Annual Festival On The Biscayne Bay Campus Lawns By The Bay

In a large city, full of diverse people, finding a musical performance is not hard to come by. Luckily, as I was searching online for different performances I ran across The Flex Crew performing at Skully’s music diner. I have been to Skully’s once before to watch a folk band perform. The atmosphere was a lot different than when we saw The Flex Crew. Obviously, the genre of music was a lot different, along with the atmosphere of the crowd. I was very surprised by the number of people in the bar that evening. Mostly, because the performance started at 11PM and the world series was on. On top of this, online their website said the show began at 10PM, but like a very great band they came out at their own pace. In the meantime, there was a DJ performing to keep the crowd alive. The Flex Crew is a reggae band from the Columbus area. After doing a little research I learned they are known as “the best reggae band in the Midwest.”

Jokes aside the band did do a terrific job with this piece as Mitchell introduced it with something that teenagers could relate to; television. The song was commonly played in many TV shows that the target audience are known to have seen before. However, I never knew much about this composer or his music. The bizarre, but an expectation from a percussion based performance was that the xylophone took the lead. This was actually wonderful to hear because of how unusual it was to hear. The melodic line was also supported by the upper woodwinds which went together significantly well. The timpani player brings out the beat and the base line. It was almost as if there was a great presence as soon as the piece began because of the timpani because it establishes the quarter-note pulse. I’m not used to hearing a whole section of a string family play together with the brass family and the woodwind family, but they did quite the job together. The string family played the off-beat eighth-notes which totally coincide with the timpani’s pulsing quarter-notes. Then there was the famous glissando in the trumpets and trombones. This glissando reacted to the melody that came from the woodwinds and the xylophone, and according to my research this “reaction” to the melody is a compositional technique known as “call and response”. Hearing this piece live was absolutely magnificent, and I felt like I was in some sort of adventure

The beginning sounded similar to a salsa type of music due to the drum’s rhythm on the crash cymbal. Each musician had a solo within each piece. The rhythm section (double bass and drums) did a phenomenal job at maintaining as well as driving the tempo when it felt dragging. Moreover, they displayed great control and maturity of their sound throughout their solos. The dexterity and mastery within their instrument of some of the soloist in this group is inspiring because it truly shows their years and years of practice and

With this festival King will showcase successful artists to children and young adults on the “Promising Young Artists” stage in addition to the Jazz stage, and Blues & Soul stage. King is also hosting a Q & A session with a variety of artists for the festival attendees.

In a world of political discourse with racism and hate running rampant, a few great men and women came together to bring unity and harmony like never before: in the form of massive music festivals. In the late 1972, the black community came together for a concert known as Watts Summer Festival. In 1969, the largest music festival of its time was held, and was known as Woodstock. Later that year, the Rolling Stones put together a massive free concert in San Francisco known as the Altamont Concert. All of the concerts and music festivals were not aimed at making money or becoming famous, but about the unity of people through the art of music.

The audience was wrapped in the complexity and intensity that radiated in this piece. This was due to the disjunct melody, as the piece sounded generally uneven, with recurring wide leaps as the piece had a wide range. It was mesmerizing, watching the technique and fast pace hand movements. Furthermore, the song had a general homophonic texture as there was a clear dominant melody being played, with a few different chords supporting the melody. Despite there being a few tempo changes as the song alternated in pace, the piece sustained a duple meter, emphasizing on the jazz rhythm. The uniqueness of the piece was especially brought out through the frequent dissonance harmony, which made the piece more interesting to listen to. The piece had an overall free rhythmic feel, allowing the combination of distinctive rhythms and dynamics into a unique melody. The timbre of the piano matched the style of music as it was successful in giving the jazzy tone to the piece. Nevertheless, I think that the use of a full orchestra is more successful in delivering the full jazz melody as each instruments timbre provides an interesting influence on the

In Act Two, Scene One: Buenos Aires, the music has a fast tempo and the music is being played at a forte level, as the music continues it suddenly softens to piano and the tempo slows down. Later in the scene during one of the songs you could hear a washing board being played which added a new sound to the music the audience was hearing. When the audience is being introduced to the Commander, a song that has a Spanish sound is

As we moved further along, the bass player, Chris Kozak took over. He slowly emerges from the silence as he carefully tapped the cymbals. The dynamic remained piano as the tempo gradually gets faster (accelerando). This heightened the tension before they all began to play together at 12:26 and returned to the initial mezzo forte dynamic of the piece. Towards the end, a characteristic of African music was highlighted where they performed a series of call and response. It was thrilling to hear this.

