Antigone Chapter Summaries

Innocence was an aphrodisiac, and although the teen had proven underneath the youthful features, long chestnut hair, bright, welcoming brown eyes, and trusting, modest demeanour, there lay a wanton slut, it was a quality the Co-ed still projected to Adam. Not as much sexually, for he had witnessed her naked and screwed by a multitude of random strangers, on multiple occasions, it stemmed from the fact Sophie remained oblivious to the fact she was being used, and her escapades uploaded to the web.

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues, and possess a fatal flaw, or hamartia. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

As the play begins Antigone is just meeting up with her sister and is telling her about the decree of King Creon. Antigone and her sister, Ismene, had two brothers who had killed each other on the battlefield. One of their brothers, Eteocles, was buried with the military honors of a soldier’s funeral, and yet the other, Polyneices, was to be left out to be food for the carrion birds since he died fighting against the city of Thebes. King Creon forbade publicly for anyone to bury the body of Polyneices under the penalty of death. Antigone is now determined to bury her brother and wants Ismene to help her. Ismene does not want to go against what the king has ordered and is fearful of what may become of her if she

Thebes was invaded by Oedipus’ son, Polynices, and his followers. As Oedipus predicted in the previous play, Polynices and his brother, Eteocles, killed each other during battle. Creon, the king of Thebes, ruled that Eteocles should have a proper burial with honors and Polynices, the invader, be left unburied to rot.

Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.

What is worth fighting for? There are several examples of literature that have not so much changed my view of the world, but solidified vague ideas I already had about my values, passions, and the things I wish to fight for and stand up for as I paint my story.

acted on her betray of the king. Creon threatens to kill Antigone in front of Haemon eyes, so he storms out with rage of the ignorance toward father. Then the blind prophet Tiresias arrives at Thebes again and tells Creon that the gods are not pleased with his actions and will bring a curse upon the city. When Creon has a change of heart and gives Polynices a proper burial and goes to free Antigone from the tomb, she was banished too. When Creon gets there he finds his son Haemon raving over Antigone hanging body from a noose. Before Creon could stop Haemon, He turned his sword to his father, but end up killing himself embracing his fiancé body. Creon, feeling inconsiderate and thoughtless about his actions carries his son’s body back

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

5. According to Aristotle, what two emotions do we experience as a result or a catharsis? Why do these occur at the end of Antigone?

1) I believe that Antigone has a right to feel angry towards her sister for not wanting to help her law, but the law is morally wrong, and should be rejected in a way. Antigone doesn’t seem to show much affection towards Eteocles, but we know for a fact that she dearly loves her brother Polyneices.

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

In Jean Anouilh’s version of the play, Antigone, the protagonist, Antigone, is interpreted as a member of the resistance to despotism that parallels the antifascist French resistance against the Nazi occupation. Anouilh’s controversial play was performed in 1944 under Nazi-controlled Paris, so when Antigone sacrifices her life to defy the oppressive ruler Creon, Anouilh makes Antigone not only a heroine, but also a symbol for resistance. Anouilh based his playwright on Sophocles’ version, which was originally written in 442 BC in Ancient Greece. However, Anouilh uses different literary devices such as anachronisms, allusions, similes and symbolism to relate the story to the most disturbing dilemma during his time in the 1940’s. He writes his play to show the importance in joining the French resistance, but he must also make his play acceptable to the controlling Nazis. As such, the play Antigone can be interpreted as a political allegory of Vichy France.

It was too late. The Great Danes had surrounded me. My heart was filled with misery. I had been striving for this my whole life! I sighed, “Come on, this is just great.”