Antigone By Anouilh : Tragedy, Fate, And Flaws

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

Antigone 's tragic flaw does not lead to her downfall, because of this Antigone does not meet the characteristic of reversal in fate otherwise known as a downfall. Creon’s pride is what causes Antigone 's death. For example when Teiresias tells Creon to let Antigone go and to give Polyneices a proper burial because the gods are upset he does not listen. Instead he says to Teiresias, "doddering fortune tellers...if your birds-if the great eagles of God himself- should carry him bit by bit to heaven, I would not yield"( 44- 47). Creon is insulting Teiresias, a respected prophet, and says that he wouldn 't do as Teiresias says even if the birds carried Polyneices body bit by bit to heaven. It is obvious that Creon is prideful because he has a high opinion of his superiority. This is shown when he refers to Teiresias, a highly respected prophet who has never been wrong, as

Moreover, Antigone’s ability to follow her own beliefs results into the heroicness and tragic death of Antigone. Antigone is from a royal family and has the power to do what she believes in. She believes in following traditions and exercises that power when she says, “I will bury him, and if I must die, I say that the crime is holy: I shall lie down With him in death, and I shall be as dear To him as he to me” (694). Antigone follows her beliefs in following tradition and by doing what she feels is best. Antigone does this because she knows she is doing the right thing and knows that she will be repaid in some way. Furthermore, Antigone justifies her actions by telling the reasons that motivated her to do it to King Creon. She refuses to give in to the beliefs of King Creon and continues to think her own separate way. Antigone takes a stand to Creon when she says, “ Think Death less than a friend? This death of mine Is of no importance, but if I had left my brother Lying in death unburied, I should have suffered. Now I do not. You smile at me. Ah Creon , Think me a fool, if you like, but it may well be That a fool convicts me of folly” (709). Antigone believes what she is doing is correct and proves that to Creon , but he is still not convinced. It is important for Antigone to do what she believes is so that she will be pleased and satisfied with the outcome. Antigone’s ability to pursue her goals and to what she wants

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

The tragic hero of a story has to have his/her tragic flaw. Creon and Antigone both shared the beliefs of freedom and the protection of personal dignity; those must be their tragic flaws. Creon believed that if he made a direct command he would carry it out all the way and not bend the rules for anyone. That shows how stubborn he was and how heartless and vile he was. Those are the traits of his tragic flaw. Antigone believed that everyone has their equal rights no matter whom they are fighting for, especially if they are part of her family. She would be stubborn and would not bend her ideals for anyone like Creon. She would go as far as it would take for her to get her point across. A tragic hero must realize that he/she has a tragic flaw and must then try to change themselves.

Due to his unwavering pride and refusal to see through the eyes of others, Creon falls from his position of immense power and wealth which in the end doesn’t matter because all his loved ones and family are now dead.

Pride acts as another major theme; it is what got Creon in this situation in the first place. Creon has too much pride to admit to anyone that maybe he was wrong. Even when he has Antigone he has too much pride to let her go. Creon's own son questions him and he replies, "Am I to stand here and be lectured to by a kid? A man of my experience"(1063)!Creon shows that here he is too proud to change his decision for his own son even if he made the wrong choice. The king's friend the Leader tries to convince Creon to change his mind by telling him "My king, ever since he began I've been debuting in my mind, could this possibly be the work of the gods"(1050). The Leader was trying to tell

Creon’s bad decision leads to his eventual downfall and demise. Creon realizes his hubris and his wrong decision a little too late. Antigone is already dead, and he cannot correct his wrong-doing. This makes the audience feel pity for him, for he

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

Sophocles believed that it was significant that the law of a persons conscience supersedes the law of the state. Antigone overlooks the law of the state and follows her heart to do what she knows is morally right, opposed to a law created by a human with high authority. She understands that the consequences are heavy for the act, however, she courageously concluded that the importance of the act was greater than the consequences.

All in all, Creon started out as a stereotypical, mean and power hungry ruler. Pitching two brothers against each other so he could have the throne, then making an unpopular and unnecessary law, he was not liked by the people. Breaking his sons heart by sentencing his fiance to death, and in turn breaking his wife's heart, he ended up alone. For the first time we see him lost. This makes him a better leader as he is now able to empathize with his people. His vulnerability helps him stay in his spot of

Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any