Annotation Of Tone's Presentation Of Death In Holy Sonnet 10

Many people fear death at the back of their mind, unconsciously dwelling over the surreal fact that they would have to come face to face with it some day, yet most do not bring themselves to explore it completely until it lurks in the corner or appears on their doorstep. The sonnet “And You as Well Must Die, Beloved Dust” and the dramatic monologue “Identification”, explores the concept of death and how each writer comes to grips with it. Both poems express reactions to the inevitable nature of death and the process of how one digests such a foreign, yet present occurrence. “Identification” is written by a wife who receives the news of her husband’s death and impulsively reasons as to why he simply could not have died. “And You as Well Must

In the poem “Unholy sonnet 5,” Mark Jarman shows us a philosophical reflection about what is worth to do in this life based on a repetition of some patters during the poem. The structure of this poem make it a Petrarchan sonnet. This kind of sonnet is composed by two arguments, the first consist on two octaves with a rhyme ABBA and ABBA. Denoting repetition of the words have, hive, mean and men; highlighting these as significant to found sense to the first argument of the sonnet. In a deeper reading of the poem, this first argument is centered in questioning que purpose and meaning of life for human beings, coinciding with the pattern of rhymes and sounds. Following this structure of a Petrarchan sonnet, the second argument is composed by a sestet. This means that the sonnet has a rhyme CDECDE, denoting repetition of the words joy, death and forget; highlighting these as significant to found sense to the second argument of the sonnet. Also, the second argument of the poem centered on a practical analysis of what is worth to do in life (enjoying) before the death, coinciding with the pattern of rhymes and sounds.

Mortality is a moving and compelling subject. This end is a confirmation of one’s humanity and the end of one’s substance. Perhaps that is why so many writers and poets muse about their own death in their writings. Keats and John Donne are two such examples of musing poets who share the human condition experience in When I Have Fears and Holy Sonnet 1.

"Death, Be Not Proud" has an unusual theme compared to other poems about death. This poem talks about God rendering death's power useless. It speaks about death positively, instead of a gateway to Hell, it is instead a path to Heaven. At the beginning, it seems this poem is a letter taunting death, saying that one day, death will be no more. It compares death to sleep, saying that eventually, people will awaken for eternity. This poem has a great way of intertwining death and Christianity together in a motivational letter.

Death is a theme that is used all too often in literature. Usually when people encounter death, they come to expect certain feelings. Whether someone they know has passed away, or they are just reading a play in which someone dies; death is often associated with feelings of anger, depression, and denial. In a play titled Wit, Margaret Edson depicts stages of dying through a woman who is diagnosed with ovarian cancer. In his holy sonnet “Death, Be Not Proud”, John Donne challenges death in a way that illustrates his belief that there is an afterlife.

The author’s diction makes the reader feel that death ca be defeated. For example, death has been called “mighty and dreadful” but the author shows that it is not more than a “short sleep” where men go for the “rest of their bones.” The general idea of death is frightful and scary, but the reader is told that it’s only a short phase everyone goes through. It’s an opportunity for men to separate their soul and physical body. In

     In this sonnet, death is personified and shown as the speaker’s opponent in a struggle for her lover. Death is described as being coquettish and possessive. These attributes are used to describe death because they show how hard it would be to overcome this opponent. The descriptions show that death flirts with the man, in order to make him accept her. Once

The nature of the metaphors with which the lyrical subject of the sonnet presents the nature of our world are grim and

Shakespeare’s Sonnets goes against the orthodoxy of religious authority when Shakespeare suggests, in “Sonnet 55,” that poets possess powers typically associated with God, such as giving life. He writes, “’Gainst death and all oblivious enmity/ Shall you pace forth; your praise shall still find room/ Even in the eyes of all posterity/ That wear this world out to the ending doom,” implying that the poem is capable of providing immortality, even if only through memory (55). This elevates the poet, himself, to a respectable and powerful position, while simultaneously diminishing the authority of other forms of art and commemoration. In “Sonnet 73” and “Sonnet 130,”

John Donne fulfills his reputation as one of the greatest English poets by utilizing figurative devices throughout all of his literary masterpieces. With the talent of capturing images and communicating his messages through figurative language, one poetic piece in particular is proof of his talent. In his acclaimed Holy Sonnet 10, he focuses on his opinion of Death by using figurative language, imagery, and symbolism. Donne immediately commences Holy Sonnet 10 by personifying Death as well as using metaphors to show Death how insignificant it is. In specific, Donne tells Death to “be not proud, though some have called thee / Mighty and dreadful, for thou are not so” (1-2).

In “Death Be Not Proud” the speaker is a man who is lecturing his words to “death.” In lines 1-2 the speaker orders death to not be proud and that people have mistaken him as the king of the underworld. In lines 3-4 the speaker uses the form of Christianity and describes that we will not die, because we will live eternally. In lines 5-6 the speaker compares rest and sleep to death. He describes that from death we will get pleasure and from that pleasure we will be with our Father in Heaven. In lines 7-8 he says that “soonest our best men with thee do go, rest of their bones, and soul’s delivery.” Which means that people risk their own life to achieve something that they believed in. In lines 9-10 the speaker starts calling death names and

This essay will address the theme of death in Shakespeare’s Sonnet 12 (1609) and George Herbert’s poem Virtue (1633). Both Shakespeare and Herbert explore notions of death in their poems, in terms of the tension between the psychical and the spiritual in a religious context. However, where they differ is that Shakespeare places emphasis on the importance of the corporeal, and of what is left behind on earth after death. In contrast, Herbert focuses on the impermanence of the physical, instead advocating a focus on the eternal life of the soul in heaven.

Is death a slave to fate or is it a dreaded reality? People differ on the opinion of death, some people view death as a new beginning which should not be feared, while many people perceive death as an atrocious monster. Death be not proud, by John Donne is a poem that challenges death and the idea of its ferocity. Donne’s work is greatly influenced by the death of his countless family members, friends and spouse. Donne was not only a poet, but he was also a priest in the Church of England, so his interest in religion and his belief in eternal life after death, also contributed greatly to his work. The poem Death be not proud, is a metaphysical poem about death, in which John Donne undermines, ridicules, and determines the meaning of death, according to his perspective.

Sonnet 6 is notable for the ingenious multiplying of conceits and especially for the concluding pun on a legal will in the final couplet: "Be not self-willed, for thou art much too fair / To be death's conquest and make worms thine heir." Here, as earlier in the sonnet, the poet juxtaposes the themes of narcissism and death, as well as procreation. "Self-willed" echoes line 4's "self-killed," and the worms that destroy the young man's dead body will be his only heirs should he die without begetting a child which shows the theme of death. The whole sonnet is about trying to persuade the man to have a baby hence the theme if procreation. And lastly, the man is being selfish in wanting to die without passing on his beauty.

Eternal life thus defeats death and throughout the poem, John’s strong background of Christianity allows him to associate death with temporary entities as he refers to death as a state of “much pleasure” (7). Death is conceptualized as a phase rather than an element which represents finality. Death is personified and therefore has no greater power over human beings. Death losses its fearful connotation and achieves a new meaning that makes it less intimidating and less powerful.