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Annie Toomer's Blood-Burning Moon

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“Blood-Burning Moon” carries a subtle theme of feminine power. While the men are physically and outwardly powerful, Toomer hints to the calm, collected, and mental powers possessed by women. This is not an obvious authority, but instead takes place in between the lines of the poem. Louisa is described in the introduction like "the color of oak leaves on young trees in the fall, her breasts firm and up-pointed like ripe acorns. And her singing had the low murmur of wind in the fig trees". The description in these brief lines concentrates on Louisa as a strong woman, and underpins a bold gender statement-- although it is not blatant, women are an enigmatic force to be reckoned with, and gently drive the development of Toomer's story.

The contrast of young and old in itself is very complex. Oak trees are a traditional symbol of age and wisdom, and this simile suggests that although Louisa is young and "ripe", her soul is far wiser than one would expect. This is important to understand in the story, because it is easy to misread her character as an innocent victim of love and jealousy. …show more content…

However, Toomer makes it clear that Louisa is aware of her situation, long before violence breaks out, and even provides an lunar omen of caution in the introduction, described as a `fiered pine-knot'. In the second paragraph, as she returns to the town, "her mind was vaguely upon them", but there is no evidence to suggest her preference or plans to choose between them, and she maintains this ambiguous detachment throughout the story. Louisa's character is coy and airy, she plays these men back and forth, as if to refute the idea that she belongs to either of them. For example, she offers herself to Tom, "Well, here I am....I don't know what you mean", and at the same time she demurely denies any relationship with

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