Essay on Antigone and Tragedy Archetypes and Art
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Knowing that blood ties were so important to Antigone then, the act of disowning her sister is worthy of further review in terms of looking at Antigone as the personification of the ancients while Ismene is a personification of the new type of establishment. In the new type of relinquishment to law over personal conviction comes fear, weakness, and powerlessness as is seen in Ismene’s character.
Antigone, on the other hand, as having the virtue of the ancients is the more natural of the two sisters and Antigone’s strength can be interpreted as part of her very nature and being while Ismene is conflicted by being forced to be a part of a world that was unnatural in the fact that the very essence of being was being taken away with the establishment of laws that went against personal conviction. “When asked to make a choice between state and family, Antigone put religion and family first” (Winterer, 2001). The reader can clearly see that there is much dualism in Antigone as a work of art and that state versus family, new versus old, morality versus law are themes in the piece, but they are artistically played out in the relationships that are portrayed in the piece. Specifically since the struggle that Antigone faces as the archetypal heroine is surrounded by the love and duty to her brother, it should not be surprising that Antigone’s relationship to her sister is any less significant or important.
The fact
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