Antigone - in the Action

Sophocles uses negative diction such as "murderous", "clamor", and "blood" to depict the chorus' emotional trauma from the civil war as the civilians heavily depend on a strong leader to recover their morale. Creon exploits the fear of his people as he "keeps his [intents to regain pride] under lock and key," glamorizing his actions as endeavors to defend Thebes.

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

In both texts, the responsibility of the chorus is to comment upon the play 's proceedings, and to make key observations about the characters ' actions. As Antigone is being paraded to her burial in Antigone, the chorus states, "The power of fate is a wonder,/ dark, terrible wonder—/ neither wealth nor armies/ towered walls nor ships/ black hulls lashed by the salt/ can save us from that force." (1045-1050) It emphasizes that fate is very powerful, and that it is not within humans ' capacity to alter. Thus, Antigone and Creon are never capable of influencing their own lives; they are not responsible for the tragedy that ensues, because fate would have seen to it anyway. In contrast, the chorus in Antigonick says that it likes to find precedents, pointing out that "We 're not at a loss how to think about this/ We 're not without guidance." The chorus states that Creon can avoid making the same mistakes

Throughout the main confrontation between Antigone and Creon, the chorus starts to call on a mythical perspective, how what is happening or going to happen can be related to the past issues of this family “That family is going to feel the blow, generation after generation”. The chorus here start to outline who is at fault blaming Antigone, as well as the family, initially“ A defiant spirit, The fury and backlash of overbearing words”. Then continue on to Creon “ The man obsessed is a cock of the walk in a hurry towards the worst”

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues, and possess a fatal flaw, or hamartia. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat.

Some of the times the Chorus speaks in this drama, it seems to side with Creon and the established power of Thebes. The Chorus's first speech (117–179) describes the thwarted pride of the invading enemy: The God Zeus hates bravado and bragging. Yet this encomium to the victory of Thebes through Zeus has a cunningly critical edge. The Chorus's focus on pride and the fall of the prideful comments underhandedly on the willfulness seen in Antigone and will see in Creon. In Creon's first speech, where he assumes the “Now here I am, holding all authority and the throne, in virtue of kinship with the dead” and reiterates his decree against the traitor Polynices (191-192). In lines 308-309 the Chorus says to Creon “My lord: I wonder, could this be God’s doing? This is the thought that keeps on haunting me. The Chorus is questioning Creon if it could be the doing of God who buried Polynices, Creon replies; “Stop, before your words fill even me with rage that you should be exposed as a fool, and you so old. For what you say is surely insupportable when you say the gods took forethought for this corpse” (310-313).

The Chorus begins to make Creon feel he is loosing his power when they say “My lord I fear- I feared it from the first- That this may prove to be an act of the gods”- 146. To the reader it seems that the chorus is a voice in the play that constantly makes people question each other. The chorus can also put ideas in people's heads. For example when Antigone is brought to Creon the chorus says, “ She shows her father’s stubborn spirit: foolish not to give way when everything is against her.”- pg 152. By saying this they imply that she is a threat to Creon and must take care of her before she does the same to him. With the choruses position in the hierarchy they can sway the opinions of other. The chorus is like a voice in the head of psychopathy telling them to act on their urges when their moral say otherwise. With this power they can impose their will, “ My child, you have gone your way to the outermost limit of daring and have stumbled against Law enthroned… you must make for your fathers sins.”- 163. Creon is Antigone’s uncle and their family ties appear to mean nothing because the chorus want to have Antigone dead so their will is law.

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.

Antigone is the tragic hero because she had goodness in her heart, nobility as a princess, a fatal flaw in her personality, and a status downfall when she was put inside the cave. All of these descriptions fit Aristotle’s description of what a tragic hero is.

As the play begins Antigone is just meeting up with her sister and is telling her about the decree of King Creon. Antigone and her sister, Ismene, had two brothers who had killed each other on the battlefield. One of their brothers, Eteocles, was buried with the military honors of a soldier’s funeral, and yet the other, Polyneices, was to be left out to be food for the carrion birds since he died fighting against the city of Thebes. King Creon forbade publicly for anyone to bury the body of Polyneices under the penalty of death. Antigone is now determined to bury her brother and wants Ismene to help her. Ismene does not want to go against what the king has ordered and is fearful of what may become of her if she

The story of Antigone is more heavily influenced by choice. Like Oedipus, it follows the individual story of the ruler of Thebes: Creon. Despite his hostile attitude and gravitation towards violence, Creon is a leader not too different than Oedipus. He believes his word to be law, not out of entitlement as much as desire to keep his city in order. To Creon, the law is what will keep his city safe, just as Oedipus believed that the truth would do the same. The chorus continues to be a representation of universal truths greater than Creon as an individual. The chorus recognizes Creon’s motivations, ideas, and the morals of man, “When he weaves in the laws of the land, and the justice of the gods that binds his oaths together he and his city rise high” (Sophocles 77) Creon’s faith in human law over the divine is part of his sense of responsibility. Like any man, this organization is necessary for

It is plain to see what about the character of Antigone it is that makes this a tragedy. Tragedy is defined as a dramatic composition dealing with a serious or somber theme, and this story fits all these criteria. First of all, it involves a tragic course of events that involved both of her brothers dying and then being completely disrespected even in death. She felt she had to rectify this mistake, even though it was against the law, and the opposition was too great. Because of her attempt to rectify the injustice, even more tragic things happened to her and her family. This is why she is a tragic heroine.

        However, in addressing the role of the Chorus in this play, I think it is vital that one decides whether the role of the Chorus is and objective role, inserted in to the play by Sophocles and unaffected by the audiences perception, or whether the role is subjective, and the