Annie Clark Masseduction Essay

When hearing” Oblivion” for the first time the audience’s first interpretation may be vastly different than what the upbeat and playful rhythm may lead the listener to believe. “Oblivion”, a song written and performed by Claire Boucher a.k.a. “Grimes”, is a song with electronic beats, synth-pop tones, and almost inaudible, child-like vocals. Yet, when reading the lyrics the audience can uncover the darker meaning behind the “playful” song. The lyrics suggest a state of cluelessness or unawareness of one’s surroundings, as well as revealing Boucher’s experience with a sexual assault and the effects of the assault. Through the use of imagery, repetition, and the overall tone of the song the audience can view a traumatic event through the lyrics in “Oblivion”.

For one complete week, I emptied the entirety of my music library and left one album, Beyoncé’s latest debut, Lemonade. So, how did it fare? The R&B album, which was released via short film on HBO, caught viewers by surprise as Beyoncé revealed a powerful message of infidelity, feminism, and the meaning of blackness in America. As in classic Beyoncé nature, the album since its release has received critical acclaim and achieved the most simultaneous Hot 100 hits that any female artist has ever held. The twelve records separated into the phases of intuition, denial, anger, apathy, emptiness, loss, accountability, reformation, forgiveness, resurrection, hope and redemption. The album’s opening track,”Pray You Catch Me,” is breathless and haunting and sets the tone of the album.

Mae C. Jemison the girl with the brains and never limits herself to her imagination. It is said in one of her quotes to “Never limit yourself because of others limited imagination”. She was very educated women and had people hanged onto her words. One could say she put that big brain to very good use.

Themed mixtape titles notwithstanding, Wave[s] is a pretty fitting name for Mick Jenkins’ new tape - the nine-song, 28-minute affair features a variety of musical and lyrical techniques and topics, all of them growing and receding in a quite understated manner. From the dark, spacious “Alchemy” to the sunny, shifty “Your Love”, Wave[s] is well-versed in its production choices - the tape features production from the likes of KAYTRANADA, Lee Bannon, and the Chicago-based THEMpeople collective. Lots of these eclectic songs have interesting parts to them; in most of its various explorations, Jenkins anchors the tape with an expectedly strong lyrical contribution. Yes, Wave[s] lacks a certain cohesion, which is expected for a mixtape; however, there is still an unplaceable aura of sleepiness that pervades the tape, one that can’t be dismissed by the type of release it is. Wave[s]’ wide-ranging tastes, along with Jenkins’ generally brilliant flow and lyrics, means that many of these songs are very well-executed, regardless of their intent. However, just as many feel aimless, or at the very most, a beautiful puzzle with all the pieces jumbled up. Jenkins comes through with a few memorable tracks on Wave[s], but the tape can’t help but give off a sense of disinterest.

“Plagued With Righteousness” links passages that can go from acutely boisterous to soaringly atmospheric. The piece is a confluence of funk groove a-la Morphine and classic heavy metal with an easy melodicism, more in the line of Scorpions than Judas Priest. While the trombonist spreads energizing lines, keyboardist Dave Morecroft, the band’s principal composer, solos like if he had a guitar in his hands.

Louisa May Alcott was a writer best known as the author of Little Women. Her family Louisa was born in Germantown, Pennsylvania on November 29, 1832. She and her three sisters, Ana, Elizabeth, and May, were thaught by their ather, wh was a philosopher and suffered hard financial difficulties, and Alcott worked to help support the family from an early age. She began to be successful in her writing in the 1860s. She not only encouraged young girls to believe they are not less important in society than boys, but also actively participated in politics and the Womens’ Right’s movement, encouraging female suffrage.

The song opens with a deep voice proclaiming that, “You are about to be possessed by the sounds of emcee Rob Base and DJ E-Z Rock” then in the video, it cuts to the two artists leading a group, who is composed primarily of women. The word “possessed” is deliberately used as it demonstrates complete and utter control of the helpless individual, who in this case happens to be

Panic! At The Disco’s song, “Nine In The Afternoon” tells a story of the band going back too room where the band was created, and the song is all about reminiscing about the good times and memories of the group beginning. The title of the song tells a story on its own, the room the band first started in had no windows nor any clocks, so when they wanted to know the time they would peak their head outside the door and guess the time, around 9 in the afternoon, creating the name of the first song of their album “Pretty. Odd.” Through the examination of Panic! At The Disco’s son, “Nine In The Afternoon” Characteristics of a martyr archetype becomes evident along with a deeper background of the bands antiquity.

Helen was born wrong because she was blind, deaf, and she couldn't speak. When her parents found out that Helen was blind, deaf, and couldn’t speak, so what mom (Kate) did was she put her hand close to her face and moved it and she did not follow or look at it. When Kate did that she told her husband (Captain) had called a doctor for Helen. After all that happened the doctor had arrived and the doctor just went straight up to Helen. When she gave her a piece of cake she also had given her a doll that include with no eyes. So when Helen started getting used to the doll she had grabbed the doll and hit the doctor with it. When the doctor was bleeding Helen went to the outside of the door and locked her in there and then left her.

The social issue chosen is “TEENAGE TRAGEDY.” One curious pattern in well known music that tagged along in the mid sixties was "dead teenage" music. These melodies recounted the account of adolescent love sadly cut off by the soul harvester. Presently, while this kind of tune would appear to have a place in the class of acting as opposed to awfulness, they share a large number of the same topics that described ghastliness music of the stone "n" move time. One was the association of high school sentiment with annihilation. Love can possibly be unfortunate, and significantly a greater amount of the case in the tunes managing suicide, love realizes disaster. Remarkably, and it's made unequivocal in "Ebony Eyes," by the “Everly

Pearl Jam is an American rock band that formed in 1990. The songs Nothingman and Better Man are from the band’s third studio album released in 1994, Vitalogy. This essay will focus on and determine the band’s gender representations through structure and language features in the two songs, Nothingman and Better Man. The two verses in Better Man illustrates the difficulties faced by a woman in an abusive relationship with her male partner.

The Womens march on Washington to protest the inauguration of Donald Trump on january 21 was followed up by A day without women. The purpose of this event was to bring to light the influence and economic power of women around the world while pointing out the injustices they face. The event was open to anyone and not just women in the United States, as it was on International women's day encouraging all women to stand together. On this day in accordance with the strike women were encouraged to avoid work of any kind paid or unpaid, avoid shopping, and wear red as it was the chosen color to signify revolutionary love and sacrifice. However many women were unable to participate in the strike either for economic or maternal reasons and it is for

Last year a tiny band erupted seemingly from out of nowhere with their album, “Vile Child” that was met with widespread acclaim, many criticising the band as one of the most upbeat newcomers in the UK rock scene. Although it was far from revolutionary, it was a huge statement of intent, melding an uncaring punk attitude and grungy sounds

Sykes’ soft, lulling voice offers up his heart before the band finally, after one minute and fifteen seconds, begins their familiar harsh sound packed full of raw emotion. It’s a great transitional piece that displays their new rock sound before expertly diving into a phenomenal mixture of genres.

While song “Radioactive” clearly represents an awakening, an initial glance at it’s lyrics might result in an inaccurate assumption of what, in fact, is actually awakened within the singer. The majority for instance, may assume it reflects a person’s struggle, or daily life in prison. For example, “I'm breaking in, shaping up, then checking out on the prison bus” encourages one to believe the song displays a man in prison, but a deeper meaning exists. A more thorough analysis, however, leads to the more likely possibility that the song represents the artist waking up with a fresh view on the world he previously called an “apocalypse.”