “To my Dear and Loving Husband” by Anne Bradstreet, is not just an exceedingly felt expression of a wife’s marital love and commitment to her husband, as it is about a puritan women who is supposed to be reserved but she makes it her obligation to enlighten her husband of her devotion. A thorough analysis of the poem’s paradox, hyperbole, imagery and repetition reveals how she conveys her message.

Anne Bradstreet was not the typical Puritan author. She wrote sweet and loving poems that greatly contrasted from other writers of her time. She did not write the ever so popular sermons that told people that they were going to hell and there was nothing they could do about it. Bradstreet was a rarity in Puritan times, she was a very educated woman that worked on something other than being a woman in the household. She was one of a kind and the beginning of an era. Using literary criticism when reading Anne Bradstreet’s poems adds a deeper understanding of her character and difficulties in life.

Anne Bradstreet's poem, To My Dear and Loving Husband, shows her profound love and undying affection for her husband. For a Puritan woman who is supposed to be reserved, Bradstreet makes it her obligation to enlighten her husband of her devotion. She conveys this message through her figurative language and declarative tone by using imagery, repetition, and paradoxes.

in a book called The Tenth Muse under a male name and without her knowing. Anne Bradstreet’s

Thus, Bradstreet conveys the embarrassment she feels due to her imperfect work. The main idea shows throughout the poem as Bradstreet struggles with the idea of her work being published when not fully perfected.

In all of Bradstreet’s works she is constantly expressing herself through her figurative language that whoever reads the poetry

Anne Bradstreet, as a poet, wrote as both a Puritan woman in her time and as a woman ahead of her time. Zach Hutchins analyzed this tension in “The Wisdom of Anne Bradstreet: Eschewing Eve and Emulating Elizabeth”, and makes a primary argument that three of Bradstreet’s poems provide evidence that Bradstreet rejects the Puritan views of a woman while keeping her own personal faith. Hutchins fither his argument by declaring that readers should not view Bradstreet as a symbol of rebellion or submission, instead as a symbol of wisdom.

In her poems, Anne Bradstreet recognizes the concept of male superiority during the Puritan times, although she contradicts herself in her poems with a feminist undertone to highlight the capabilities of women. “If what I do prove well, it won’t advance” (111). Bradstreet makes a point to mention that she is fully aware that, due to her gender, she would not be taken seriously as an author. This quote appears to have a challenging tone. Bradstreet is disappointed that her

Bradstreet wanted her poetry to remain private. She accepted her poetry unconditionally, like a mother accepts her child, because if she tried to correct the poem's flaws more flaws appeared. A distinct expression of Bradstreet true love to her

Anne Bradstreet is well-recognized because she was the first female American poet. The previous statement makes it seem as if her poems are only noteworthy due to her literary importance in history outweighing her poetic artistry. Luisa Hall in The Influence of Anne Bradstreet’s Innovative Errors explains that “the problem Bradstreet faces...is not the problem of being a woman or being the first American poet, but...fearing she has no right to speak, of fearing her voice cannot insert itself into English literary history” (23). Another writer that supports Hall’s claim is Catherine Sedgwick: “Sedgwick’s ability to champion an expansion of woman’s sphere beyond domestic settings was blunted by “deep inner restraints” that derived from her

Anna Bradstreet grows up in a healthy family. She was the daughter of Thomas Dudley who is the manager of the country estate of the Puritan Earl of Lincoln. Anna Bradstreet got married at the age of 16 to the young Simon Bradstreet who was working with Anna father. Anna Bradstreet never went to school but her father always taught her and gave her an education. It that time many women didn’t have an education. Anna considers one of the best and most important American poets. When Bradstreet was a little girl, she writes poems to honor and please her father. After she got married, she kept writing and it marriage didn’t stop her. Her brother in law, John Woodbridge, pastor of the Andover Church, brought with him to London a manuscripts collection of her poetry in 1650. It was her first book, The Tenth Muse was the first published volume of poems written by an American resident and it was widely read. Anne Bradstreet was a very religious and Godly woman. Anne Bradstreet always tried to live life in a perfect way. Anne Bradstreet was a woman of God and she always wrote about her faith in her poetry. She always talked about the Puritan and their believes and views on salvation and reclamation in her poetry. Anna seems to believe that God has punished her through her sicknesses. The Puritans believed suffering was God’s plan of preparing the soul and heart for accepting his mercy