Antigone By Sophocles : A Moral And Legal Battle

Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

Standing for what you believe in and know what's right and wrong is important . In the play, Antigone, Sophocles demonstrates that through the conflict of the character. The play is a well-known tragic drama about the conflict between Antigone and her uncle Creon who is king of Thebes.Both character have different believes, idea and opinions regarding divine law and civil law. In Antigone the author Sophocles demonstrates the how important one's moral beliefs is, through the actions of the characters and how the beliefs impact the outcome of the play.The conflict between civil and divine law through Antigone and Creon, shows the important one's beliefs and how it impacts the outcome of the play. A reader can Identifying which law is more important in the play by looking at how the laws impact the characters and the outcome of the play. Both Antigone and Creon go at it expressing each others believes and whether one is right or wrong.Throughout the play civil law is more significant and powerful.

Law, principles, and regulations are established in a community in order to create peace and order for the people. But is every law placed- morally correct? Is there anytime when breaking an unjust law is acceptable? Through Sophocles novel, Antigone, he illustrates to his audience regarding to breaking an unjust law and that no matter how high a ruler might see himself as, the Gods will always be stronger and higher than the mortals. He designs one of the first examples of a conscientious objector, Antigone, one who breaks a law that is, to her, unjust. Defying Creon’s law with her beliefs that god's law overrules man's law, she goes against him by burying the body of her deceased brother, Polynices. In spite of the fact that Antigone knew the consequences that had the power to threaten her life, she still decided to honor her brother’s memory and satisfy the gods. When being captured by the guards she had not deny the fact that she was indeed burying Polynices, in fact she stated that she did and took the consequence, even though her life was at risk. To her burying her brothers body meant more than her own life, restoring moral balance and satisfying the gods led her to disregard a law created by man. Many should consider that breaking an unjust law is not wrong, a law that is morally unjust. The law was created to protect the people and their beliefs, yet as we see through the three Theban plays we learn that one's beliefs and morals go against the law, but it's not the

In the play Antigone, written by Sophocles, King Creon created a law that denied proper burial rites to anyone who invaded or betrayed the city of Thebes. Antigone defied this law by burying her brother, Polynices, after he was harshly accused of being a traitor. Both Creon and Antigone showed a tenacious passion toward their perception of justice, unwilling to accept that honoring the law and honoring the individual conscience were both justified in different ways. The stubbornness that they shared led them both to meet their downfalls, which conveyed the idea that being too proud to accept guidance from others ultimately leads to dire consequences.

In conclusion, the play “Antigone” by Sophocles presents a clear understanding of how the society can suffer when they decide to follow their moral laws that are against the state law. Antigone and Haemon suffer as a result of going against the law of Creon. Similarly, the case of the two couples in Florida ends up being imprisoned because of going against the state law and feeding the homeless people. However, despite the consequences of going against the state law, the couple in Florida and, Antigone and Haemon choose social law and

The prevailing message throughout Sophocles’ Antigone and King’s Letter from Birmingham Jail is that civil disobedience serves the purpose of fighting and correcting injustice in situations where systemic breaks in adherence to natural law occurs. Injustice here as used here is not to be synonymous with things that are simply unlawful or unfair, but instead takes on a deeper and more specific definition pertaining to the natural moral codes that all laws, as argued by King and Antigone, ought to be based upon. It is by this definition that both Antigone and King find reasoning; that civil disobedience is absolutely necessary as the final option one must take when dealing with systemic, top-down injustice. Where there is dissonance between

In Sophocles’ play “Antigone” she has heard the news that both of her brothers are dead. She has also learned that her brother Polyneices has not had a proper burial. The new King of Thebes, Creon has decreed Polyneices an enemy of the state a traitor. Polyneices and his brother Eteocles fought over the kingdom of Thebes and died at each other’s hand. King Creon wants Polyneices body to go unburied, to rot in the sun for the animals to have their way. Antigone’s asserting the supremacy of divine law buries her brother Polyneices. She is willing to speak out against injustice, not adhering to conventional restrictions and inflicting laws. Antigone’s civil disobedience resembles twenty-century Martin Luther King, Jr., who also stood up for injustice. Antigone’s like King took the law in their hands and because of what they believed went against authority.

