Antigone: Moral Law vs. Political Law

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

Antigone lost both of her brothers, but only one, Eteocles, was allowed by Creon to receive a proper burial. No matter what shame someone may have caused, they are deserving of a respectful and proper burial. This is especially important, for the afterlife and respect for the dead are of great importance and significance Ancient Greek culture. Antigone should have been able to bury both brothers with equal consideration and honor. Creon degrees that the burial of Polynices is prohibited. Regarding Creon’s decree, Antigone says that there is “a city-wide proclamation, rumor has it, forbids anyone to bury him, even mourn him,” (Sophocles, lines 33-34). Creon declares that Polynices

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

The major moral conflict in Antigone by Sophocles is the conflict over which value is most fundamental. The play presents the moral conflict over whether the god's law or the city's law is more powerful. This seems to be the most prominent theme. The conflict arises mainly between the tragic heroes Antigone and her uncle-in-law Creon, King of Thebes. The city of Thebes had been through a war in which Antigone and her sister Ismene have lost both of their brothers to it, Eteocles and Polyneices. Eteocles's fighting for Thebes was buried and honored as a hero. (lines 24-26) Polyneices was left unburied and dishonored because he is considered an enemy of the city. (lines 27-32) Creon edicts that whoever broke the law by burying

Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

We read that Creon has issued a law that if anyone buries the body of Polyneices they will be sentenced to death. Antigone plans to bury her brother regardless of the law set into place. She is going to try and do it in secrecy and to avoid detection. She asks her sister, Ismene, to join her in the burial, but she refuses. At this point in the play the you realize the fear setting in. Ismene believes

Antigone in Antigone by Sophocles desires justice for her brother but her quest for honor of her brother`s body is obstructed by the king of Thebes Creon. There are multiple problems with the way her mission is handled and how a current audience may react to it. Today the concept of divinity, democracy and rights are drastically varied to those of ancient Greece.

In the play Antigone, written by Sophocles, King Creon created a law that denied proper burial rites to anyone who invaded or betrayed the city of Thebes. Antigone defied this law by burying her brother, Polynices, after he was harshly accused of being a traitor. Both Creon and Antigone showed a tenacious passion toward their perception of justice, unwilling to accept that honoring the law and honoring the individual conscience were both justified in different ways. The stubbornness that they shared led them both to meet their downfalls, which conveyed the idea that being too proud to accept guidance from others ultimately leads to dire consequences.

The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because this theme seems to control the whole play. It is an issue of which law is the "right" law, and if Creon's and Antigone's acts were justifiable.<br><br>The play Antigone can be summarized by the following: King Creon

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

However, the central conflict is between the protagonist, Creon, and the antagonist, Antigone. This conflict can be classified as Man vs. Man. Creon and Antigone compete with one another on the basis of which law is superior, man’s law or god’s law. Creon believing that man-made laws should not be defied, is forced to, due to his beliefs, sentence Antigone to death upon defying the law. This leads to the internal conflict present within Creon. Should he kill Antigone for defying man-made law or acquit her because her intent to follow god’s law? Due to his relentless and uncompromising beliefs of man-made law being superior to all other laws, he is forced to sentence Antigone to death, though many disagree. It seems as the moral thing to do, however, in the end, it turns out to be more than he could bargain for.

The main conflict in Antigone focuses on an unjust law promulgated by Creon. After Creon’s nephew Polyneices attempts to take power (resulting in his death), the king decrees that Polyneices is not allowed to be buried. In ancient Greek culture, this would

Antigone says, “I will do my part,-and thine, if thou wilt not,-to a brother. False to him will I never be found,” as well as that it is wrong for her brother to have been left above ground, “unwept, unsepulchred, a welcome store for the birds, as they espy him, to feast on at will.” In Greek times, these customs of burial were even more important than they are today, because of beliefs about luck, religion, and what would happen to the spirit or the family if the body was left unburied. This is why it was used as a punishment by Creon, and was so hurtful to Antigone that she was willing to risk her life to undo it. Ismene explains to Antigone the reasons that she will not take part in such a proceeding. Herein lies another example of the tragedy aspect of this play, as Ismene reminds Antigone of how her father, mother, and both her brothers had already died. Anyway, Ismene said she wouldn’t go with Antigone to bury her brother, and initially tries to talk Antigone out of it, but then simply wishes her luck and promises she won’t tell anyone. In the next scene, Creon explains, “Polynices,-who came back from exile, and sought to consume utterly with fire the city of his fathers and the shrines of his fathers' gods,-sought to taste of kindred blood, and to lead the remnant into slavery,” and that is why no one can grace him