Women of any society always have had a different role to play than that of men. Psychologically, a woman is to find a mate in order to bring healthy offspring into the world. Conservative thinking tells women to cook, clean, take care of the family, and to perform other miscellaneous domestic chores. Yet, Sophocles also defines the place of a woman in his tragedies: Oedipus the King and Antigone. Women were respected as very powerful and dignified individuals, but at the same time were forbidden to meddle with the affairs of men as they, figuratively, were to stand behind men at all times. The mother and daughter combination of Jocasta, the typical Greek aristocrat, and Antigone, a strong-willed woman who defies her sex role, opposing …show more content…
/ ...take this hand of mine to bury the dead?" (Roche 192-193). Antigone's political beliefs differ radically from both Jocasta's and the state's in terms of the attitude a woman should have. Antigone draws interest to the distinction between human law and divine law, as she shows serious doubt towards Creon's authority. When asked by Creon if she has chosen to "flagrantly disobey" his law, she replies, "Naturally! Since Zeus never promulgated such a law / Nor will you find that Justice / Mistress of the world below, / publishes such laws to mankind" (Roche 210). After pointing out that his edicts will never be able to supersede the will of the gods, she throws Creon's edict against Polyneices' burial in a discreditable and ludicrous perspective.
The thinking patterns of the mother and daughter also contrast each other as each woman has different ideologies and doctrines in which she believes. Antigone is a woman of fate and preordained destiny, while Jocasta is most definitely not. Jocasta has no faith in a man's ability to tell and map out the future as she believes "there is no art of seership known to man" (Roche 40). Jocasta bases her rationale on the simple dogma that "if the god insists on tracking down the truth, / why then, let the god himself get on the track" (Roche 40). Her implicitly factual and
Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.
Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.
When a messenger comes to Creon, bringing the news that Antigone has buried her brother, he begins his arguments why Antigone has broken the law. He begins by stating that a man shows what he is made of by his "skill in rule and law." In other words, the law is everything and as a ruler, he must do everything for his country. He considers Polyneices an enemy of the city and a threat to the security of the city as well. Thus Polyneices will be called a traitor in life and in death and dishonored. The scene when Antigone and Creon face each other is the opportunity for both to defend themselves. Creon questions Antigone. She bases her responses on that the city laws proclaiming her as illegal are not the laws of Zeus or laws proclaimed by gods, but rather, laws made by a man that one day will also die. She will honor her brother's death because this is what the gods have proclaimed for all mankind. (lines 460-463)
The female characters portrayed in Aeschylus and Sophocles’ works have considerably different personalities and roles, yet those females all have the common weaknesses of being short-sighted and stubborn. They intensify the conflicts within their families while being inconsiderate of the impacts that they may bring to their nations and societies, which leads to consequences that they are incapable of taking responsibilities for. Clytemnestra and Antigone, two major characters in their respective author’s works, possess different motivations for their deeds in the stories. While Clytemnestra is driven by the desire of revenge to murder her husband Agamemnon, Antigone acts against Creon’s will and strives to properly bury her brother. Despite having different motivations and personalities, Clytemnestra and Antigone both commit
Antigone has been given strong characteristics in her story and because of this she does
Antigone refuses to let King Creon dictate what she does with her brother’s dead body. Antigone states, “he has no right to keep me from my own” (Sophocles, 441 BC, line 48). Antigone feels that nobody has the right to dictate how she plans to bury her family member. In addition, Creon demands civil disobedience above all. Creon believes that the worst thing an individual can do is act against authority. In contrast, Antigone believes that state law is not absolute. Meaning one should be able to act against the law in extreme cases to honor the gods. Divine law could be proved valid, for example, “the fact that Polyneices’ dust-covered corpse had not been disturbed by animals could be taken as a possible sign that burial was accepted as valid by the gods” (Sourvinou-Inwood, 1989, pg. 142). Sourvinou-Inwood is stating that because the animals had not touched the dead body, it could be a sign from the gods that a proper burial should be in order. That Creon could have been wrong and the gods wanted Polyneices buried. Moreover, the Greeks supported absolute monarchs, however, simultaneously they also believed in divine law and had a profound amount of respect for the gods and their laws.
If you will not, I will; I shall not prove disloyal.” (A. 2). All along, Antigone very well understood that if she opposed the rules of Creon, she would most definitely be killed yet she was determined enough to bury Polyneicies’s body.
Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.
To start, Antigone was written by Sophocles to make the people question their faith in both their religion and their government. Putting a young woman in a position in which she had to choose between staying loyal to her country and staying loyal to the gods, Sophocles showed the men of Athens in their comfortable lives that there wasn’t always a simple solution to all of life’s problems. It is important to note that it was only the men of Athens that were shown because they were the only ones that were able to see this remarkable play because of its depiction of women, specifically through Antigone. In a way, if women had been able to see this play, being
Many believe that the divine word holds more power than man, Antigone is one of these people and hold the divines laws higher than man's laws. On the other hand, Creon believes that holding power is the way of life and tries to uphold his laws over the deity laws. Creon does this when the brothers Polyneices and Eteocles kill each other and Polyneices is designated as a traitor. Creon decides to prohibit the people from burying Polyneices properly and follow the god's law to prevent more rebellions. Antigone on the other hand believes that a Creon's law holds no power over her from giving a proper burial. As Antigone is talking to Ismene she states "No one shall say I failed him! I will bury my brother -- and yours too, if you will not"( Sophocles ). This statement shows
She is the opposite of Creon in those sociological views. This shows that she is very committed to her family and may be stubborn at times to fight for what she believes in. Women in ancient Greek society were looked down upon and did not have as many rights as the men and that may be a reason that their views are complete opposites. However, the sociological beliefs that Creon and Antigone both believed strongly in were the protection of personal dignity and freedom.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
Although ancient Greece was a male-dominant society, Sophocles’ Antigone portrays women as being strong and capable of making wise decisions. Antigone, the tragic heroine, rejects the traditional role of women. As such, Sophocles punishes Ismene for embodying traditional attitude. Moreover, Creon is punished for misogyny. Sophocles, accordingly, uses characterization to promote feminist ideas.
As the play begins Antigone is just meeting up with her sister and is telling her about the decree of King Creon. Antigone and her sister, Ismene, had two brothers who had killed each other on the battlefield. One of their brothers, Eteocles, was buried with the military honors of a soldier’s funeral, and yet the other, Polyneices, was to be left out to be food for the carrion birds since he died fighting against the city of Thebes. King Creon forbade publicly for anyone to bury the body of Polyneices under the penalty of death. Antigone is now determined to bury her brother and wants Ismene to help her. Ismene does not want to go against what the king has ordered and is fearful of what may become of her if she
The Importance of family and cultural values is proved in the Greek playwright written by Sophocles. Sophocles helped us understand each character as we meet them in the first scene. Antigone, we learn that she is the antagonist as she rebels against her uncle, Creon, and her love of her own blood, and that she is not one to stand down for any man. Antigone, Ismene and Creon are characters that are of discussion in the play of gender roles.