Anthony Perkins Character Analysis

In my analysis I will be looking at a scene near the end of the film where Bud White and Ed Exeley take part in a shootout at the victory motel. The narrative conveys very common noir aspects here; the shootout takes place in a very dark room. The only light comes from outside. This shows the mood of the scene to be sinister and bleak. It puts the audience in a scared state as the shadows can conceal anything. It is also hard to see what White and Exeley are doing. The shadows are very menacing because they use a chiaroscuro lighting effect. This means that the rooms, people and settings are hidden from view by shadows. The blinds over the window cast strong grid shadowing over the characters showing uncertainty and anxiety. This lighting is very common in film-noir films as it shows the seediness of the settings. The

Besides being at the brink of madness caused by her self-denial of the passing of her fame, Norma Desmond had also become rather sexual-transgressive. Some male traits shown in Norma consist of her dominance - she demands over Max, financial independence - owns factories which constantly makes profits and her assertive nature - she fearlessly confronts her passion for Joe. The way Norma is ridiculously insane to a degree of dark humour brings sympathy, entertainment and a corrupted depiction of celebrity to audiences.

It is a common experience: a woman dates a man who is rude to everyone except for her. He makes her feel special, but a few months later, he becomes an abusive, controlling boyfriend. Walter Younger from the play “A Raisin In The Sun” by Lorraine Hansberry, while not an abusive person is a milder example of this phenomenon. He is the father in a large African American family, and lives with his mother, sister, wife, and young son. His father has recently died, and his mother, Lena, receives an enormous check from their life insurance. They need this money, as they live in a small house and need to move to a larger one, but Walter wants to invest the money into opening a liquor store instead. Although the play seems to revolve around him, Walter

Marion is commonly shot from eye level in soft lighting, therefore allowing the audience to gain a sense of comfort whilst viewing her in a natural position, essentially constructing a sense of normality. The audience is made to see and respond to Marion as an equal, and despite her previous actions of embezzlement, she becomes a relatable character. This however is greatly juxtaposed when we compare it to the constant use of low angled, shadowy shots of Norman Bates. The shifts to Norman’s angle are suggestive that his worlds is off balanced and skewed. Shots of Bates only show one side of his face, another emphasis regarding the foreshadow of his dual personality which is later uncovered within the film. The audience is made to feel unfamiliar with the shots used to depict Bates, this only adding to the unease surrounding his character, as well as the tense, uncomfortable mood to which Hitchcock has worked to mould throughout the film.

In the movie each of the main characters, Norman who is eighty years old, Ethel who is seventy years old and Chelsea who is forty years old go through some of the stages of psychosocial development. The first character in the movie I will be talking about is Norman. I recognized him first from the movie because I knew something seemed wrong with him. For example, in the beginning of the movie him and his wife Ethel goes to their vacation spot and he sees a picture of them and doesn’t recognize who the people are. His wife had to remind him that it was them in the picture. He is very forgetful and it seems that his mental is not as strong as it

Alfred Hitchcock’s Psycho is a true masterpiece of a horror film. It is perfect in everything from unpredictable plot to music. However, Hitchcock’s Psycho is a notable film of horror and thriller genres due to excellent actors’ performances, interesting use of sound effects, well-crafted mise-en-scenes and realistic and complex characters.

“Courage, I seemed to think, comes to us in finite quantities, like inheritance and by being frugal and stashing it away and letting it earn interest, we steadily increase our moral capital in preparation for that day when the account must be drawn down.” (pg.40) Tim O'brien turns a boy decision of weather to fight in the Vietnam war or flee to Canada into such an exciting piece of writing by using character Elroy Berdahl who is a silent Observer who helps Tim overcome his fears and hallucinations.

The main character observed was Norman even though it was his birthday and the rivals of his daughter visit. He encounters many emotion’s while on the journey entering late adulthood. Biologically Norman faces fear of aging, but also feeling the past is fading away. Norman attitude changes to due to grief felt as he experiences physical and mental changes, yet it puts relationships in a warp of a tornado. As the movie progress you will see Norman reveal emotions, insecurity, and mental instability and becomes a serious challenge, for example when Norman was lost in the woods he came back running because he was not able to find his way back. With the disease he is encountered with a slow mental decline. Aging adults become very grumpy, arrogant, and impatient, however, Norman will not let go what was once familiar to him, and even if he struggles to claim a command with the younger ones.

“We all go a little mad sometimes,” and that could possibly be exactly how many feel after watching Psycho, released in 1960, and directed by Alfred Hitchcock. Hitchcock took a different route in terms of plot and structure for the typical Hollywood style. Psycho, like a young child never stops asking questions, it leaves us in a state of doubt and unbelief. It is classic horror, with the numerous jump scares leaving us at the edge of our seat, as every moment passes. Yet in the beginning, it 's seems to portray a rather classic form in a sense, a near-Aristotelian story. A woman who appears to be the main character in love, who is then faced with a problem, not enough money to marry her love, who then steals money to help build a future

At first, when Norman tries being rude to Billy, Billy told him he did not have to treat him like that. From then on, Norman began not being so rude to him. Billy and Norman get stuck on wanting to catch Norman’s dream fish. On one of their excursions, Billy drives the boat. Norman tells him to quickly reverse and Billy puts it in drive, causing the boat to wreck.

Billy (grandson) is experiencing fun/laughter with his grandfather. Surprisingly in this movie I don’t recall hearing anyone call Norman dad or grandfather. Discuss the dynamics between the husband/father/grandfather

Often times if an adolescent wants to fit in, or figure out who they are, they may choose to reflect people they admire (notes). In Billy’s instance, he chose to admire and mirror Norman. Norman is the elderly man who ends up taking Billy under his wing, which results in them bonding. By the end of the movie, Billy had began to reflect Norman in his mannerisms, his language and his toughness. In a fishing scene in the movie, Billy gets a huge fish and directs Norman to get the net.

Unfortunately for Norman, this was the case of his mother’s death. Throughout the whole passage Norman appears to talking his mother, but in reality he is actually just talking to his other personality who became his mother. This is known as dissociative identity disorder: a disorder characterized by the presence of two or more distinct personality states. When his mother says “‘I know what you're thinking Norman. I know all about you, boy.

Norman Bates (Anthony Perkins) kills Marion Crane (Janet Leigh). Marion who wanted to lead a happy family life with her boy friend Sam Loomis (John Gavin) after marriage and hence steals money and flees Phoenix and becomes a prey for the psychopath Norman Bates. Norman Bates overpowered by his dead mother’s personality kills the woman who comes in between the relationship with his mother. Norman has no other motive. Only his frustrated sexuality when he meets a woman can be the motive. As the case of a split personality syndrome Norman takes the role of his dead mother, and targets those women who come to his motel. Possessed by his mother, he dresses like her and here he slashes Marion on the shower. When Lila Crane (Vera Miles) along with Sam comes in search of

Before the Psycho by Alfred Hitchcock made its way into theaters across the world, film was produced in a completely different way. Some of the elements that were in Psycho were things that nobody saw in movies before. According to Entertainment Weekly’s Owen Gleiberman, when the movie came out, it took place in “an atmosphere of dark and stifling ‘50s conformity” and that the elements of the film “tore through the repressive ‘50s blandness just a potently as Elvis had.” (Hudson). Alfred Hitchcock changed the way that cinema was made by breaking away from the old, “safe” way of creating a movie and decided to throw all of the unwritten rules of film making out the window. The main ways he accomplished this task was by adding graphic violence, sexuality, and different ways to view the film differently than any other movie before its time.