Antonin Leopold Dvorak: A Fair For Music

When looking throughout the history of music, there is no name with a larger impact than Bach. Writing over 200 pieces throughout his 65 year life. Many people know the names of Mozart, Beethoven, and Brahms; but only a select few know the specifics about these land mark composers. “Most would say that Beethoven should have been named called ocean instead of brook” Bach in German. During this papers I will be giving a brief look into the life of one of the most prolific composer that ever lived.

I selected Antonio Vivaldi as from the list of composers due to his vast influence in the development of music, including current popular styles such as the double violin concertos and ritornellos, and his influence on future composers such as Bach. Vivaldi’s significance to the music world is further emphasized by the introduction and popularization of concepts such as his usage of rhythm to create escalating tension and the application of motivic elements as themes for his pieces. Vivaldi’s life was set out to pursue priesthood from a young age yet, ironically, an illness allowed him to follow his true passion as both a violinist and composer. Antonio Vivaldi remained pious throughout his life and it was his particular education as a priest

The famed Czech composer, Antonin Dvorak, was born in a Bohemian village of Czechoslovakia on September 8th, 1841 (Carlson & Smith, 154). After several years of living and learning music in his home village, eventually Dvorak moved to Prague at the age of 16 to continue his education in music. Pursuing his studies diligently, and after working various odd jobs, he eventually became a professor of music at the Prague Conservatory (Pogue & Speck, 64). While in Prague, he married his lovely wife Anna Cermakova in the November of 1873, and was happily married for the rest of his life to her (Encyclopedia Britannica). Performing all over Prague, eventually Dvorak’s incredible work was discovered by the famed composer Johannes Brahms, who recommended Dvorak to Brahms’ publisher Simrock. Simrock took to liking Dvorak’s works so much, that he agreed to publish works like the Moravian Duets in 1876, and the Slavonic Dances in 1878. These works

Felsenfeld takes his readers on a journey from being an uninspired teenager, into the world of an adult “rebel” composer. Although Daniel was in piano lessons at a young age, he just couldn’t seem to spark an interest in the classical music that was being put in front of him. He continued the lessons through high school, and only had enough skill to make minimal money in piano bars and orchestra pits. Daniel regularly hung out with a friend, Mike, whose house he would go

Antonín Dvořák (1841–1904) was one of the most versatile and prolific composers of the nineteenth century, reaching into almost all genres of music from piano miniatures to comprehensively conceived vocal-orchestra compositions. His output encompasses nine symphonies and fifty-five other orchestral pieces, eleven opera, eleven works for chorus and orchestra, nine small choral works, thirty-five sets of songs and duets, fifty-five chamber works for various combinations of instruments, and thirty-two sets of short pieces for piano. In each of these areas he created works that can be considered masterpieces in their genre.

Only a few composers in the history of time have ever successfully left their mark throughout our musical world we live in today. It’s been over two hundred years since the birth of Beethoven and his music still speaks to us today as he originally expressed and composed it. Ludwig Van Beethoven was born in the city of Bonn Germany on December 16th 1770 and has since been one of the most influential composers known to man. A common theme of early age learning and mastering seems to emerge in Beethoven’s life because while living in a musical family as a child, his father taught him how to play the piano, violin and in addition how to compose musical pieces since he was four years of age. A few short years later, he gave his first public piano performance at the age of seven. While Beethoven certainly gained a lot of knowledge from his peers, he also supported his family by giving music lessons and also by playing in the court orchestra. In the year 1792, Beethoven worked under an Austrian composer Franz Joseph Haydn and by the year 1800, his compositions established him as a strong Mozart successor.

When comparing the daily lives of two people separated by over a century, it’s seemingly unlikely that there would be common ground between. However, after reading the article regarding James Lawrence Dusenbery’s 19th century journal, I found that I share more in common with the fellow university student than I had initially anticipated. During his senior year at the University of North Carolina, Dusenbery kept a journal describing important life events as well as other thoughts and reflections. This journal, which now resides in the Wilson Library at UNC’s Chapel Hill campus, also offers insight to musicologists regarding the music culture of the time. Although Dusenbery wasn’t a musician he often transcribed poems that he found particularly meaning full

In Bonn, on December of 1770, a child was born to a lower middle class Finnish couple; Johann and Maria. Given the name Ludwig after his grandfather, a choirmaster, this child would grow to continue the name of the musically inclined Beethoven family, and eventually supersede its reputation with his own genius. As a deaf composer and musician, Ludwig von Beethoven is one of the greatest paradoxes in the realm of music. From his upbringing, his triumph over his disability, and his world renowned success in music, it is still proclaimed that he is one of the most influential and well known classical musicians in the world.

His first major work upon returning to America was "Symphony for Organ and Orchestra" which he wrote just for the few performances of Nadia Boulanger; the first one in Carnegie Hall in 1925 and another in Boston. As the twenties roared on, Copland began to show how his musical career would truly follow the ever-changing style of America.

From this the narrator takes the reader through the development of his attachment to the art form. His talent, which expanded during his young childhood and the early thumping on the piano, evolved into his adulthood styling of ragtime. His early instruction happened in the form of a woman and her daughter, each of whom taught the young narrator in music and in general education. This formed a basic foundation in the fundamentals of music which enabled the narrator to build his musical repertoire. Later and with the aid of a new instructor, the label of “infant prodigy” was used to describe the level of talent in possession of the narrator (18). The author employs much into the descriptions of the narrator’s early development in music and his training, not only in hymns and old melodies, but in the classics also.

this paper I will discuss Gershwin’s life as a child and his upbringing and how his music

Looking back in time at the great composers of the world, only one foreign composer stands out for his many contributions to classical music and in helping America to find its own music. Antonin Leopold Dvorak was born on September 8th, 1841, in a small village of Nelahozeves in Bohemia that lies on the bank of the Mauldau River. The village Dvorak was born into was in good company and surroundings however also retained much of its native luster even through the worst times of political oppression (1).

Wolfgang Amadeus Mozart was probably the greatest genius in Western musical history. He was born in Salzberg, Austria on January 27, 1756. The son of Leopold Mozart and his wife Anna Maria Pertl. Leopold was a successful composer and violinist and assistant concertmaster at the Salzberg court.

Anton Bruckner was born on September 4 1824 in the village of Ansfelden, Austria to a family known for being craftsman and farmers. Bruckner was the first of 11 children. Bruckner’s father was the village schoolmaster in charge of teaching music and also was an organist. Bruckner’s first music professor was his father, but unfortunately his father died when Bruckner was just thirteen years old. He later worked as a teacher assistant and at night worked in village’s dances to supplement his income. An interesting fact about Bruckner according to Floros Constantin author of the book “Anton Bruckner: The Man and the Work” is during the time he was a teacher assistant, he was known as a prankster. This is an interesting fact because, in his later years he was a serious and focus man. Bruckner when to school to become an organist and attended the Augustinian Monastery in St Florian where he study and work for many years until his 40’s. Bruckner study the works of Haydn, Wagner and many other composers. This composer are the biggest influencer of his work. (Constantin 3-6)

In the course of the development of music, many great composers have contributed their brilliance towards the revolution of music. To be a great composer does not necessarily mean that they have reached a vast amount of fame. However, it means that their compositions have ingenuity and value. The melodies they have cleverly created have reached a point of worthiness in the world of music. For it is the sweet harmonies a composer creates that defines who he is. One of these gifted composers was Frederic Chopin, born on February 22, 1810 in Zelazowa Wola, Poland. Young Chopin was already composing by the age of eight and as his musical career developed he became known as a master of piano composition. Although he was often misunderstood