Antigone vs Creon

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Antigone takes place just after a war between Antigone’s two brothers, Eteocles and Polynices. Eteocles fought on the side of Thebes whereas Polynices resembled an invader. Afterwards, Eteocles is buried and seen as honorable. However, Polynices is denied a proper burial because he is considered a traitor to Thebes. In this play, Sophocles uses Antigone and Creon as foils by characterizing Antigone as a martyr and Creon as a tyrant to urge the reader to realize that one’s own morals are more significant than the decrees of any government.

     Creon and Antigone also demonstrated a similarity in their loyalty to their own views. They both had different views, but they both remained loyal to them throughout the entire play. Creon and Antigone did not give in to others’ views, but relied on their own for survival. Creon was extremely loyal to his laws that he had made, and Antigone was loyal to her beliefs. Nothing was going to change either of them. When Antigone was brought in by the sentry, Creon was disturbed to find out Antigone was the person burying Polynices. He was extremely upset

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

This quote explains the main conflict of the play. Creon has ordered that Polynices, Antigone’s brother, cannot receive a proper burial because in Creon’s eyes he is a traitor. Polynices fought against his brother to claim the throne of Thebes, the pair ended up killing each other. Tiresias tries to tell Creon that he is wrong to do this because it is angering the gods that he is denying them a body. Tiresias even warns Creon not to be stubborn, “Stubborness/ brands you for stupidity-pride is a crime.” (1137-1138). Pride in Greek tragedies is most often the cause of a characters downfall and Creon is no exception.

Antigone is a tragic play written by Sophocles in about 441b.c. The play is a continuation of the curse put upon the household of Oedipus Rex. Sophocles actually wrote this play before he wrote Oedipus, but it follows Oedipus in chronological order. The story of Antigone begins after the departure of Oedipus, the king of Thebes, into self-exile. Oedipus’ two sons, Eteocles and Polyneices, were left to rule over Thebes. An argument over rights to power forces Polynices to leave Thebes. Some time passes and Polynices returns with the army from Argos and attempts to overthrow his brother. The two brothers fight and kill one another and the war ends. Creon, the uncle of the two

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

If Antigone did nothing, living with the guilt of not helping her brother would be worse. She breaks these rules for divine law, a law that is believed to come directly from god. Antigones actions for Polyneices that he must be buried is a requirement from the gods. If not buried properly the souls of the deceased were let to walk to river Styx, the entrance to the under world, for eternity and their souls would never be at rest. Not burying a body was a great insult to the dead and Antigone could not live with that on her conscience. Creon on the other hand ignores the laws of the gods and believes his duty to the city comes first. Creon believes his decision was in the best interest of Thebes to show that he is a strong ruler and the city of Thebes will be safe in his hands.

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

In the play, Creon and Antigone can be seen as good or bad characters. Both of them show traits of justice. Antigone wanted to save her brother, Polyneices, by giving him a soldier’s funeral with military honors. Creon realized his mistake of putting Antigone in a cave to die for burying Polyneices, and he tried to fix it. Unfortunately, he

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

When a messenger comes to Creon, bringing the news that Antigone has buried her brother, he begins his arguments why Antigone has broken the law. He begins by stating that a man shows what he is made of by his "skill in rule and law." In other words, the law is everything and as a ruler, he must do everything for his country. He considers Polyneices an enemy of the city and a threat to the security of the city as well. Thus Polyneices will be called a traitor in life and in death and dishonored. The scene when Antigone and Creon face each other is the opportunity for both to defend themselves. Creon questions Antigone. She bases her responses on that the city laws proclaiming her as illegal are not the laws of Zeus or laws proclaimed by gods, but rather, laws made by a man that one day will also die. She will honor her brother's death because this is what the gods have proclaimed for all mankind. (lines 460-463)

In Sophocles’ tragedy, Antigone, Sophocles follows Aristotle’s definition of tragedy which is constructed in six parts: plot, character, diction, thought, spectacle, and song. Although these six parts are used to produce a successful tragedy, thought is especially important in Antigone because it encapsulates the plot of the play. The thought, or the theme, is revealed in the dialogue from the Prologue to the Second Episode. As a result, Antigone’s and Creon’s dialogue exhibits two interrelated themes: personal convictions versus duty to the state and human law versus divine law. Although both themes develop the conflict between Antigone and Creon and portray the personality differences between the two, both of their beliefs cause their demise thus proving there is no right form of justice.

The first conflict occurs in the beginning of the story in scene one. When Antigone finds out about the orders that her uncle Creon has given out. She’s so dismantled she goes to tell her sister Ismene about the news to see if she would help her not let this unethical nonsense take place. Stating both of their brothers have recently just died on in battle but only one is allowed a proper burial. While Polynices is not due to him sending his army to invade the city of Thebes (744). This simple yet challenging order given by Creon is just a start of the other conflicts that soon begin to unfold. Antigone has a problem with this because Polynices is her blood brother no matter what he did or said and she feels even though the orders were given it is still her birthright to bury her brother even if

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.