Annie Leibovitz Analysis

Georgia O’Keeffe was born to the parents of Francis Calyxtus O’Keeffe and Ida (Totto) O’Keeffe on November 15, 1887 near Wisconsin. Georgia was the second oldest child and by the age of ten she knew she wanted to become an artist someday. Her first aspiration was doing abstracts. She was selective about what she painted, but often times she would paint to please others and not herself. Her paintings were thought of as sexual paintings because of the way they were drawn and painted in which she would say is one’s own opinion. Georgia O’Keeffe was best known for her flower canvas and southwestern landscapes. Her husband who is a famous photographer by the name of Alfred Stieglitz used to paint nice portraits of her. She was very fond of him, they both liked what each other did as far as how they were making ends meet, and he just didn’t want her to sell any of her paintings. He would often times tell people “No” so they wouldn’t buy any of her paintings because he wanted them all to himself. She had an interest in nature and used bright colors in her paintings.

On November 15, 1887, Calixtus O’Keeffe and Ida Totto’s lives were changed as they were granted with the gift of their baby girl, the second child out of seven future sons and daughters (“Georgia O’Keeffe Biography,” 2016). They named her Georgia, after her Hungarian grandfather, George Totto (“Georgia O’Keeffe Biography,” 2016). Little did they know, their infant would become well-known as she grew older. Georgia O’Keeffe created astonishing and inspirational artwork, utilized the Habit of Mind, “Thinking Interdependently, towards her contributions to the world, and illuminated the artistic field. (“About Georgia O’Keeffe,” 2017).

With the photographs she takes of herself, she impersonates various characters and shows us the numerous roles women play in our world. In her pictures she depicts women as housewife, sex symbol, lover, victim, monster and more, and causes us to reflect upon how we perceive women.

Annie is the third out of her six siblings of Marilyn Edith (mother) and Samuel Leibovitz (Father). Annie Leibovitz is a third-era American; her dad's guardians were Romanian Jews. Her mom was a contemporary dance teacher of Estonian Jewish legacy. Her dad was a lieutenant colonel in the U.S. Aviation based armed forces. Due to her father’s job, Annie and her family moved every now and then with her dad's obligation assignments, and she took her first pictures when he was positioned in the Philippines amid the Vietnam War. At Northwood High School, she acquired to be keen on different creative efforts and started to compose and play music. Then, she went to the San Francisco Art Institute, where she contemplated painting. Also, for quite a long while, she kept on developing her photography aptitudes while holding different employments, including a stretch on a kibbutz in Amir, Israel, for a while in

The stock market crash made her studio photography irrelevant since majority of the population could not afford to have their pictures taken. During this period, she became aware of all the unemployed people around her. It was during the Great Depression where her greatest pieces of works were developed. During the first years of the Depression, fourteen million people were jobless. There was a rich woman known as the

But it is hard to judge Diane Arbus’s intentions with this photo. Was she trying to praise the transvestite? Or was she trying to humiliate this transvestite by snapping his photo and then publicizing it so that society could make a mockery out of it? This is why her photos had so much effect on the society at this time because the people had never before been exposed to this type of photography and were unsure what it was supposed to mean. As the critic Susan Sontag said “ people who are pathetic , pitiable , as well as repulsive ,” Meant to be seen from a vantage point “based on distance , on privilege , on a feeling that what the viewer is asked to look at is really other” signaling out people to be seen as something estrange .

Diane Arbus was a photographer in the 1950’s and 60’s. Starting out as a fashion photographer, Arbus quickly moved on to photographing more impactful pictures, usually of societal outsiders (“The Cost of Diane,” 2016). With striking images of “freaks,” as she once named her subject, Arbus perfectly depicted feelings of loneliness and struggles with identity. I believe Arbus resonates with me so much because of her uncanny ability to showcase such complex and intense human emotions through photography repeatedly. Each picture tells a different story with different struggles, yet each share emotions so commonly felt. These unalike, yet similar photographs each hold a piece of personal and

Bruce Gilden was one of the excellent is a road picture taker. He is best known for his genuine close-up photographs of people in the city of New York City once expressed, "I cherish the general population I photo. That is to say, they're my companions. I've never met a large portion of them or I don't have any acquaintance with them by any means, yet through my pictures I live with them." I feel like John Szarkowski comprehended what Bruce implied while embodied the bona fide centrality of photography in his work keeps on managing new best in class picture takers the about the art of photography.

No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman's photography is part of the culture and

Annie Leibovitz, a famous portrait photographer, is one of America's best. Her photographs have appeared in a number of magazines and publications. She was born in Waterbury, Connecticut on the 2nd of October, 1949. In school, Leibovitz became very involved in various artistic practises like painting and playing music. She also grew a love for photography, after taking her first pictures when she was stationed in the Philippines during the Vietnam War. She continued perfecting these photography skills all throughout her schooling life.

The sexualisation of the cover girl could also be seen as a form of feminism. Although Gerbner labels the cover girl a “heroine”, he fails to mention this. By using a model that fits the stereotypical description of what society would deem as an ideal woman, (one who is innocent, naïve and wholesome) in contrast to the verbal context that tells of the “scandalous” acts she has engaged in, women could be liberated from the expectations of society. ____________ says

In 2003, Annie published a book called American Music, it was about important figures in blues, country, folk, hip-hop, and jazz. Then, in 2006, the Brooklyn Museum of Art had presented ‘’Annie Leibovitz: A Photographers Life, 1990-2005” with another similar book published as well. As as she’s ever been, Leibovitz continued to give the people what they wanted and she kept producing as a photographer. She worked on projects that range from a 2014 Marcs & Spencer campaign for advertising, to the 2016 calendar for tire manufacturer Pirelli. Leibovitz chose to photograph mostly clothed women from all different ages and backgrounds, to contrast to the the images of scantily models from previous

In the republic, Plato believed the theory of forms, or rather the theory of ideas, were the only thing absolute and true because they were unchanging, eternal, and existed in the non-physical world. In contrast to forms were appearences, or opinions, which Plato considered to be imperfect because they were a part of the physical world, which was always changing. Using the allegory of the cave, the disciplines of mathematics, and eternal truths he explained how the non material in our head brings forth justice. In the Allegory of the Cave, Plato describes a cave with prisoners chained and bound so that they can only face a wall, which casted of shadows.

In the nineteen sixties, an ugly car was introduced called a Volkswagen. It was not a pretty car and about the best thing it had going for it was superior gas mileage and very reliable. The main problem was, it was ugly.

Starting in the 1960s continuing into the 1980s, the Sexual Revolution took place. Also known as a time called Sexual Liberation, this revolution was a social movement that challenged gender roles involving traditional acts of behavior and relationships related to feminism. Many names for this event evolved during this moment such as the “feminist movement”, where many women started to challenge roles in politics and workplace, as well as sexual roles in society. In this century it was looked down upon to express your sexuality as a woman, until later it was finally accepted. To talk in a detailed way about a woman’s body or to admire her body parts even if she was proud of them was frowned upon. In order to repress her sexuality in the poem, she uses mathematics to order to sway the reader away from her emergence of sexuality that was so harshly denied because of a standard. In a short article called, “The Pill” taken from PBS.com the Sexual Revolution was mentioned and “at the core of the sexual revolution was the concept -- radical at the time -- that women, just like men, enjoyed