Antigone: a Study of Moral Influences in Society.

Creon aggressively yells to Antigone on line 600, “ Then go down to the dead. If you must love, love them. No woman's going to govern me, no no not while I’m still alive”. Creon believes that no woman should ever get their way because they are not as strong as a man. He is letting this belief allow him to make the wrong decision. Also, Creon tells the chorus leader on line 546, “ Well in this case if she gets her way and goes unpunished she is the man here, not me”.This quote helps develop the theme of the play that is determination and pride because he is being blinded by all his pride and is going against the advice he was given even if the advice is good. Antigone, being Creon’s niece, daughter of Oedipus, which is his brother in law, doesn’t change his way in feelings towards her because she is a woman. All of these quotes show how Creon's misogynist trait and the interactions he has, develops him into a tragic hero little by

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Antigone, however, decides she would rather please the gods than man and buries her brother against King Creon’s orders. She is fully aware of the consequences should she get caught, yet she openly disobeys, even against her sister’s warnings. She gives Creon no additional respect either as a male in a patriarchal society or as a king and ultimate authority figure. In fact, she calls him a fool! Antigone boldly states to Creon himself, “If my present actions strike you as foolish, let’s just say I’ve been accused of folly by a fool,” (Sophocles p.657). The strong will and defiance she exhibits are very characteristic of modern feminism.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

To start, Antigone was written by Sophocles to make the people question their faith in both their religion and their government. Putting a young woman in a position in which she had to choose between staying loyal to her country and staying loyal to the gods, Sophocles showed the men of Athens in their comfortable lives that there wasn’t always a simple solution to all of life’s problems. It is important to note that it was only the men of Athens that were shown because they were the only ones that were able to see this remarkable play because of its depiction of women, specifically through Antigone. In a way, if women had been able to see this play, being

Sophocles expresses his devotion to family throughout Creon’s actions in the play as well. Prior to Creon first deciding to let Antigone die, the choragus convinces him to release her. Creon, reluctant at first, listens to the choragus and says to them, “It is hard to deny the heart! ” (SceneV. 235). Creon, knowing in his heart, that he has finally done the right thing by letting Antigone have freedom. Although Creon wants Antigone to pay for defiance of his law, the family ties prove to be stronger than his devotion to authority. As Creon orders the choragus on what weapons to bring, Creon exclaims, “I buried her, I/ Will set her free”

Antigone Research Paper Traditionally, in Ancient Greece, a writer’s work depicted what they knew, whether it be astrology, war, love, tragedy, etc. Sophocles, the writer of Antigone, reflects Greek culture in his work as he uncovers the true views on women and marriage, also weaving in his own. While some characters in the play accurately portray Ancient Greek views of women's status and their marriage, Sophocles also includes characters who contradict these views. Ismene accurately portrays the Greek view of women; however, Antigone does not. In ancient Greece, women were not recognized as adults (Vivante).

The arrogance, self-certainty, and rebellious spirit that Antigone carries throughout the plays ultimately leads to her demise, despite the good intentions of her actions; she is blinded by her very own pride, and failure to see any other course of action but her own. Antigone refuses to obey the laws of Creon due to the fact that she believes that his definition of justice in the face of the Gods is misinterpreted, and wrong. But in doing so, she herself is assuming that the will of Zeus is suited to what she believes is just and fair. In contrast, Creon, the representation of political authority, is driven by his need to fulfill the laws of the state. As the play progresses, Creon’s overall spirit grows dark and his devotion to justice and moral order creates not a leader, but a brutal tyrant.

The only person in the city who is ready to defy Creon’s law is his niece, the sister to Polynices, Antigone. She is overcome with grief by Creon’s order, and sets out to bury her brother. She believed that Creon, “a mere mortal,” did not have the power to “…override the gods, the great unwritten, unshakable traditions…” surrounding the rights of a dead man (Line 503-505). Her loyalty was to her family, not to the new king of Thebes. When Antigone goes to her sister Ismene to plead for her help in burying their brother, even she is too afraid of Creon’s authority to assist her only family. “I must obey the one’s in power,” she says. “...defy the city? I have no strength for that.” (Line 79-80, 93). She is lead to go against what she feels is morally right because she is fearful of the consequences. Even though Antigone is aware of these deadly consequences, she is willing to face them and stand up for what she believes is right. Discovering that Antigone has gone against him, Creon immediately sentences

For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.

Out of imprudence, Antigone does not realize the negative effects of antagonizing Creon. After being captured by the guard and brought to Creon, she reveals her intentions to Creon and even belittles him by indicating that his orders is not so strong that he, “a mortal man”,

To begin with, the Ancient Greek Society that surrounded Sophocles was full of patriarchy. Living in a patriarchal society that looked down upon women and believed that they were only there to prepare there sons for war and there daughters to follow in their mother’s footsteps, had great influence on his writing. This is shown through Ismene saying, “We are only women, we cannot fight with the men,Antigone,” (Sophocles 694). Through Ismene, Sophocles is showing the patriarchy in both his time and the time of the play. Even the women believed in patriarchy. The men that Ismene speaks of are the king Creon and other officials. She believes that Antigone cannot compete with the power of Creon. Sophocles is making a bold statement by creating a character that defies the patriarchy and showing it to the people of Ancient Greece. Rulers and Kings at the time of Sophocles never saw women as a threat because they didn’t act out against the law often, as a man would. Sophocles uses this in his play making Creon a ruler who is harsh to women and doesn’t see them as a threat. Also, Sophocles uses the stereotypical Greek man who cares little for his wife’s feelings. Creon’s wife, Eurydices, doesn’t show up until one of the last scenes and then kills