Apollo vs. The Palette of Narmer Essay example

Lastly, in 440BC, Myron created the ‘Athena and Marsyas’ sculpture. This shows great development of sculpture as an art form through how, while the change from The Kritios Boy to the Doryphorus shows more realistic changes,

The palette of King Narmer is more than a lucid and exerted aesthetic construction. An engaging, intriguing composite of shape, color, and form,while delighting the aesthetic senses, this dynamic, blend of both beauty and symbolism, is able to intimately share a powerful narrative. A dynastic and dramatic tale of an uncharacteristically chaotic journey of one man's excursion into power, all the while uniting Egypt.

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

The “Terracotta vase in the form of a bull's head” is dated ca. 1450 to 1400 B.C. from the Late Minoan II Period. The material used for the rhyton is terracotta and paint. The inventory number is 1973.35. The vase is located in the Metropolitan Museum of Art in the Greek and Roman Art Department in Gallery 151 at The Robert and Renée Belfer Court.

The Etruscans developed a brilliant civilization, and left large footprints in the Italian peninsula, especially in the culture of the Romans. The Etruscan influence was felt in its period of greatest expansion, between the third and fourth centuries CE. The Etruscans gave great importance to the religious and funerary aspects. That is why his art will be closely linked to these two aspects of their customs. These influences are seen, both in architecture and sculpture and painting.

The Roman sculpture of Apollo Belvedere is much more realistic than the Roman-Etruscan sculpture of Aulus Metellus. The anatomy of Apollo is much more apparent, such as the detail in the torso, the detail in his muscular legs and his sandals. The Roman society

When examining the statue, there is an old woman bent and weary. Her posture helps clue us in, with her age and the state of her health. The figure is dressed in cloth that drapes off her body as she carries a basket that is filled with what we may think are offerings. On her head, there are vines that create a band around the top of her head used to signify the festival that was going on during that time. The specific detail that is seen on this statue persuades us to want to know the story of this woman. Doing so, the process involves lots of research about the time and art. During the hellenistic period, artists begin to introduce more inner beauty than physical beauty. There is an opportunity to learn more about the structure itself, then settle for what is given and seen.

After looking at the vast antique collection found in the Sir John Soanes’s Museum, London, I was able to identify with 2 objects that I felt had the most interest to me. Found in the Colonnade and Dome room, I will compare and contrast the statue of Apollo Belvedere, a Greek god originally made from bronze and discovered in Rome in the late 15th century. The second is a statue of the Ephesian Diana, an Egyptian sculpture derived of marble. There are a number of statues replicating the pagan goddess, Artemis from Ephesus and can be found dating back to the first and second centuries AD. The one depicted above from the Soane museum dates back to 2nd century AD, and the head turreted crown indicates this.

This essay will compare and contrast the work of two sculptors who use the human form as a basis of their artwork. The first sculpture “Apollo and Daphne” by Gian Lorenzo Bernini was created in 1622 and portrays a Romanian story. Where as “Two Women” by Ron Mueck is a hyper realistic sculpture made by an Australian contemporary artist.

The Artemision Bronze creator is still in debate and has been credited with either being created by several great sculptors such as Boeotia, Aegina, Sicyon, Argos Onatas, Myron and Nesiotes. Any of these sculptors could have created this marvel which is questioned to be either Zeus or Poseidon due to its missing weapon. The Artemision Bronze was said to be created around 460 B.C.E, also known as the Classical Period where Greek Sculptures began to transform into realistic human forms along with the rise of Democracy and the fall of the Aristocratic culture. As of today, the Artemision Bronze is held in National Archaeological Museum in Athens, Greece along with several other important statues like Diadoumenos, the ''Varvakeion'' Athena, etc. The statue has been said to have the theme of “Severe Style” because of the statue’s simplicity and the severity of its form, that are visible in the facial features and the heaviness of traits which contrast to the lighter features of the sculpture.

The statue measured 13m tall (42 feet), 6m wide (21 feet), and had a perimeter of 13m (43 feet). The statue was constructed from a wooden frame that was covered in expensive materials for the time. These materials included: gold, ebony, ivory, silver, and precious stones. Historical accounts say that his hair and beard were made from gold and that his unclothed flesh was rendered in ivory. His sandals and robe were constructed from gold. The stool beneath his feet were upheld by two golden lions. In his left hand he held a scepter that gave him dominion over the Earth. In order to keep the ivory from cracking, the statue had to be anointed with olive oil, which was used to clean the statue every

The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is one of the most significant Egyptian archeological find, dating from about the 31st century BC, it contains some of the earliest hieroglyphic inscriptions ever found in history. It is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is shown with the bulbed white crown of Upper Egypt, and on the other side it shows the king wearing the red crown of Lower Egypt. The Palette of Narmer accommodates one of the earliest known characterizations of an Egyptian king. The Palette shows many of the classic delegations of Ancient Egyptian art. The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".

Ancient Greek Pottery was popular back in the ancient time era. The pottery was known for its unique carvings of the naturalistic detailing. The pottery makers always added their own abilities to the masterpieces by magnifying more detail. And each detail they attached had more meaning behind the carving. The earthenwares and painters identified their artwork with their signatures in the c.570 BCE. . Within the decorations and the pottery being a dominate decoration in Ancient Greek, there was unquestionable colour conventions. Which meaning that the colors are well known linked with specific meanings. With the stunning now known artwork that encountered Greek Mythology, Olympian Gods, humans, animals and much more on the clay work thereupon,

Over the years of art history, there are many great empires that we think of and two of those were ancient Greek and Egyptian. When talking about Greek and Egyptian art history, it is the sculptures that come to mind when you are comparing and contrasting artworks. Egyptian art and Greek art both had mesmerizing sculptures but Egyptian art was more oriented towards religion and Greek art was more focused on philosophy. The Egyptian statue of the Menkaure and a Queen was similar to the Greek statue of Metropolitan Kouros in their posture but both of these statues also had many differences. Menkaure and a queen statue was created from an unusual stone and the statue was discovered in Menkaure’s valley temple. The sculpture has a hard texture and because of the time-consuming task of polishing this sculpture was never completely polished. So, the sculpture is greywacke and has traces of red paint on king’s face, ears and neck because male figures were traditionally painted red and there are traces of black in queen’s hair. The sculpture itself is 54 ½ inches in height and is displayed in the Museum of Fine Arts, Boston. Metropolitan Kouros was created from marble which seems like it has a rough and hard texture. The statue is 6 feet in height and is displayed at the Metropolitan Museum of Art, New York.

The first and oldest work in my collection is a red-figure calyx krater, a type of large vase, which was painted by a Niobe painter and is known as Artemis and Apollo slaying the children of Niobe (ca. 450 BCE) (fig. 1). The vase features a scene from a myth in which twins Artemis and Apollo slaughter Niobe’s twelve children out of revenge. One can tell this is a depiction of Artemis because she is shown with a bow