Antigone Gender Analysis

Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on

In Sophocles’s Antigone, we can see that the deeply misogynistic society of ancient Greece has manifested itself into Creon, a despotic ruler, despising dissidents, traitors, and especially women. His hatred of women manifested into several examples of misogyny throughout the play: He assumed that the criminal who buried Polyneices was a man, he looks down on Antigone’s defiance as improper defiance of a mans order by a woman, and he virtually disowns his son Haemon for disagreeing with him and listening to a woman.

Antigone, however, decides she would rather please the gods than man and buries her brother against King Creon’s orders. She is fully aware of the consequences should she get caught, yet she openly disobeys, even against her sister’s warnings. She gives Creon no additional respect either as a male in a patriarchal society or as a king and ultimate authority figure. In fact, she calls him a fool! Antigone boldly states to Creon himself, “If my present actions strike you as foolish, let’s just say I’ve been accused of folly by a fool,” (Sophocles p.657). The strong will and defiance she exhibits are very characteristic of modern feminism.

The female protagonists in the plays “She stoops to Conquer” by Oliver Goldsmith and “Antigone” by Sophocles are successfully able to reach their goal by behaving according to their environment and behaving to the need of their situation. In the very well written play, “Antigone”, Antigone openly refuses to obey the king and buries the body of her brother, Polyneices. In the interesting play, “She Stoops to Conquer”, Kate Hardcastle makes it her goal to marry a man named Charles Marlow. It is her top priority since he feels relaxed in the company of lower class females. When Kate Hardcastle realized that Charles Marlow has a special preference for lower class females, Kate acts as if she is a lady belonging to a lower class and therefore

Just as one stone removed can break a bridge, one flaw can bring a man to ruins. The flaw of one man cannot bring down an entire kingdom, but rather one outlook of the king can lead to the demise of the whole. In Sophocles' epic tragedy, Antigone, a strong gender bias is present throughout the tragedy, and is partially responsible for the downfall of the king.

to his son, “To all one’s enemies. Do not be fooled, my son, By lust

King Creon is surprised to see Antigone being arrested and brought into court. In that time period, women were supposed to keep opinions to themselves and follow the rules. Antigone, throughout the play has done the opposite of that. When Antigone and Ismene are presented in front of Creon becomes excited. The girls have broken the rules and Creon enjoys having the power to embarrass them. “Gentlemen, I beg you to observe these girls: One has just now lost her mind; the other, It seems, has never had a mind at all” (2. 167-69). Antigone is not embarrassed as the king had hoped and instead argues her reason for going against the king. Antigone’s response to King Creon angers him so he sends her into the tombs. Creon says, “You know your orders:

Although ancient Greece was a male-dominant society, Sophocles’ Antigone portrays women as being strong and capable of making wise decisions. Antigone, the tragic heroine, rejects the traditional role of women. As such, Sophocles punishes Ismene for embodying traditional attitude. Moreover, Creon is punished for misogyny. Sophocles, accordingly, uses characterization to promote feminist ideas.

During the time in which the play took place society frowned upon women asserting themselves.  Women were supposed to play a role in which they supported their husbands, took care of their children,

“No woman shall seduce us. If we must lose, Let's lose to a man, at least. Is a woman stronger than we?” (Sophocles.II.3.539-540) says Creon, King of Thebes and uncle to the disobeying but brave Antigone in Antigone by Sophocles. A patriarchal society is a community in which male domination over women, Sophocles explains the journey of Antigone in getting her brother buried and yielding against the laws of Thebes in a man dominated city. Antigone portrayed in the play is loyal and stubborn, she would do anything that feels ethical and honest to her even if that disregarding the laws created by men. She responds to the standards of King Creon by going against her own blood, not believing that women should subjected to the rule that they

Throughout history, women have always stood in the shadows of men. In many cultures, the role of a woman was to be seen and not heard. One of the first "heard" females was as I believe Antigone, of Sophocles’. Antigone, was the descendant of Oedipus. When her brothers Eteocles and Polynices killed one another, Creon, king of Thebes, forbade the rebel Polynices’ burial. However, Antigone disobeyed him, performed the burial, and was condemned to death for what she had done. Thru her actions she displayed vast uniqueness of a great female leader. In doing this, she stepped out of her place as a woman in a male dominated culture.

All things considered, women are very underestimated when being compared to men. All women in this play were without power, a stay at home wife, without a clue and without the ability to stand on their own two feet. Whereas every male character in the play held all the power, were the bread winners, were rational and more than capable to think and be on their own. What this

The Importance of family and cultural values is proved in the Greek playwright written by Sophocles. Sophocles helped us understand each character as we meet them in the first scene. Antigone, we learn that she is the antagonist as she rebels against her uncle, Creon, and her love of her own blood, and that she is not one to stand down for any man. Antigone, Ismene and Creon are characters that are of discussion in the play of gender roles.

In Sophocles’ play, Antigone, the role of women in society is challenged as Antigone reluctantly disobeys the “natural laws” that place women below men. Antigone’s two brothers, “...slew each other,” (Sophocles 57) but only one was buried as an honor, and the other “...unlamented, unburied, a sweet find for birds to feast upon” (30-31). Antigone disobeys the laws as she decides to bury her brother, with or without the help of her sister Ismene. As Ismene refuses to aid Antigone, she points out the duty of women in society. Ismene states, “...very horribly we will die if we go against the king’s decree,” (60-61) and “Rather, consider that we were born women, proving we should not fight with men, and that we are ruled by more powerful people and must obey them, even in more painful things...yield to those who walk with authority” (64-68).