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Antigone Vs. Jocasta Essay example

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Women of any society always have had a different role to play than that of men. Psychologically, a woman is to find a mate in order to bring healthy offspring into the world. Conservative thinking tells women to cook, clean, take care of the family, and to perform other miscellaneous domestic chores. Yet, Sophocles also defines the place of a woman in his tragedies: Oedipus the King and Antigone. Women were respected as very powerful and dignified individuals, but at the same time were forbidden to meddle with the affairs of men as they, figuratively, were to stand behind men at all times. The mother and daughter combination of Jocasta, the typical Greek aristocrat, and Antigone, a strong-willed woman who defies her sex role, opposing …show more content…

/ ...take this hand of mine to bury the dead?" (Roche 192-193). Antigone's political beliefs differ radically from both Jocasta's and the state's in terms of the attitude a woman should have. Antigone draws interest to the distinction between human law and divine law, as she shows serious doubt towards Creon's authority. When asked by Creon if she has chosen to "flagrantly disobey" his law, she replies, "Naturally! Since Zeus never promulgated such a law / Nor will you find that Justice / Mistress of the world below, / publishes such laws to mankind" (Roche 210). After pointing out that his edicts will never be able to supersede the will of the gods, she throws Creon's edict against Polyneices' burial in a discreditable and ludicrous perspective.

The thinking patterns of the mother and daughter also contrast each other as each woman has different ideologies and doctrines in which she believes. Antigone is a woman of fate and preordained destiny, while Jocasta is most definitely not. Jocasta has no faith in a man's ability to tell and map out the future as she believes "there is no art of seership known to man" (Roche 40). Jocasta bases her rationale on the simple dogma that "if the god insists on tracking down the truth, / why then, let the god himself get on the track" (Roche 40). Her implicitly factual and

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