Antigone’s Judicial Hierarchy
In Antigone, one of the most renowned Greek tragedies, Sophocles constructs a conflict that questions the very definition of justice. Considering a play based almost entirely on the acts of a single individual in clear defiance of a king’s decree, questions of right and wrong necessarily persist. It is difficult, however, for one to understand justice in deciphering the opinions of the two conflicting parties, Creon and Antigone, as these two clearly have opposing biased perspectives. It becomes prudent to examine the concept of justice in the eyes of the chorus, who has the necessary perspective to provide unbiased commentary in Antigone. Throughout Antigone, the chorus constructs a judicial hierarchy
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The chorus states, in lines 368-370 that “if [the leader] honors the laws of earth, and the justice of the gods he has confirmed by oath, high is his city.” It is imperative to understand that the prosperity of a city depends on the decisions made by the ruler in the eyes of the gods and, equally as importantly, on the manner in which the ruler’s subjects follow those laws. This truth is revealed to Antigone and the audience when the chorus scolds, “for him in authority, he cannot see that authority defied; it is your own self-willed temper that has destroyed you.” (ln.873-876). The chorus reiterates his conception of justice in a final speech at the end of the play, stating that “wisdom is far the chief element in happiness and, secondly, no irreverence toward the gods.” (ln.1348-1349). The chorus believes that a ruler’s wisdom in forming laws is primary in achieving the universal happiness of justice, but when this wisdom comes into conflict with the will of the gods, justice necessarily fails.
In examining the first aspect of judicial hierarchy, we can begin to understand Antigone’s violation of law, and the consequences she faces in the eyes of her ruler. In reading this tragedy, one tends toward a general feeling of pity for Antigone and her desire to give her brother his proper burial rights. Antigone deserves no such pity. In the eyes of justice, she violated that which was right, acting unjustly. Creon
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's
The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the
Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law
One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the
In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.
Antigone’s argument with her sister about her plans to defy the king is the scene that opens the play. From the start, she appears certain that burying Polynices will restore justice when she says, “even if I die in the act, that death will be a glory (Sophocles 86).” She was so sure of the immorality of Creon’s law that she was willing to go to any means necessary to keep her brother from becoming a cautionary tale. In the philosophical statement made by Martin Luther King Jr., he says that, “An individual who breaks a law that conscience tells him is unjust, and who willingly accepts the penalty of imprisonment in order to arouse the conscience of the community over its injustice, is in reality expressing the highest respect for the law.” Antigone stood alone in defending her brother's honor, and did not waver from her beliefs at any point. She went to great lengths in order to convey her belief that Creon had been unfair in the conviction of Polynices. In doing so, she attempted to awaken the consciences of the other Thebans and prove to them that even though Creon was their leader, they had the ability to voice their concerns about
The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because this theme seems to control the whole play. It is an issue of which law is the "right" law, and if Creon's and Antigone's acts were justifiable.<br><br>The play Antigone can be summarized by the following: King Creon
Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are
Sometimes the law is not on our side and we have to choose whether to abide by the government’s rules, our religious beliefs or our personal morals. In Antigone, Antigone decides to disregard the law and do what she, and the vast majority of the people in the city, believe to be right. From the onset of the play, we are shown that Antigone does not fear authority and is wholeheartedly willing to die for her brother. Antigone says, “At least he is my
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them
One perspective of oppression in Antigone is demonstrated through the conflict between Creon and Antigone regarding the burial of Polyneices, Antigone’s brother. Creon is the king of Thebes, and constantly has to assert his power, even if it means suppressing others’ opinions. When Antigone disagrees with his decree of allowing the burial of only one of her brothers, she defiantly performs a burial ritual for the other. Creon is outraged and issues the punishment of death upon Antigone, and condemns her sister Ismene for the same crime “for they are but women, and even brave men run when they see death coming” (Sophocles 460-465). It is clear that the main issue is not about Antigone breaking the law; but that she is an inferior woman who is expressing her opinions against someone of a higher standing. Creon oppresses Antigone for her gender and refuses to acknowledge her perspective because he would rather “lose to a man, at least”
In the drama Antigone, Sophocles considers the source of authority and power in society. When King Creon makes a law that forbids the burial of Antigone's brother, Polynices, she ignores the king’s authority, risks her life, and buries her brother out of loyalty to the gods. The situation leads to a conflict among the people of Thebes, Antigone, and Haemon. They must decide where their loyalty lies, and whose authority should take precedence, that of the king or that of the gods. While a number of views about the role of authority and power are expressed through characters such as Creon, Antigone, and Haemon, the drama seems to support the view that authority does not rest only with one person.
In Ancient Greece, as the government turns to democracy, an important political debate arises between two crucial topics, authority and family. If a leader, for example, creates a law to restrict his or her people, but a member of the leader’s family breaks the law, he or she must decide where loyalties lie. Sophocles enters this debate in his play Antigone when Antigone, Creon’s son’s fiancée, breaks a heavily enforced but possibly immoral law. Although Sophocles emphasizes the importance of authority, Antigone illustrates that family is held in higher regard, exhibited through Creon’s tragic downfall.
Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king