Annotated Bibliography The Dream Of The Rood

In the story “The Dream of the Rood” it speaks to me on an emotional level, it tells the story of Christ from a different standpoint, it describes Jesus Christ as a hero not merely a man that is full filling prophecy. I know the of the crucifixion of Jesus Christ, I understand that he came to save the world, and the way He died the brutality of it had to be that way in order to fulfill prophecy. In the dream of the rood the writer says as Jesus is approaching the cross “He climbed on the high gallows, bold in the sight of many, when he would

The Bible has been translated into 451 languages, sold over 6 billion times, and depicted in over 40 movies. The Bible and the crucifixion of the Messiah are prominent aspects in cultures all around the world today. The death, burial, and resurrection of Jesus Christ has been translated, dramatized, televised, adapted, and cartooned. In “The Dream of the Rood,” translated by R.M. Liuzza, the Biblical cross comes to life to tell its own version of Christ’s death and resurrection. The author recreated the Biblical account to appeal to the Anglo-Saxon warrior group to effectively convert them. However, the story from the cross’s perspective matches the crucial material of the Biblical account of the crucifixion without defaming Christ.

The thanes of the heroic code are bound to their lord by honor. The Dream of the Rood affirms this powerful obligation as the author writes that when God visits us on judgment day, He will ask who would stand fast, unafraid, for Him, their real leader: "Before his host he will ask where the man is who in the name of the Lord would taste bitter death as he did on the cross." (Norton Anthology of English Literature, Sixth Ed., p. 21). In addition, the lord is bound to his men. This ideal is continued within the chivalry of the Middle Ages. As a passage of Showings tells the

The image of Jesus nailed to a wooden cross by the palms of his hands and with a crown of thorns wrapped around his head is one that has transcended all time barriers. It has inclusive been replicated into figure form that is utilized in various ways but whose primary function is to serve as a constant reminder of the physical suffering endured by Jesus. In The Dream of the Rood however, the perception of Jesus Christ as not only the son of God and savior of mankind but also as a human with the capacity to feel pain, is subverted when through the perspective of a personified cross he is conveyed as a warrior in the midst of combat. The portrayal of Jesus in this way immediately evokes the image of an ideal stereotypical hero who is strong,

This book is based on Christianity and how the religion was viewed through images. The text has an ere of concepts that ties in the concepts of Christians to the beginning of the start of Christianity. The purpose of this book is to show the readers the difference between how Christian art was represented and how other art was portrayed. I will be giving an overview of what Christianity represents and the art work that it includes.

Bloom and Donaldson argue that whilst Christian elements are present, heroic paganism is more prevalent in Beowulf. This is supported by the death of Beowulf, reading, “of all the world-kings, [he was] keenest for fame,” summarising Beowulf, and suggesting his life only amounted to self-glorification.

Kermode, Frank. “Sir Gawain and the Green Knight.” The Oxford Anthology of English Literature, Volume I. New York: Oxford University Press, 1973.

Here, Ryden humors the image and with displaying it in front of a young, innocent girl, takes away the seriousness and whatever reservation that is held when portraying Christ. Ryden takes away the surrounding religious aspect of the figure of Christ, as he is usually portrayed on a cross or in spiritual and holy positions and postures. He is associated with other saints, helping out the innocent or troubled and depicted in biblical stories. Although he paints Christ bleeding, beaten, and after the crucifixion, he disassociates Christ with the 1950s theme, American flags, and the activity he is doing. In this way, Ryden turns this icon into a child’s perspective.

There are several times the two literary devices that are being focused on are used just in this brief passage; still, contextual knowledge is needed to fully understand the passage. The assigned passage not only acknowledges the death of

The cross, once plain wood, is now “exalted over all forest-tress” (91) and risen to the status of a lord. The Dreamer is seeing for himself the validity of Christ’s claims of rewarding his faithful servants. So the Cross, it seems, is now further gift-giving and reciprocating by telling the Dreamer that he has been given a gift by Christ, who died for his sins. The Dreamer interprets the telling of this story by the Cross as a gift, and so in return for this gift that the Cross has given him, the Dreamer tells the story of his dream to others in order to tell the tale and let others know of this great gift that was given to all of humanity by Christ. Its resplendence in its appearance to the dreamer is testament to the validity of its sacrifice in going against traditional Germanic servitude, which is important to addressing the comingling of cultures in The Dream of the Rood. This is certainly not heroism and faithful retainership as the Anglo-Saxons were used to it, but the Dreamer’s vision of the Cross in all its glory gives credence to Christ as a lord and gift giver.