Frisco, Texas has a population of over 100,000 people, and it's located approximately 25 miles from Dallas/Fort Worth International Airport. This bedroom community is home to many of the professionals who commute to the Dallas Fort Worth area.

Omara Portuondo entered the stage with confidence in her vibrant blue outfit. They started the 1st song with an instrumental beginning that started out with a fast tempo and then slowed downed when Omara began singing. Omara made this particular song an interactive experience, by asking the audience to clap along. Which only helped to add another layer to her song. In the hall the claps just seemed to echo beautifully because of how Weill Hall was designed. During the song, they had a moment where the other musicians keep a steady repetitive rhythm, while the conga/bongo player had his solo. The conga/bongo player seemed like he had bad timing, but I don’t know if its, because I’m use to hearing bongos and congas being played at a faster tempo than the musician was playing. Was his solo used to help slow down the timing? What it supposed to be used a transition? It left me questioning the structure of the piece. However, during this song I was particularly drawn to the pianist Roberto Fonsea because of his immense virtuosity. Fonsea showed immense virtuosity when lead and played the grand piano and keyboard at the same time. Fonsea also played at an extremely high level because of his ability to change keys in less than

The very first music piece started off slow but then flutes and chimes came in and took the song to a different level. It then later on has the same type of beat which helps it continue to flow. I really like the flute solo that was played around the middle of the song. In the next song it starts out as if it is a church choir. The song sounds serious and probably takes part of some ritual or ceremony. The third song sounds very inviting and calm. This song also is song by a choir or a group of people. Throughout the video the church is present so in that case this means that this song had an importance inside the church. The beginning of the fourth song is different by how the drums are the first things you hear. In this song you will also presence all the songs playing at the same time. The

I attended a blues concert in Hayward and it was one of the most culturing experiences of my life. I learned a lot about the culture and context surrounding the blues music. I found the lyrics thought provoking especially, B.B. King’s “Why I Sing the Blues” sung by Billy Dunn. Prior to me attending this concert I hardly knew anything about the blues music or historical roots. I never listened to the blues before, so I am unaware of this type of music, but I learned a lot about this style of music and enjoyed it. I also learned about the impact Hayward had on the blues and blues musicians when African Americans migrated from the deep south to the then unincorporated area of Hayward, known as Russell city. Ethnically, the majority of the attendees were African American, the second highest ethnic group attendees were Caucasian. This makes sense, since the blues and jazz were developed in the south of the U.S. and is associated with Africans. For African Americans, the blues and jazz goes a long way back in history, more specifically their history. It is associated with African American history in America, as well as African oppression and liberation.

This song is an example of Afro-Cuban that has a clave rhythmic pattern. This performance started off with the bass and drum creating the beat for the entire song, followed by the piano and then the brass instruments. Drummer Clyde Conner performed a solo showing his ability to play a soulful piece but having the Latin twist to it, which was very impressive. Ben Grier also had a solo where the sounds of Afro-Cuban jazz seemed so fluid though his performance. He also immensely impressed the crowd when he played a high note and held, which caused for a round of

The song was an original from Jamaican rising star Omi. There is no downhill from this single as it is still among the top tracks on the Billboard hit chart. It is even considered as one of the best summer songs of the year, and with the five-piece band like a Capella doing their own rendition, this justifies the reach and influence that Omi’s track has made.

Ultra Music Festival (UMF) is a yearly open air electronic music celebration that happens in March in the city of Miami, Florida, United States (DURAN, 2013).In this report I have analysed about the ultra-Miami festival event in USA and what is behind the success of the event. Events rarely succeed or fail it is totally depending on the scheduling and who all are the stakeholders are supporting the particular event. For a successful event there are several potential goals to satisfy and a plethora of stakeholders to involve (Presenza, 2012). Festivals are mostly unique in the events sector how the stakeholders are involved in the events. Media is mainly involved in a group way in television and