Anne Bradstreet's Attitude

In 1678, many of Anne Bradstreet’s poems were published for public view. Throughout her poems Bradstreet tends to use symbolism to express her innermost thoughts and feelings. One of these poems is In Reference to Her Children, 23 June, 1659. Three of the most significant symbols in this poem are the representation of her family as a flock of birds, the dangers in the world, and the expression of her feelings toward her children. Anne Bradstreet’s representation of her family as a flock of birds symbolizes two different things.

Anne Bradstreet’s feelings about her home represent the most material conflict. When her home burned down she wrote the poem to voice these feelings of hers. She describes the awakening to the “shrieks of dreadful voice” and going out to watch “the flame consume” her “dwelling place”. But she comforts herself with good Puritan dogma. The burning of the house is God’s doing and his doings should not be questioned. In looking over the stanzas where she

"The Author to Her Book" shows Bradstreet's feelings about the unauthorized printing of her work. She expresses her modesty about her ability to write by comparing her work to "homespun cloth" meaning that is was coarse and unrefined. Bradstreet also uses humor to express her feelings about the publication of her work without corrections, but there is still some genuine discomfort. "At thy return my blushing was not small" shows that she was a bit embarrassed about the world reading her rough drafts, but she amends her view towards the book as the poem continues. "Yet being mine own, at length affection would Thy blemishes amend…" illustrates that she truly loves her poetry, and after it is "cleaned" she takes pride in it. She show her delight in her work with the admonition "If for thy Father asked, say thou had'st none." Bradstreet wanted everyone to recognize her for the talented woman writer that she was, but requested this acknowledgment in a humble way.

In “The Author to Her Book,” Bradstreet is inundated in indecision and internal struggles over the virtues and shortfalls of her abilities and the book that she produced. As human beings we associate and sympathize with each other through similar experiences. It is difficult to sympathize with someone when you don’t know where they are coming from and don’t know what they are dealing with. Similar experiences and common bonds are what allow us to extend our sincere appreciation and understanding for another human being’s situation. In this poem an elaborate struggle between pride and shame manifests itself through an extended metaphor in which she equates her book to her own child.

Anne Bradstreet was not only the first English-speaking, North American poet, but she was also the first American, woman poet to have her works published. In 1650, without her knowledge, Bradstreet’s brother-in-law had many of her poems published in a collection called The Tenth Muse Lately Sprung Up In America. Although these poems did not reflect what would be her best work, they did emulate what would be the greatest influence on all of her writing. Anne Bradstreet’s Puritan life was the strongest, and the most obvious influence on her work. Whether it was her reason for writing, how she wrote, or what she wrote about, Bradstreet’s poems would reflect the influence of Puritan life and doctrine.

These material items have become physical representations of the memories Bradstreet created with them so the loss is a tragic psychological event. This quote also represents the struggles that the author had with the non-materialistic Puritan lifestyle. She has put so much emphases on her material possession that she has lost sight of what is truly important, which is God. The content expressed in this poem mirrors the materialistic struggles most Puritans felt with their faith at one point or another.

Harwood revolves this poem around change, through the use of a motherly character she is able to construct a life style that has dramatically changed from free to a fairly constricted. Harwood uses the conversations of two people to get this message across, with the conversation discussing life’s progression with an old lover. “But for the grace of God…” suggests that the ex-lover is somewhat thankful for not ending up as a father figure to these children, as he can see the effect it has taken on her from when he used to know her. “Her clothes are out of date” shows her appearance has altered in the bid to live as a mother, her children are now her identity and that is what she will live to be. This poem is revolved around the negativity of losing yourself through mother-hood and the factors that slowly show that it.

In conclusion, it is left to the opinion whether Anne Bradstreet reflects the Puritan lifestyle or not because this poem focuses on a longing for her

What is Puritan Literature? Puritan Literature are writings about God and the Puritan Religion. One example of Puritan literature is “Verses Upon the Burning of our House” by Anne Bradstreet. One day when Anne was sleeping she woke woke up to her house being on fire. Her house was burned to the ground and all her possessions were gone. Another example of Puritan Literature is Jonathan Edwards sermon “Sinners in the hands of an Angry God” is about getting people to convert to Puritanism. Those who sin will be thrown into Hell and will feel the wrath of God and be thrown into Hell. “Verses upon the burning of our House” and “Sinners in the Hands of an Angry God,” have their differences and similarities.

women are still fighting for equality every day. In the time of Anne Bradstreet, women had few

Feminism today remains prominent because even while women’s rights are very strong, women are still fighting for equality every day. In the time of Anne Bradstreet, women had few rights and they were seen as inferior to men. Anne lived among the puritans whom ruled her everyday life. Although it was against the puritan code for women to receive an education, Bradstreet’s father, Thomas Dudley, loved his daughter dearly and made sure that she was well educated which shows in her works. Anne Bradstreet’s literature became well known only because her family published her works under a male name. This was done because writing poetry was a serious offense to the puritans since poetry was

When Bradstreet loses her first grandchild, as described in her poem, “In Memory of My Dear Grandchild Elizabeth Bradstreet, Who Deceased August, 1665, Being a Year and a Half Old,” she is upset but not overwhelmingly so. She clearly loved Elizabeth, but she recognizes that the child “for a space was lent” and that God has control over her life and death (2). Bradstreet knows that the child is in a place where she will be happier and

Anne Bradstreet, as a poet, wrote as both a Puritan woman in her time and as a woman ahead of her time. Zach Hutchins analyzed this tension in “The Wisdom of Anne Bradstreet: Eschewing Eve and Emulating Elizabeth”, and makes a primary argument that three of Bradstreet’s poems provide evidence that Bradstreet rejects the Puritan views of a woman while keeping her own personal faith. Hutchins fither his argument by declaring that readers should not view Bradstreet as a symbol of rebellion or submission, instead as a symbol of wisdom.

In the 1600’s, Puritans living in both England and New England held their views on God rather tightly and lived their lives as good Christians. Puritans were selfless individuals who had escaped and came to America in search of religious freedom and peace. In literature during that time period, it is made very clear that everything the Puritans had accomplished or acquired was a result of God, and that they were forever in his debt. One of the great poets from this time era was Anne Bradstreet who wrote about her children, husband, and parents. Anne Bradstreet blended her domestic life with theological imagery in every poem she did, explaining that her grandchildren were merely lent to her but

Anne Bradstreet is well-recognized because she was the first female American poet. The previous statement makes it seem as if her poems are only noteworthy due to her literary importance in history outweighing her poetic artistry. Luisa Hall in The Influence of Anne Bradstreet’s Innovative Errors explains that “the problem Bradstreet faces...is not the problem of being a woman or being the first American poet, but...fearing she has no right to speak, of fearing her voice cannot insert itself into English literary history” (23). Another writer that supports Hall’s claim is Catherine Sedgwick: “Sedgwick’s ability to champion an expansion of woman’s sphere beyond domestic settings was blunted by “deep inner restraints” that derived from her