Antigone Gender Roles

In Antigone written by Sophocles and translated by David R. Slavitt, Antigone decides to risk her own life to be able to bury her brother in a respectful way in which she thinks is right. Antigone had an enthusiastic determination about it, approached it without regret, and also choose her destiny and her sisters. Her father’s fate was a big affect on if she was going to precede with burying her brother or to no give him the respect like the rest of the surrounding community. Even though Antigone risked her whole life and her entire future she made the right decision by burying her brother and sticking to her own judgment.

First off, Ismene, Antigone’s sister, actually was the one that incited Antigone's actions that led to everything else that happened in the story. Without Ismene, there would not be a plot. In lines 52-59, Ismene said to Antigone “What? You'd bury him— when a law forbids the city?” Antigone replied “Yes! He is my brother and—deny it as you will—your brother too. No one will ever convict me for a traitor.” Ismene said “So desperate, and Creon has expressly—” and Antigone interrupted with “He has no right to keep me from my own.” Here Ismene is telling Antigone that her actions are not something that are legal and that comply with Creon’s laws. Antigone, being hard-headed, decides that she is not going to let a law determine what she does for

The play Antigone by Sophocles is a Greek tragedy set in Ancient Greece. The play depicts a young woman, Antigone, who chooses to disobey the king's law by burying her brother, Polyneices, which simultaneously, is obeying her god's law. King Creon punishes her for choices. Sophocles’ Antigone and its’ depiction of an, arguably, proto-feminist is, also, an accurate portrayal of women and men’s roles in Ancient Greece. Sophocles uses Creon to portray male dominance and Antigone and Ismene to portray female archetypes in Greek Culture.

Additionally, Ismene also gets punished due to Antigone’s actions even after obeying her superior’s orders. As a result, Creon states that “[he will] execute them” (43). Moreover, Ismene is punished with the shame of the actions she has caused. She stood up to Antigone and partially blamed herself for their brother’s burial as she didn’t want to be left alone. Ismene therefore “bear(s) [her] share of blame” (45) and suffers from Antigone’s actions. Ismene wasn’t the only character who embodied a traditional attitude as Sophocles introduces a similar male character.

In the play Antigone, men view women as a threat to their masculinity and do whatever they have to in order to silence them. However, the women find ways to speak out anyway. Gender has profound affects on the meaning of Antigone's actions. Creon feels the need to defeat Antigone more so because she is a woman. Antigone's rebellion is especially threatening because it upsets gender roles and hierarchy. By refusing to be passive, she overturns one of the fundamental rules of her culture.

In today’s society, men and women do not always see eye-to-eye. Creon and Antigone, the two main characters in Sophocles’ play Antigone are examples of this statement. In this play, the difference of gender plays a big role in the main conflict. Antigone is a young, independent girl going against the law of king Creon, her uncle, by giving her brother a proper burial. Eteocles and Polyneices, Antigone's older brothers, fought to the death because of their different beliefs; Creon buried Eteocles with military honor and Polyneices was not allowed to be buried because he went against the kingdom. Antigone believes Polyneices’ soul deserves to be at peace; so she decides to go against Creon’s orders and bury him by herself. When Creon

Imagine knowing that both your brothers have lost their lives due to foolish decisions. The man who comes to power in place of them decides that only one of them is worthy of a proper burial. One of them is glorified and the other is left to be eaten by animals as he is thought to be a traitor. Being one of the last in your line you decide to take it upon yourself to respect the laws of the gods and honor your brother. In Antigone, a Greek tragedy written by Sophocles , Antigone faces the consequences of defying mans law in order to follow the laws of the gods.

wife, and his will to live, but is doomed to live on in his pain. Antigone

When questioned about committing treason, Antigone’s lack of denial illustrates her rashness in decision-making, as she has nothing to gain from death. Instead of disclaiming the lowly guard’s words, she proudly states: “I say I did it and I don’t deny it” (Antigone 443). By admitting her role in the burial, Antigone seals her fate. Furthermore, the notion of her death does not faze her as she tells Creon: “I knew I must die - how could I not?” (460). Her acceptance of her death, while honorable, is unnecessary, because her objective of giving her fallen brother a respectful and honorable burial is already achieved. If she had not mentioned her role, there was a chance that she could have survived. In addition, Antigone does not even factor in the feelings of her sister Ismene and her fiancé Haemon, showing how inconsiderate she is of her impact on others. This irrational approach can only be described as foolishness; if she had been wiser, she would have buried her brother and survived to tell the tale. Her lack of judgement results in her downfall and the misery for those around her.

The Importance of family and cultural values is proved in the Greek playwright written by Sophocles. Sophocles helped us understand each character as we meet them in the first scene. Antigone, we learn that she is the antagonist as she rebels against her uncle, Creon, and her love of her own blood, and that she is not one to stand down for any man. Antigone, Ismene and Creon are characters that are of discussion in the play of gender roles.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

When one considers Antigone’s actions against period social norms, it becomes apparent that Antigone serves as a foil to the established stereotype of a traditional Greek woman who is supposed to be “pure,” soft-spoken, and nearly subservient, much like Ismene is. Antigone’s contradiction to societal norms serves to emphasize the severity of Antigone’s rebellion as one not only against Creon but also against society as well. From this interaction, the audience can glean that Antigone is not only viewed as rebellious because of her actions, but also because of her sex, which inherently exacerbates the severity of her crime. Creon’s first accusations against the perpetrator of the burial support this initial claim. Creon refers to the criminal as a “he” and implies that Creon cannot fathom that a woman might commit a crime against his rule. Thus, a theme of gender roles emerges, further showing Antigone’s idealism since Antigone believes that she is able to act in rebellion of the throne regardless of established gender roles and that she has the same fervor to fight against wrongs perpetrated by the government as any male would have. Such defiance gives Antigone the characterization of a double minority in Theban society: first because she is a woman and secondly because she questions Creon’s rule. Moreover, as posited by Kirkwood, “The

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on

The theme of Antigone is still relevant in today's society, for issues in democracy, religion, and protest still arise today. Antigone believed Creon was overstepping his bounds as the King by preventing her freedom as a citizen to bury Polynices in accordance with religion, and protested against him, just as similar conflicts arise around the world today. Sexism is another relevant topic found in Antigone which is an issue today. Throughout the play, it is inferred that women are inferior to men. Ismene says, "We must remember we are women, and women are not meant to fight with men. Our rulers are stronger than ourselves…" In another scene, Creon says "No woman shall rule me while I'm alive." The idea that women are a lower class than men, is a conflict that is prominent throughout all world history in many societies. It is still relatable in essence, despite being written 2,500 years ago.

One perspective of oppression in Antigone is demonstrated through the conflict between Creon and Antigone regarding the burial of Polyneices, Antigone’s brother. Creon is the king of Thebes, and constantly has to assert his power, even if it means suppressing others’ opinions. When Antigone disagrees with his decree of allowing the burial of only one of her brothers, she defiantly performs a burial ritual for the other. Creon is outraged and issues the punishment of death upon Antigone, and condemns her sister Ismene for the same crime “for they are but women, and even brave men run when they see death coming” (Sophocles 460-465). It is clear that the main issue is not about Antigone breaking the law; but that she is an inferior woman who is expressing her opinions against someone of a higher standing. Creon oppresses Antigone for her gender and refuses to acknowledge her perspective because he would rather “lose to a man, at least”