Throughout Antigone, Sophocles develops the idea of emotion in protests through the actions of Antigone. Antigone, angry at Creon’s refusal to bury her dead brother, decides to protest and go against the rule of the state. Creon responds in return, rashly sentencing Antigone to death. At the end, the play ends in tragedy, with Creon’s son Haemon, Creon’s wife, and Antigone all dead from their emotionally driven choices. Throughout his play, Sophocles’ develops the idea of pathos in protests, showing that emotions are the driving force in starting many protests, the use of pathos is essential if the protest wishes to grow and gather a following, and that relying on simply pathos and emotions will lead to the failure of the protest without

Sophocles’ Antigone centers around a familial feud that develops between Antigone and Creon when Antigone decides to bury her brother and Creon’s niece, Polynices. While Antigone believes that it is her religious and familial duty to bury her brother, Creon objects, citing the Theban civil war which took place right before the events of the play. Adhering to Greek literary tradition, Sophocles ultimately seeks not just to entertain the audience, but also to teach a moral lesson, in this case about the consequences that ensue when a tyrannical ruler disobeys divine rule, violate religious obligation, and attempt to place government over religion. In developing the plot and conflicts of the text, Sophocles explores three unique but interconnected themes. Sophocles first considers the role of the individual versus that of the family, then rule by consensus versus that by a monarchy, and finally obligations to religion and tradition versus those to the state. The underlying conflict of Antigone, therefore, is not simply that between Antigone and Creon, but also between the themes

Justification: By State or By Law Google says that justification is the action of declaring or making righteous in the sight of a god. Being just is based on or behaving according to what is morally right and fair Oxford Dictionaries states. By dictionary definition Antigone's actions were morally right when she defied state law for religious law, yet what in the play Antigone by Sophocles made her actions truly just? Antigone defied her uncle’s edict and buried her deceased and stigmatized brother because within her religious beliefs it is her duty and responsibility to do so, even though she knew the penalty for doing so was death.

When motivated by the same principles and desire to oppose unfair and immoral actions by a ruling power they are in fact acts of resistance. Despite its scale, small acts of civil disobedience can be the spark of large resistance movements. Such instances occur not only in the works of Plato and Sophocles but also outside literature in history. Sophocles presents his play Antigone, where Antigone buries her brother despite the order against it by Creon. The intention was to honor the ancient Greek burial rights, respect the dead, and in doing so, she disobeyed.

Sophocles lived in Athens, the most progressive city-state at the time. Athenian society was ruled by a king who enforced laws interlaced with divine ideals. The king acted as a bridge that conveyed divine ideals and monitored society’s compliance. If a law was broken, a harsh punishment-- often exile -- was to follow. Sophocles wrote the play Antigone in the midst of a revolution in Ancient Greece. Around 500 B.C., radical thinkers sparked a movement that challenged the way government was run (Hammer 109). A change was required after the monarchy became corrupted by tyranny as the king claimed more control and gave less control to the common people and the gods. In order to create a balanced society, the first democracy was created in Athens around 450 B.C. The new system of government did not run smoothly from the start, however. Persons of high status including the king and his nobles wished to continue ruling with absolute power while the radicals fought to end corruption. Many years of tumult would follow as the conflict between divine and human law persisted. Sophocles demonstrates the conflict of divine versus human law in the play Antigone as the characters defy laws that bring upon them serious consequences.

In the Greek tragedy Antigone, written by playwright Sophocles, a conflict is presented in the aftermath of a rebellion against Thebes, wherein the brothers Polyneices and Eteocles kill each other, as leaders of opposing armies. Creon, their uncle, assumes rule of Thebes, as the only remaining heir of the previous king; then honors Eteocles as a hero, but forbids any burial for Polyneices, calling him a traitor. Antigone defies this, claiming the gods require him to be buried. This essay will argue that Creon was correct to forbid the burial of Polyneices. Both Antigone and Creon have ample justification. The justification, and flaws therein, for Creon’s actions will be discussed, resolving the conflict.