Examples Of Justice In Antigone

Antigone has the strong belief that loyalty to the dead and to the gods has precedence over all other opinions, specifically those of Creon. Antigone does not at all care that the one with all governing power has the most disagreement with her decision to remain devoted to her family below. “Since I must please those below a longer time than the people here, for I shall lie there forever” (Sophocles 16). She knows and understands that time in the mortal world has a limit, however time in the underworld is eternal. Pleasing Creon and his belief to only stay true to civil laws are of no concern to Antigone, for all she wants is to please her family below and the gods above. An example of this is the burial of Polynices, because while it is right in Antigone’s eyes, Creon believes it is foolish and a sin

Antigone is the daughter of Oedipus, the king that married his own mother, Locaste and unwittingly killed his father, Laios. When he learned what he had done, he blinded himself and left Thebes, voluntarily went into self-style exile and died over there. Antigone and Ismene are siblings, the only surviving children of Oedipus. The other two brothers Polyneices and Eteocles quarreled and killed each other in a battle when Polyneices returned to assault Thebes, then Creon, Antigone uncle became the king of Thebes being the only heir in line to the throne. Creon ordered Polyneices be left to rot unburied on the battle field as a traitor but Antigone could not see reason to let her brothers body rot unburied. Antigone

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

     In Sophocles’ play Antigone, Creon was engaged in a conflict with Oedipus’ daughter Antigone. Creon and Antigone did not see eye-to-eye the entire play due to extreme differences. Creon and Antigone had many similarities despite their enormous discrepancies. Having as many differences as they did, it made them uniquely similar in numerous ways. The similarities that Antigone and Creon shared were independence, loyalty toward their views, cruelty and arrogance (“The Similarities”). The connection shared by Antigone and Creon showed that as hard as Sophocles tried to make them diverse, he made them unintentionally equivalent at the same time.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

She sees the burial of her brother as a nonnegotiable act, telling her own doubtful sister that, " you'll quickly demonstrate whether you are nobly born, or else a girl unworthy of her splendid ancestors," when Ismene appears to favor the king's troublesome proclamation. Furthermore, Antigone proves her unwavering fixation to her principles, even in the face of her own mortality, informing Creon curtly that, "there's nothing shameful in honouring my mother's children. " Not even under the threat of execution does she surrender her beliefs, which are shared by a great deal of the public. When the laws enforced by a leader push the public to perform actions that oppose its sense of morality, conflict arises at the expense of those in

   In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

Unfortunately, Creon does not always make the correct decision because of personality traits that he possesses. When Creon sentences Antigone to death, he is wrong. This decision is based on Creon’s downfalls. He has hamartia and he judges wrong, and he also suffers from hubris. He is excessively prideful and believes that his choice is the only correct one. Creon also has an inaccurate view of his place in relation to the Gods. He believes he is in a position to know what They want and know what They feel is best. No mortal truly knows what the Gods want, but Creon believes he does because he cannot imagine that what he believes is wrong, even to the Gods. Antigone’s death is a bad decision that Creon makes based on his beliefs that the Gods view Polyneices as a traitor and would not want him honored in death.

However, the central conflict is between the protagonist, Creon, and the antagonist, Antigone. This conflict can be classified as Man vs. Man. Creon and Antigone compete with one another on the basis of which law is superior, man’s law or god’s law. Creon believing that man-made laws should not be defied, is forced to, due to his beliefs, sentence Antigone to death upon defying the law. This leads to the internal conflict present within Creon. Should he kill Antigone for defying man-made law or acquit her because her intent to follow god’s law? Due to his relentless and uncompromising beliefs of man-made law being superior to all other laws, he is forced to sentence Antigone to death, though many disagree. It seems as the moral thing to do, however, in the end, it turns out to be more than he could bargain for.

In Sophocles’ tragedy, Antigone, Sophocles follows Aristotle’s definition of tragedy which is constructed in six parts: plot, character, diction, thought, spectacle, and song. Although these six parts are used to produce a successful tragedy, thought is especially important in Antigone because it encapsulates the plot of the play. The thought, or the theme, is revealed in the dialogue from the Prologue to the Second Episode. As a result, Antigone’s and Creon’s dialogue exhibits two interrelated themes: personal convictions versus duty to the state and human law versus divine law. Although both themes develop the conflict between Antigone and Creon and portray the personality differences between the two, both of their beliefs cause their demise thus proving there is no right form of justice.

The conflict among individuals or among a person and a group of peoples possessing a given power has always been existed in each society. As many generations have read the renowned Greek play Antigone written by Sophocle, the conflict between Creon and Antigone, which finally not only causes the misery death of the female hero character but also leaves the grief for the tyrannical King, can be considered in various patterns from religion and politics, to command and persuasion, or rigidity and flexibility, and not limited to a gender struggle. When Antigone raised to oppose to Creon’s ordain, the fact is obvious that to prevent the collision, a mutual agreement does not simply come from the same perception, but a condition in which each side has been put in to a reasonable and resolvable state, thus be the core of the play. The complexion making Antigone a tragedy performs its fundamental principle as a lack of justice through chains of dramatic events. This interaction between Antigone and Creon has to be transparentized under a deep thinking toward three remarkable dimensions of justice: devine judgment, harmony, and natural law.