Aphrodite : The Goddess Of Love And Beauty Essay

Of the twelve Olympian Gods, seven were Zeus' children. Aphrodite is the goddess of love and beauty who represented the attraction that brought people together. She was born of sea foam and the genitals of Uranus . Apollo was the god of light and intelligence, healing, and the arts as well as truth. He is also called the sun god. Hera was angry with Apollo's mother, Leto, for sleeping with Zeus and she

Sunsets are the most beautiful, magical, mesmerizing phenomenon that occurs every day. Sunsets never miss a beat and always put on such a wonderful show to whoever stops to appreciate it. I'm sure everyone has the same question, where do sunsets come from? who makes the vibrant colors of pink, purple, deep orange, and different shades of red?

Meanwhile, there was the mighty Zeus, the king of the gods, who was married to the goddess Hera. Hera is the goddess of War and Honesty, but she had an awful temper and often took it out on her husband, Zeus. Hera only loved Zeus because he was the king of gods and she wanted some of that power for herself, so she never let him leave her side, and although he was her husband, she talked badly about him, and constantly blamed and insulted him. Aphrodite witnessed this many times and started to feel empathy for Zeus, she knew Zeus was kind and didn’t deserve to be treated like that. At this, anger burned inside of Aphrodite for Hera and what she did to hurt Zeus, and as this anger burned she felt a passion. Aphrodite casually began to develop feelings for Zeus. She always told herself she shouldn’t, that Zeus was married and she needed to stay away, but she couldn’t help how she felt for Zeus.

Hera and Aphrodite. Two goddesses on two sides of the Trojan War. Both of them have their own personalities, and their own agendas. The two of them do have certain similarities. Both Hera and Aphrodite seem to believe in the cause they are fighting for. They do, however have very different ways about getting what they want. In The Illiad, both of these goddesses are on the opposing sides (as I stated before). Hera fights on the side of the Acheans, where Aphrodite has taken sides with the Trojans.

Holding great influence over both gods and mortals, Aphrodite could have anyone or anything she wanted. Using her unique powers, she could charm and convince her various desired lovers for much more than love and romance. Many have said that she was the goddess of lust, desire, trickery and sex appeal. Either way, Aphrodite had an assortment of engagements with other mortals and immortals. Her most recognized encounter was with the notorious Ares, who later went on to take the actual title of being her husband.

Aphrodite was known for having many love affairs. She had an arranged marriage, set up by Zeus, with Hephaestus, the ugliest of the gods. Her true love was Ares, the god of war and violence. Hephaestus knew of the affair and to get back at her, he humiliated her in front of all the gods by setting a trap for the lovers. When the two were about to make love, they were scooped up into a net where all the gods could witness her betrayal. Ares and Aphrodite conceived many children: Eros being the most famous. He is also known as Cupid. (“Aphrodite History”)

The article also acknowledges how the sculpture is a unique find in art especially in terms of how well the sculpture has been preserved and how the damage to the sculpture were minimal as compared to other similar discovered Venus sculptures. Arenas acknowledges how there are also numerous interpretations and explanations on how the arms of the Venus de Milo actually look like or what they are actually doing. The article also presents sultrier take on Venus de Milo, seeing her in all her seductive glory. Through the eyes of Arenas, there is more human, yet otherworldly perspective of Venus de Milo, one which matches romanticized women in mythology. Arenas also envisions the sculpture in relation to feminine charm and how it and the sculpture represents a severed phallus come to life. This represents social and carnal anxiety as well as longing, potency and also impotence.

The first Homeric Hymn of Aphrodite tells the story of Aphrodite, the Greek goddess of love, desire, and beauty. She is the daughter of Zeus and highly regarded among both immortals and mortal men. The story recounts the power that Aphrodite possesses as well as the limitations of her power. One limitation this hymn primarily focuses on is a situation in which Aphrodite is humiliated. This myth utilizes strategies such as story structure and word choice in order to describe how Aphrodite is humiliated.

This sculpture is comprised of marble, and due to its large size it was easier for me to develop an impression about the piece because I can focus on specific parts in more detail. To understand the piece, a very visual and detailed perspective is needed. Judging by the way the thighs are represented, it appears as though she is striking a contrapposto pose, which makes her appear static. She has most of her weight shifted on her left leg, but not all of it The focal point of this piece I believe is her robe. It skillfully falls down her left side, while leaving other parts exposed, drawing the main attention of this piece. Few different types of shapes are displayed, except the shape of her legs and the form of the robe. The physical texture was smooth throughout the entire piece, partly due to the material it is made of. There is only this one texture, as her robe and body parts all feel the same.

-However since Aphrodite Urania is born from only the male and not b/c a male and a female had sex, she was known as the goddess of pure love which ends not with sexual satisfaction but spiritual gratification. The Aphrodite Urania that arose from Uranus, god of the heavens, turned into heavenly/celestial Aphrodite of philosophy and religion.

Throughout the history of art, the human figure has been a great muse to many artists. The female figure has especially rattled up immense conversation and controversy over many decades, allowing for groundbreaking and innovative depictions of the female nude to be soon discovered. Two of the most substantial pieces of the female nude: Aphrodite of Knidos (Figure 1) sculpted by Praxiteles (350-340 B.C.) in the Greek late classical period. This sculpture is a Roman copy of an original in Parian marble standing as a life size depiction of a nude goddess, which has seemingly never been done before (Kleiner 143). And secondly, the Birth of Venus (Figure 2), by Sandro Botticelli (1484-1486), was painted in the Early Italian Renaissance.

The marble used to create the sculpture brings out the fine quality of such material. It also adds elegance and sensuous grace to the whole sculpture. The use of marble links the sculpture to the radiance and softness of the female skin. The hips of the

for her beauty. The Romans called her Venus but still thought of her the same way the

It could be argued by some that Aphrodite became truly hideous as she had a love affair with Ares, Greek god of war, while Hephaestus was completely loyal to his wife and their marriage, making him the “beautiful” one, if only for a moment. However, it can also be said that because Aphrodite was in a passionate relationship with someone, even if it was not her husband, the passion and light in her eyes only made her more beautiful. Hephaestus was, however, able to experience life completely, including the experience of pain as he is cheated on, as he has been in the presence of, and acknowledged the true beauty of and within Aphrodite. As marriage in the Aphrodisiacal sense was not solely about loving someone else, another fundamental aspect is loving oneself (true acceptance), which only relates to Paris’ central point of beauty touching every other aspect of our lives.

A love goddess is a deity associated with sexuality, love, fertility, beauty, and in some occasion’s death. These goddess are common in mythology and may be found in many polytheistic religions. Although there are vast differences among these goddess’, since they have to serve each particular culture’s needs, there are also many similarities that can be drawn to them. There are two love goddess’ that are believed to have many similarities, they are the Greek goddess Aphrodite and the Norse goddess Freya. Although these goddess’ have many differences some similarities are their appearance, lost lovers, a love of beautiful things, charm, an association with the sea, the day Friday and fish.