Annie Proulx's 55 Miles To The Gas Pump

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Edith Wharton, author of the novel Ethan Frome, speaks through her narrator to tell the ironically realistic tale of a poor, wishful New England farmer, who quickly realizes that his desire for happiness is futile. Ethan Frome’s acquaintances in town describe him as a man who has lived in the small town of Starkfield, Massachusetts for “too many winters,” yet Ethan is only fifty-two years old (Wharton 10). As the narrator relates the “tale of unremitting isolation, loneliness, intellectual starvation, and mental despair,” it is obvious that Ethan’s suffering is something “neither poverty nor physical suffering could have put there” (Faust 817; Wharton 13). The misery from which Ethan suffers is the heartbreak over the unaccomplished dreams of his past. In Edith Wharton’s novel Ethan Frome, the author examines the effects of reality on the fulfillment of the dreams of the characters and the narrator through social conventions, isolation, and fatalism.

The story I chose to analyze is “Why I Live at the P.O.” by Eudora Welty. The author, Eudora Wetly, is originally from Mississippi from a prosperous family, she was born in 1909 and passed away in 2001.During her early days she worked at small places involved with writing until she launched her literary career. ‘Why I Live at the P.O’ is about sibling rivalry and favoritism among family. My thesis states that this story shows a good example of favoritism among families and good insight from the outcast.

This personal confession shows that Mrs. Mallard, though she will mourn at first, now is free to “live for herself,” (228) not for her imposing husband. Before her husband’s death, Mrs. Mallard believed she was in a healthy, normal marriage. This death revealed to her how while she cared about her husband, she despised the lack of freedom her marriage had given her. All of the realizations that Mrs. Mallard reaches during her time of reflection shows the readers exactly why she will no longer mourn the death of her husband.

eye on the institution of marriage is very characteristic of her stories (11). In "The Story of an Hour", we do not so much see as intuit Mrs. Mallard's skeptical eye.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

This story reveals to the reader how distance and low communication can separate individuals from each other. Leroy, the narrator, is a person that has lived separated from his wife Norma Jean for a lot of time because of the job he has. This has created a gap between

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

In a healthy relationship, both parties should be able to openly confide in one another, and understand that the other’s intentions are to benefit the other and yet respectfully compromise on decisions together. With that said, in Sinclair Ross’s short story entitled The Painted Door, the message of how lack of communication can result in dire circumstances is exquisitely envisioned. Moreover, as the seemingly conventional young rural couple’s story gradually progresses, the implications of Ann, the emotionally suppressed wife of John being left alone during an unbearable blizzard fatally brings to end their partnership. Through symbolism and other literary devices, Ross cleverly constructs the themes of isolation and loyalty in this 1939

The story continues to reveal a conflict Mrs. Mallard may have had in the relationship with her husband. Though she speaks about him lovingly and knows that he loved her, there is something deeper that is brought to the surface in

As a young woman, Denver is lonely and terrified. She knows that, "her mother had secrets -- things she wouldn't tell; things she halfway told" (38). These secrets, she understands, are

Marriage, the central part of the lives of the main characters, is viewed in opposing ways through their actions. Susan's, Edgar's wife, description of what Edgar's love did for her involves the contrasting natural elements of snow and heat, also the elements of

Both Michael Crummey’s “Heartburn” and Lisa Moore’s “The Lonely Goatherd” explore the damaging impacts the lack of communication has on a relationship. Both Carl and Anita’s relationship in “The Lonely Goatherd” as well as Georgie and Sandy’s relationship in “Heartburn” are weakened due to the lack of communication. This idea is shown in both short stories through the use of foils, specifically Hans and Carl as well as Everett and Sandy ; It is also demonstrated through the use of symbolism of Signal Hill as well as using the excuse of heartburn to cover up the dreams Sandy has; It is shown lastly through the dramatic irony used in both stories. These elements demonstrate how the lack of communication leading to the downfall of relationships.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.