How Does Antony Organize His Tragedy As A Drama Of Love

Brutus tells them people then he had done no more to Caesar than they will do to him.

Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on

The play Julius Caesar written by Julius Caesar illustrates the murder of Julius Caesar by his Senate and the events that happened after his death. The famous funeral speeches given by Mark Antony and Brutus give the Roman people two different sides of Julius Caesar and his leadership using ethos, logos, and pathos. Ethos is the credibility of the speaker, logos is the logic or reasoning, and pathos is the emotion of the audience. Mark Antony delivers the most effective speech in the play as he appeals to these three elements in his speech in a more convincing manner than Brutus.

In the provided extract Plutarch gives his depiction of Cleopatra and the leverage she has over Antony. Plutarch (1965) begins by stating, “He [Mark Antony] allowed the

Brutus first states, “[Would you rather Caesar] living, and die all slaves, than that Caesar were dead to live a freemen” Then Antony came back with “You all did love him once, not without cause. What cause withholds you, then, to mourn for him?” After Brutus’ speech, Antony was able to evoke the feeling of the audience and bring them back, before his death and see what they had loved within Caesar before his death. All of his accomplishments were able to evoke the emotions they had before his death and then wanted to actually kill Brutus. In the next Scene, it mentioned a major consequence of the words that Antony had spoken. The famous poet Cinna was killed. However, he wasn’t even involved in the assassination of Caesar. That was how much emotion he was able to evoke in the people in Rome. Although ethos could establish the cold, hard truth, pathos can get under peoples skin and effect them and draw them into your cause. In which case it is Antony's'

Unlike the common view of leaders, the potential leaders of Julius Caesar are not necessarily nice or giving. However, sometimes that is necessary. In the play Julius Caesar, a long tale of leadership shows the true qualities of the greatest leaders. Where the reader finds themselves started is at the point which Antony and Caesar, the overconfident leader of Rome, are discussing people around them. This discussion boils to a point in which Antony and Caesar discuss the possibility of Cassius being a threat to Caesar. Later, readers find Cassius is indeed a threat, as he and multiple others, including Brutus, stab Caesar to death. Antony then brings Caesar’s body to the multitude, and with a great speech inspires a hatred for those who wrongfully stabbed him. At the next point Antony is seen, he and Octavius are the new rulers of Rome. These two comrades go and finally eliminate the last of the traitors, Cassius and Brutus, in a battle that cements the two as the new leaders of Rome. Throughout all these actions, one man particularly showed that he should control the Roman Empire. Antony was created to be Rome’s leader in Julius Caesar, where William Shakespeare gave him inspirational abilities, persuasiveness, and fearlessness which are unparalleled.

Mark Antony, in the play The Tragedy of Julius Caesar, was a brave, intelligent, pleasure-loving, and cunning man. He was loyal to his friend, Caesar, whom he considered a true friend. He looked at life as a game in which he had a signified part to play, and played that part with excellent refinement and skill.

Antony tries to make the audience seem like they have only understood one side of Caesar because he claims that “the evil that men do lives after them;/ The good is oft interred with their bones”(III.ii.84-85). Antony compares the evil that lives forever with the good that dies off. Antony intended for the audience to feel guilty because they have only remembered the evil that Caesar has done, rather than the good. The audience feels they have misunderstood Caesar and are convinced he has also done good for them, even if they don’t remember it. Antony tries to appeal to the audience emotionally by informing them that “It is not meet you know how Caesar loved you/ You are not wood, not stones, but men”(III.ii. 153-155). Antony tries to make the audience feel that Caesar truly cared for them and thought of them as people and nothing else. The audience feels a sense of sadness when hearing this line because they cheered on for Caesar’s death even though, Caesar loved them deeply. Antony wants the Romans to understand that Caesar saw them as more than his people because when he’s about to read Caesar’s will, he informs them“ that [they] are his heirs”(III.ii.158). The phrase “heirs” which describes the people of Rome conveys kinship because the Romans feel that Caesar cares for them greatly and felt they were important enough to be included in Caesar’s will. This is important because Antony wants the people to feel that Caesar thought of them dearly so they will feel more sorrow for his death. Antony’s diction demonstrates significance in the speech because rather than say that the Romans were Caesar’s “subjects” or “people”, using the word “heirs” evokes a sense of closeness the Romans feel toward Caesar. Antony wants to make sure that the people feel special according to Caesar and that they were more to him than just citizens.

Historically, the action of Antony and Cleopatra takes place over a ten-year span, whereas in the play the story is compressed to fit the needs of the stage. Antony is clearly much older than he was in Julius Caesar, and his political instincts

He continues on to talk about how Caesar was his friend, how Caesar helped benefit Rome, and how Caesar was a war hero. He uses pathos to make the audience feel sorry for what happened to Caesar. Antony describes how Caesar refused the crown three times before and how Caesar wrote a will that left money and land to the common people of Rome, which shows that he was not ambitious. He uses logos to tell the audience that Julius Caesar was not avid and did not deserve to die. Antony uses repetition to make the audience pity him in way, by describing all the good things that Julius Caesar did, which contradicted everything that Brutus was saying about Julius Caesar being too

Antony uses pathos in his speech to make the people of Rome angry, furious, and sad, because Caesar did not deserve to die and he was an innocent man. Throughout his entire speech he uses verbal irony and repetition to get his point across. Antony tells the crowd that he is coming to give a speech about his beloved friend Caesar. As he continues with his speech he get more and more sarcastic. Before Anthony's speech, Anthony enters with Caesar's body so show how sad he is because of his death. Which makes the people of Rome realize what horrible thing Brutus did. In his speech he talks about how Caesar was a great leader. He tells them that Caesar cared about Rome and its citizens very deeply.

Though Cleopatra is guilty of being disloyal, she also falls victim to some acts of betrayal and loyalty throughout the play. Cleopatra in fact, feels as though Marc Antony in the beginning of the play- or at least feels has betrayed her as though Marc Antony will show minimal loyalty to her. Cleopatra expresses these feelings in a conversation with Marc Antony:

Deliberately falsifying information for personal gain causing an ensuing conflict is a motif clearly contrived within William Shakespeare’s tragedy Antony and Cleopatra. Deception is represented within the protagonist, the queen of Egypt, Cleopatra, a tempting seductress who has a false relationship with Antony only for personal motives. Within the play Cleopatra fabricates illnesses, deceives Antony’s love through her betrayal at sea and likens Caesar to a god, Antony’s enemy, all to achieve attention and advance politically. Created in 1606 during the Elizabethan era the characters within the play are based on an imaginary and partially real concept of historical characters. Shakespeare showcases Cleopatra as a woman unlike many of the time, holding power over man. In the visual representation a mask, ships on a stormy sea and a serpent are used to represent the act of deception. Antony’s fatal attraction to the queen, and Cleopatra’s hidden desires bind the two together to create a falsified love on public display that is fueled by deception.

The audience is privy to a private conversation in Caesar’s home between Caesar and Lepidus, who were the other two thirds of the “triple pillar of the world” – the triumvirate. The triumvirate were a powerful political and military force; they ruled the Roman Empire after the murder of Julius Caesar. During this conversation, they discuss Antony’s debauched life and his former greatness in Caesar’s home where Caesar feels free to express his opinions honestly and he declares that Antony is “a man who is abstract of all faults” and someone who would “give a kingdom for mirth.” This shows us how far he has fallen in Caesar’s eyes as his tone would be scathing and I imagine he would be pacing as he ranted about Antony