In the poems “The Wanderer” and “The Dream of the Rood,” anonymous authors give way to the idea that an Almighty God will solve every problem a person has by doing two things: 1) drawing upon the memories of a warrior who has lost everything near and dear to him due to war, and 2) entering the dream of a man who has been exiled and isolated. Each piece takes its reader through the trials and tribulations that one may not relate to in this era, yet the reader is still there alongside the character wanting them to find peace with their world and themselves. Initially, it is believed that the characters will overcome their hardships and achieve the happiness they seek. However, as the reader delves deeper into the character’s story, there is an overwhelming sense of incompleteness. What actually happens at the end of each piece is not written in stone - telling us the story is not whole - nor has a conclusion been reached. The intrapersonal thoughts being shared with the reader reveal the obstacles that keep an overall wholeness from occurring.

‘The Dream of the Rood’ has been marveled as one of the finest religious poems from the Anglo-Saxon time period. The poem itself shows the contrast between the Pagan religion and Christianity and the overlap of religious symbols between them. It follows the crucifixion of Jesus and the dreamer’s journey to finding faith. The rood is seen as the backbone of the crucifixion and is depicted as being praised more than Christ. Using the literary devices of kenning and alliteration the author highlights the heroic nature of the rood, the dreamer’s gradual progression to optimism and the struggle of the people of the time to remove Pagan traditions in literature.

The consequence of their loyalty leads the warriors of the Maldon to death. Likewise, the Rood also follows Christ in his suffering and to his death. It states, ¡°standing in a sweat of blood/ I was all wounded with shafts¡±(The Rood, 57). Indeed, that ¡°sweat of blood¡± belongs to the Rood and its ¡°wounded¡± body identifies with that of the Christ¡¯s. In fact, while having the knowledge of the inevitable tragedy, the heroes of the Anglo-Saxon literature neglects to heed to their fear of death. What defines a hero in this period pertains to facing the ¡°wierd.¡± Rather than a resignation in giving up their lives, they participate actively in order to live out their given role, to fulfill what they have promised to do. Indeed, the heroes of the Maldon are ¡°fated [to] fall¡±(Maldon, 4). In the face of their inevitable doom, these heroes state ¡°in right good time dost thou recall us to our allegiance¡±(Maldon,232). This ¡°allegiance¡± to serve the lord cannot be forfeited even when the lord no longer lives. Regardless of the tragic consequences, these heroes choose to suffer. The Rood indicates, ¡°wry wierds a many I underwent¡± in revealing its active role in its fate (The Rood, 56). The Rood states that ¡°[it] underwent],¡± have chosen to suffer with Christ.

The Bible has been translated into 451 languages, sold over 6 billion times, and depicted in over 40 movies (Statistic, List). The Bible and the crucifixion of the Messiah are prominent aspects of cultures all around the world today. The death, burial, and resurrection of Jesus Christ have been translated, dramatized, televised, adapted, and cartooned. In The Dream of the Rood, translated by R.M. Liuzza, the Biblical cross comes to life to tell its own version of Christ’s death and resurrection. The author recreated the Biblical account to appeal to the Anglo-Saxon warrior group to effectively convert them. Moreover, the story from the cross’s perspective matches the crucial material of the Biblical account without defaming Christ.

In the 11th Century, cultures in Europe were experiencing cultural diffusion. The previously Pagan values were being replaced with the rapidly expanding Christian faith. Although this change was occurring, the literature still held on to Pagan values. Previously, literature was based on the prominent warrior culture. Cultural diffusion caused the writers to include more Christian values into their works while also referring elements of Pagan values and the Warrior’s code. Two literary works in particular, Beowulf and the “The Dream of the Rood” are influenced by this culture shift. In Beowulf, the main character is a hero who slays beasts and rules his people, applying to both the Warrior’s code of the Pagan culture and Christian values. In “The Dream of the Rood,” the narrator dreams of Christ’s crucifixion which exemplifies the values of Christian culture by telling the story of the most important event in Christian beliefs, along with subtly including Pagan values to apply to the audience of their time. Among the many traits of Pagan and Christian values, heroism is most prominent.