Annie Hall By Woody Allen

In the town of Grover’s Corner Wisconsin, there lies a small farm town with all the small town aspects. The newspaper editor runs the newspaper from his own house as the doctor runs the clinic from his house. The small town being shown through the combination uses of one building, giving off the small town feel, “The town hall and post office combined; jail’s in the basement” (Wilder 4). The younger men have the jobs of delivering the milk and newspapers in the morning. “Joe Juniors getting up so as to deliver the paper” (Wilder 6). In Our Town there is Irony among the fact that the Joe Crowell graduated from the head of his high school class and his college class, then went and died in the war. Throughout the story, the author Thornton Wilder uses mood and tone to really help describe and explain what the play is telling us.

Annie Hall is a 1977 romantic comedy directed and co-written by Woody Allen. The film takes place in New York City and explores the relationship between Alvy Singer (Woody Allen), an intellectual, neurotic, forty-year-old comedian, and Annie Hall (Diane Keaton), a ditzy and insecure, aspiring nightclub singer. The movie centers around Alvy’s stream of consciousness as he looks back to figure out what went wrong with he and Annie’s relationship. Annie Hall received critical acclaim and won many awards, including the Academy Award for Best Picture, Best Director, and Best Original Screenplay. The movie did well at the box office, setting a new precedent for romantic comedies and is now considered one of the greatest films of the century

In the novel Song of Solomon, Toni Morrison depicts the many aspects of self-actualization, and the difficulties of growing up in a maltreated life. The story revolves around generations of black family in the south during the segregation of whites and blacks. The character of Macon Dead jr., suffers from a sheltered life. Macon jr., is unaware of his family’s history, and the cruel reality of mistreatment during segregation. In the sheltered and confusing environment Macon jr., lives pushes him to find the authentic individual within himself. Macon jr., evolves through the descriptions, events, and experiences of others. But, who is responsible for making Macon jr.,’s journey of self-actualization to be so slow and difficult. His parents, Macon Dead sr., and Ruth Foster Dead, represent the obstacle hindering Macon jr., from his true authentic identity. Many of Macon jr.,’s major problems are a direct result of his parents suffocating mistakes.

Into the Woods is a musical that was written by songwriter, Stephen Sondheim and director, James Lapine. In this musical, several Disney stories are humorously re-told by creatively combining their stories into one interrelated adventure. This show opened on November 5, 1989 and ran 764 performances before this film of the musical was released in 1990. Into the Woods was one of Sondheim’s most popular works in over 25 years. He is known to be the “giant” of musical theatre during his time for such a creative style. Sondheim combines several fairytales to explain what happens in an adult mind after “happily ever after.” Lapine and Sondheim harmonize their theatrical talents of an adult fairy-tale through portrayal of adventure, comedy, tragedy, and reality. Like all Broadway performances and morality, Into the Woods forms pure quality and very little suffering through establishment.

Ponyboy tells us that,“when you’re a gang you stick up for members. If you don’t stick up stick together, make like brothers, it isn’t a gang anymore,”(Hinton 26). This is what the greasers do for each other: they stick up for one another and build a supportive community. In the story, The Outsiders, by SE Hinton, the book is about Ponyboy and his gang taking care of each other because there gang is that they fight against the Socs. The characters and actions of this story create a supportive community Kindness and Loyalty.

“We all go a little mad sometimes,” and that could possibly be exactly how many feel after watching Psycho, released in 1960, and directed by Alfred Hitchcock. Hitchcock took a different route in terms of plot and structure for the typical Hollywood style. Psycho, like a young child never stops asking questions, it leaves us in a state of doubt and unbelief. It is classic horror, with the numerous jump scares leaving us at the edge of our seat, as every moment passes. Yet in the beginning, it 's seems to portray a rather classic form in a sense, a near-Aristotelian story. A woman who appears to be the main character in love, who is then faced with a problem, not enough money to marry her love, who then steals money to help build a future

In Our Town, by Thornton Wilder, he invites his readers to consider the positive and negative qualities of life. He is able to convey his views and opinions on the human condition through his use of love and marriage. Wilder’s examination of self-conflict in the decision to marry suggests a pessimistic view on the human experience. Through the self-conflict of Emily and George, Wilder is able to confirm how marriage can be frightening and troubling.

There's a scene in the new musical "RENT" that may be the quintessential romantic moment of the '90s. Roger, a struggling rock musician, and Mimi, a junkie who's a dancer at an S/M club, are having a lovers' quarrel when their beepers go off and each takes out a bottle of pills. It's the signal for an "AZT break," and suddenly they realize that they're both HIV-positive. Clinch.

Discovering a Stolen Identity: Milkman’s Attempt to Find what was Stripped from his Enslaved Ancestors in Song of Solomon

Our Town, by Thornton Wilder (first staged in 1938), has proven to be one of the most popular and enduring American plays ever performed (VORK, 2017). For the first time in 1938, the play was performed for a live audience in Princeton, New Jersey (Weinbloom, 2006). The audience did not agree with Thornton Wilders vision for the play. He along with his play was criticized. Many individuals back then thought the play was a complete waste of talent for Mr. Wilder. Miraculously, when the play was performed in New York, the audience were very delighted with the performances in the play.

"Mr. Smith had seen the rose petals, heard the music, and leaped on into the air"

The films Rear Window, directed by Alfred Hitchcock, and The Last Laugh, directed by Friedrich Wilhelm Murnau, both feature protagonists going through change, for better or for worse. Rear Window features L.B. ‘Jeff’ Jefferies, a professional photographer who is stuck in his wheelchair, in his apartment, because of an accident he had while on the job. The Last Laugh features a hotel doorman that gets demoted to a lesser job, who then undergoes a psychological change. Both films use elements of mise-en-scene to show how the protagonists adapt and change to their confinement and isolation. The use of the set, framing, and motifs of doors and windows in both films emphasizes the idea of the protagonists dealing with change, from freedom to confinement and isolation.

Lee Daniels’ ‘The Butler’ is a biographical drama depicting the story of Cecil Gaines, a man who escaped a life of slavery and oppression to serve for eight presidents as a butler in the White House.

In the 1977 film, Annie Hall directed by Woody Allen, Alvy Singer played by Allen is followed through his relationship with Annie Hall, played by Diane Keaton. The thematic elements of the relationship between Alvy and Annie is an example of the 1960’s and 1970’s film era. The relationship demonstrates the new youth directed aspects, the explicitly of drugs and sexuality and the offbeat new values and point of view of youth. The relationship between Alvy and Annie is complex and modern.

‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.