Annie Leibovitz Analysis

In the essay Women, Cheesecake, and Borderline Material: Responses to Girlie Pictures in the Mid-Twentieth-Century U.S., Joanne Meyerowitz writes about the history of mass media representations of the female body and their interaction with women, both past and present. However, what’s particularly interesting in regards to the subject of this essay is Meyerowitz’s interest in how popular culture continues to help define sexual conformity. In the case of cheesecake photography, the commodified sexual representation of women plays in tandem with Katz’s discussion of how the development of a consumer culture redefined sex as an act of pleasure and consumption. Even as magazines and pin-ups showcased scantily-clad women in an overtly sexual manner, it is covertly supplementing societal constructions of heterosexual attraction, as well as societal definitions of what a woman ought to be for a man

The stock market crash made her studio photography irrelevant since majority of the population could not afford to have their pictures taken. During this period, she became aware of all the unemployed people around her. It was during the Great Depression where her greatest pieces of works were developed. During the first years of the Depression, fourteen million people were jobless. There was a rich woman known as the

Georgia collaborated with many other artists, journalists, and photographers to generate new ideas and inspire each other’s creations (“About Georgia O’Keeffe,” 2017). She

Diane Arbus was a photographer in the 1950’s and 60’s. Starting out as a fashion photographer, Arbus quickly moved on to photographing more impactful pictures, usually of societal outsiders (“The Cost of Diane,” 2016). With striking images of “freaks,” as she once named her subject, Arbus perfectly depicted feelings of loneliness and struggles with identity. I believe Arbus resonates with me so much because of her uncanny ability to showcase such complex and intense human emotions through photography repeatedly. Each picture tells a different story with different struggles, yet each share emotions so commonly felt. These unalike, yet similar photographs each hold a piece of personal and

But it is hard to judge Diane Arbus’s intentions with this photo. Was she trying to praise the transvestite? Or was she trying to humiliate this transvestite by snapping his photo and then publicizing it so that society could make a mockery out of it? This is why her photos had so much effect on the society at this time because the people had never before been exposed to this type of photography and were unsure what it was supposed to mean. As the critic Susan Sontag said “ people who are pathetic , pitiable , as well as repulsive ,” Meant to be seen from a vantage point “based on distance , on privilege , on a feeling that what the viewer is asked to look at is really other” signaling out people to be seen as something estrange .

With the photographs she takes of herself, she impersonates various characters and shows us the numerous roles women play in our world. In her pictures she depicts women as housewife, sex symbol, lover, victim, monster and more, and causes us to reflect upon how we perceive women.

Bruce Gilden was one of the excellent is a road picture taker. He is best known for his genuine close-up photographs of people in the city of New York City once expressed, "I cherish the general population I photo. That is to say, they're my companions. I've never met a large portion of them or I don't have any acquaintance with them by any means, yet through my pictures I live with them." I feel like John Szarkowski comprehended what Bruce implied while embodied the bona fide centrality of photography in his work keeps on managing new best in class picture takers the about the art of photography.

Annie is the third out of her six siblings of Marilyn Edith (mother) and Samuel Leibovitz (Father). Annie Leibovitz is a third-era American; her dad's guardians were Romanian Jews. Her mom was a contemporary dance teacher of Estonian Jewish legacy. Her dad was a lieutenant colonel in the U.S. Aviation based armed forces. Due to her father’s job, Annie and her family moved every now and then with her dad's obligation assignments, and she took her first pictures when he was positioned in the Philippines amid the Vietnam War. At Northwood High School, she acquired to be keen on different creative efforts and started to compose and play music. Then, she went to the San Francisco Art Institute, where she contemplated painting. Also, for quite a long while, she kept on developing her photography aptitudes while holding different employments, including a stretch on a kibbutz in Amir, Israel, for a while in

In an effort to change this objectification, O’Grady suggests that female artists must begin to reconstruct the subjectivity of black female subjects in art. They should reclaim the black female body as something to embrace and admire rather than just glance over. It is a slow and steady process but a necessary one. Furthermore, she strongly argues that the artist must do so even if her audience is uncomfortable with it because it is the best method to deconstruct a pre-existing idea of the black female subject.

Starting in the 1960s continuing into the 1980s, the Sexual Revolution took place. Also known as a time called Sexual Liberation, this revolution was a social movement that challenged gender roles involving traditional acts of behavior and relationships related to feminism. Many names for this event evolved during this moment such as the “feminist movement”, where many women started to challenge roles in politics and workplace, as well as sexual roles in society. In this century it was looked down upon to express your sexuality as a woman, until later it was finally accepted. To talk in a detailed way about a woman’s body or to admire her body parts even if she was proud of them was frowned upon. In order to repress her sexuality in the poem, she uses mathematics to order to sway the reader away from her emergence of sexuality that was so harshly denied because of a standard. In a short article called, “The Pill” taken from PBS.com the Sexual Revolution was mentioned and “at the core of the sexual revolution was the concept -- radical at the time -- that women, just like men, enjoyed

No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman's photography is part of the culture and

After this, Annie Leibovitz started to become more and more well known. She was asked to photograph many events and was even invited to become the concert-tour photographer for the music band The Rolling Stones in 1975. She even photographed the British singer Joan Armatrading for an album cover, becoming the first women to do so. It wasn't until 1980 however, when one of her most iconic photographs was taken. It was of the famous John Lennon who was naked next to his fully clothed wife, Yoko Ono. They were positioned in an unconventional pose and this ended up becoming her signature

The sexualisation of the cover girl could also be seen as a form of feminism. Although Gerbner labels the cover girl a “heroine”, he fails to mention this. By using a model that fits the stereotypical description of what society would deem as an ideal woman, (one who is innocent, naïve and wholesome) in contrast to the verbal context that tells of the “scandalous” acts she has engaged in, women could be liberated from the expectations of society. ____________ says

Judy’s Art work was very inspirational. Her work follows multiple traditional roles of an artist. It gives you a visual feeling instantaneously. Art isn’t art unless it makes you uncomfortable. Art gives you that extraordinary feeling, and Judy Chicago’s work unquestionably has that. When I first laid eyes on the art work, I automatically thought “oh vagina”, and surprisingly I was correct. It didn’t make me uncomfortable but in fact made me think and wonder why are there a bunch of vaginas. The clarification on her art work made it remarkable, it is a piece of work. I will definitely always remember it because it represents women’s rights, which will always matter. For her to represent women who aren’t even noticed is impressive and it would make me feel good about myself to get some acknowledgment. Judy’s art work reveals a hidden truth, and it helped me feel appreciative for women’s rights because I often don’t think of them because I am a male. So, the feelings of the women who are actually featured in the piece of work is mindboggling.

In 2003, Annie published a book called American Music, it was about important figures in blues, country, folk, hip-hop, and jazz. Then, in 2006, the Brooklyn Museum of Art had presented ‘’Annie Leibovitz: A Photographers Life, 1990-2005” with another similar book published as well. As as she’s ever been, Leibovitz continued to give the people what they wanted and she kept producing as a photographer. She worked on projects that range from a 2014 Marcs & Spencer campaign for advertising, to the 2016 calendar for tire manufacturer Pirelli. Leibovitz chose to photograph mostly clothed women from all different ages and backgrounds, to contrast to the the images of scantily models from previous