Antigone, By Sophocles And Anouilh 's Versions Of The Modern Version Of Power

In the play Antigone by Sophocles Creon is the king of Thebes. In this piece Creon becomes overwhelmed with the power given to him as king. The result is Creon turning into a corrupt king. He orders laws that must be followed with consequences of death. He uses the body of his nephew, Polyneices, as a way of frightening the people into submission. And finally Creon walls up his niece, Antigone, to die because she disobeyed him. Such actions can not be justified and ultimately makes Creon a bad ruler.

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

“Your temper terrifies them” (Sophocles 222). In Sophocles’ tragedy “Antigone”, Creon, the obstinate king of Thebes, embodies the stereotypical monarch. Ancient Athens, where Sophocles called home, used plays to educate their audience and persuade them to think a certain way; thus, Sophocles wrote of the struggle between Creon, and his son, Haimon, from the perspective of a member if a democratic government. Sophocles sought to influence his audiences political beliefs by creating the character Creon, the King of Thebes’, whose power hunger and temper makes monarchies appear absurd; however, strengthening stereotypes as a political weapon did not cease in Ancient Greece. In the past century, American screenwriters have

In ‘Antigone”, Ismene says, “To them that walk in power; to exceed is madness, and not wisdom”. Her statement makes it clear, those who “walk in power”, allow it to corrupt them. Throughout the history of humanity there has been a correlation between those who have excessive power and corruption. Webster’s Dictionary defines corruption as, “impairment of integrity, virtue, or moral principle”. In the story of Antigone the tragic hero Creon, shows all of the common characteristics of corruption. Before one can analysis the character of Creon they would first have to look at the story of Oedipus the King.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Though the choices that Antigone and Creon face in Sophocles’ Antigone differ, their decisions often end up pitted against each other’s, inviting comparison. Since I am juxtaposing the characters’ degrees of rightness, I believe that the rightness of the reasoning, not just their ultimate stances, should be examined. The entirety of his or her argument, not just the conclusion, must be taken into account. I’ll also note that my perspective of rightness could and does conflict with that of the gods in Antigone and Sophocles. Furthermore, “rightness” has an element of nuance to it because of the word’s multiple definitions and their connotations.

In the drama Antigone, Sophocles considers the source of authority and power in society. When King Creon makes a law that forbids the burial of Antigone's brother, Polynices, she ignores the king’s authority, risks her life, and buries her brother out of loyalty to the gods. The situation leads to a conflict among the people of Thebes, Antigone, and Haemon. They must decide where their loyalty lies, and whose authority should take precedence, that of the king or that of the gods. While a number of views about the role of authority and power are expressed through characters such as Creon, Antigone, and Haemon, the drama seems to support the view that authority does not rest only with one person.

In the beginning of Antigone, Creon and his people firmly believe in the power of his authority and his leadership of the city of Thebes. When Creon argues with his son Haemon, he tells him “that man the city places in authority, his orders must be obeyed,” so much that “whoever places a friend above the good of his own country, he is nothing” (748-750, 203-204). The citizens place Creon in authority, so he urges his people to obey his edicts and orders because their compliance is essential to his position. In his opinion, authority is the most meaningful entity in Greek life, regardless of friendship or family ties. For example, even though Antigone is his son’s fiancée, Creon refuses to absolve her of her crimes because in his eyes, no one should be exempt from the law. The city-state agrees with Creon, illustrated when the chorus sings, “When he weaves in the laws of the

Creon shows his self pride obviously when he said, “But whoever shows by word and deed that he is on the side of the State, he shall have my respect while he is living, and my reverence when he is dead” (Sc. 1, lns. 52-55). Antigones’s tragic flaw can be seen as an act of justice to some and just breaking the law to others.

The abuse of power is a rampant problem in our world today and has plagued society since the dawn of government. In Antigone by Sophocles, this issue is a prominent theme. One of the main characters, Creon, rules over the people of Thebes, but does so selfishly and unjustly. These same actions can be seen in our modern world by those in authority. Creon’s abuse of power is reflected in today’s governments through law-making, punishments, and the removal of opposing perspectives.

Tyranny and immorality are key notions presented in Antigone when referring to justice. In this play, Creon is presented to be a tyrannical and irrational ruler, while Antigone rejects this system and ultimate dies because of it. Creon views leadership in a selfish, immoral manner. When speaking to his son about his rule, he states, “The state is his who rules it, so ‘tis held”