Anti Hero By James M. Cain

In the short book of “No Heroes, No Villains” by Steven Phillips On June 28, 1972, a Transit Authority patrolman, John Skagen, was on his way home from testifying at court for an arrest he made a couple of weeks prior. Skagen was taking the train home to the Bronx when he saw and stopped James Richardson who was awaiting the subway train which would take him to work at Lincoln Hospital. Skagen ordered him to “put up your hands, and get against the wall”. Skagen’s actions seem unprovoked and unnecessary. After a short tussle the two men exchanged shots and Richardson fled the scene on foot. Two other officers that were on the main street above the subway station rushed to the scene.

The novel, The invisible hero by Elizabeth Fensham explores the theme of heroism and villainy. Heroism can be defined as doing a selfless act in hope of inspiring others. Villainy can be defined as an act of doing something ‘evil’ in spite of another person or group. although it is commonly known that heroes and villains are polar opposite it is much more complex because it all depends on perspective. This idea of heroism and villainy will be expressed through an analysis of the style, characters, setting and plot.

In the novel ‘Heroes’ by Robert Cormier, a young war veteran returns to his hometown, Frenchtown, and seeks out revenge on the man who mentally scarred both him and the girl he loved when they were young. In the novel, Francis Cassavant is the main protagonist who returns from war with horrific wounds and scars. Also, Francis can be described as a character with deeply rooted issues as when he was young he heard the girl he loved get raped by the man who he believed to be a hero. The theme of heroism is something widely discussed in the novel, Francis’ image of heroes have been distorted from seeing all the terrible and cowardly things he, and other people who were referred to as heroes, did. He struggles to see himself as a hero, despite having saved many lives, as he viewed the actions he took to be a so-called hero as cowardly and unworthy of gaining this title.

In “War and Massacre” by Thomas Nagel, Nagel argues that there are limits on what can be done to an enemy even its for the sake of overall good. He believes that such an idea is grounded on the principles of Absolutism, where morality is determined by the action itself (deontology). This is contrary to the view of Utilitarianism, which relies on the premise that Morality is determined by its consequences (Consequentialism). Although could one in fact generate such a moral structure around war? Do the ends justify the means in War? Through identifying with a real-life example, I will look to expand on Nagel’s account where an action taken by a country in war would be prohibited even if it were for the overall good.

This week I read the book Hero by Mike Lupica. In the book a teenage kid name Zach Harriman. But then one day is life is changes when he finds out that his dad, Tom Harriman, who worked as a special adviser for the president of the United States, was a super hero with super powers. Until he died in a mysterious plane crash on a business trip and the weird thing about it is that in the crash site no bodies were found, which made Zach curious. Zach though that his father’s death was murder. Therefore he wanted to see what actually happened to the plane. While doing this he meets a man named, Mr. Herbert, who says he has special powers like Zach’s father. Zach continues to see this strange man and figure out that he was like his father. He also train Zach so he know how he knows

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

In Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest”, the nurse Miss Ratched is a fine example of a realistic fictional villain. Possession of three key components is essential in identifying what makes Miss Ratched a villian. Motive is what drives the villain to commit the very acts that allow them to be considered evil in the first place, and often drive their entire being as a character. While they must possess motive, they must also have a sense of morals that coincides with their motives (typically evil, or distorted) and follow their moral compass in a way that often causes trouble for those around them. Additionally, a villain is frequently associated with their opposite; the hero who combats them. Kesey’s character perfectly aligns with these three categories of what makes a villain, and it is unquestionable that she is the villain of the novel.

Over 150 years, the Civil War had been the bloodiest war in the American history, also known as “The War Between the States” or “Brother Against Brother”, it was fought between the Union or the United States of America and the Confederate States of America. The war lasted four years from 1861 to 1865. What motivated these men to fight and what is the cause of the Civil War is a subject that many historians tried to find out.

In the book Revolutionary Characters by Gordan Wood, the degree in which he portrays the personality and personal philosophies that informed the politics of these early American leaders, especially Thomas Jefferson, shows that contrary to popular belief that these men were not some unflawed perfect beings, but they are just like us with their many fears and insecurities. These flaws appear in all of the founding fathers and this adds a level of realism to them. It also shows that flaws are a part of human nature.

In the reading, “Why We Love TV’s Anti-heroes” by Stephen Garrett, he points out that anti-heroes are becoming more popular than the traditional hero. Garrett states, “the word hero is abused in the news, the sports reports, and even in conversation” (318). For example tabloids recognize someone who battles a drug addiction and overcomes it or a substitute kicker for the football game kick the winning field goal (318). You see he argues that traditional heroes are “boring” and that there are no longer any more real heroes (318-321). Anti-heroes are characters or people who are just evil but still get the viewers to like

Tragi-comedy happened to be the most dominant mode of postwar writing and it can be linked to the anti-hero in late 1940s and 1950s fiction. Anti-heroes emerged in quick succession in various guises following the trend of European picaresque tradition of rougish anti-heroes and part from the discomfort with rising middle-class expectations of the decade. The list includes Holden Caulfield in J.D Salinger’s Catcher in the rye (1951), Ralph Ellison and his eponymous Invisible Man (1952), Hazel Motes in Flannery O’Connor’s Wise Blood (1952) and Cross Damon in Richard Wright’s The Outsider (1956); Dean Moriarty in Jack Kerouac’s On the Road (1947) and Humbert Humbert in Vladimor Nabokov’s Lolitha (1958). The trend continued in 1960s fiction

The Lost Hero is a Greek mythology story by Rick Riordan, which is about Jason Grace, and his companions. It starts off, when Jason Grace wakes up having no idea who he is, or where he is. He is supposedly in Wilderness School, a boarding school for bad kids. His companions around him, are believed to be great friends of his; Piper, and Leo. They are exploring the Grand Canyon, when out of the blue, a Venti (storm spirit) comes and attacks them. Their protector, Gleeson Hedge saves them, sacrificing himself to be taken to the skies. Soon, a squad of people just like them, called demigods picked them up. They took them to a camp, just for demigods, one of their parent is a god, and their other parent is a mortal. Soon later, they realise that Leo is the son of

The triumph of an individual against all odds has been a popular trope for all forms of story-telling throughout history. Surrounding these triumphant (or sometimes not) heroes are conflicts that can be categorized into some of the following: man versus man, man versus himself, man versus nature, and man versus society. The conflict between an individual and society is common in American literature due to the qualities of a typical American hero; they often run on their own set of morals and do not fit into their society. However by going through this struggle, characters are able to grow and develop. The varying reaction amongst characters

If one were asked to give a brief description that defines his or her favorite hero, it would be a very rare occurrence to get a response such as “a cocaine addict, workaholic, and peculiar genius with an indifference to sexuality,” or perhaps “an army general with an increasing bloodlust and an intense thirst for power.” However, despite these less heroic qualities, characters like these tend to appeal more to readers of literature — especially the contemporary audience — than traditional heroes. So what exactly makes them more appealing and do their unconventional qualities actually have an effect on the works of literature that they are in? In order to begin understanding the answers to these questions, it is important to recognize what

Pop art: "The Secret Life of Heroes" by Grégoire Guillemin"The Secret Life of Heroes" they range from fairy tales to comics characters to Star Wars made by Grégoire Guillemin. it shows pop art because it show n iconic loved media and movie characters with a touch of reality. he has a similaritys to Roy Lichtensteinand his orignal pop art master peaces