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Anonymous Landay

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From Beyoncé to the Anonymous Landay: Transnational Women’s Activism As disenfranchised individuals, women’s acts of memorial can be revolutionary. The action of commemoration can take many mediums. From art to song, from literature to monument, the ways in which women seek to honor and celebrate comes directly tethered to the larger social dialog revolving around gender. Through memory and trauma these women seek to recover their selves and their stories. For the women of Afghanistan this idea comes explicitly in the book I am the Beggar of the World. The poetry of this book seeks to memorialize self and the violence women face. These landays are packaged to us, as Western readers and have been translated into English and edited by Eliza …show more content…

Landays are “an oral and often anonymous scrap of song created by and for mostly illiterate people: the more than twenty million Pastun women who span the border between Afganistan and Pakistan” (Griswold 3). They are shared anonymously and most often sung, accompanied by a small hand drum. Technically speaking they are tiny little things, a single couplet consisting of twenty-two syllables. In Eliza Griswold’s I am the Beggar of the World, a now academically revered text, the concept of memorial is deeply interwoven with female identity. For these Afghan women landays are a means of both private communication among close homosocial groups, and also acts of activism. They are poignant and very often politically fueled. While the work looks at the three main tropes of love, grief and war, many of these topics are deeply linked. They create elaborate, intimate and often very critical analysis of their lives, but above all else, they seem overwhelmingly genuine. The book is explicit in its message – Griswold a translator, looks in on these circles of women and anonymously reports back out to the western world about a culture it knows very little about. What we find is acts of memorial founded often in

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