Appearance vs Reality Essay

The masking of an identity is a common solution that many people of today’s society turn towards. Whether it is to hide something from someone or to use it as a form of protection. William Shakespeare’s popular play Much Ado About Nothing is an excellent example of masking that is achieved by some of the characters. The story reflects events of people masking themselves intentionally, unintentionally or having the ability to see through other’s masks. It demonstrates that masking can end in deception, although not constantly.

In the play, The Taming of the Shrew, by William Shakespeare, there is a recurring theme of people hiding their real identity. First, there are cases of deception, such as Tranio pretending to be Lucentio, Lucentio pretending to be a Latin tutor, Hortensio pretending to be a music tutor. More complex than these obvious examples of deception are Shakespeare’s clever uses of psychological masks. Several characters in the play take on roles that do not agree with their personalities. The psychological masks that they wear are not immediately apparent to the audience, or even to the characters themselves, until they are unmasked through the course of the play. Shakespeare mostly uses this device with the characters of Katherina, Bianca,

The film Saving Face is about representing one self’s identity. There are three motifs that allow this transformation; transportation, face and time. The central motif in the film Saving Face is transportation, which is centralized with face and time because they explain the character’s change of identity.

In “Twelfth Night”, disguise is a key theme in order for the play to take shape. Within the first three scenes, we have several examples of characters deliberately deceiving others in order to achieve a selfish goal. An example of this is seen through Viola’s decision to disguise herself as a eunuch in order to find favour with the duke.

In addition, one can also argue about Paulina’s love-hate relationship with Gerardo, as she is clearly very emotionally attached to him, yet seems as though she treats him with a sort of disrespect or harsh manner. Paulina’s strange relationship also brings the audience to question this woman’s sense of judgment, and maybe even her past. Ironically, later she refers to him as ‘my little man’, contrasting with how he called her, and making sure that Gerardo knows that he is her husband, and she’s in charge.

Watching the film ‘The Matrix,’ it is natural to question whether the world we live in is real or not. Neo, the hero, comes to know that the world he lives in is not real thanks to Morpheus. In the future world, the computer rules humans, who are, in turn, born to grow in an incubator. Further, human cerebral nerves are connected to a computer networks, which implies men cannot help living in another incubator till death although they cannot recognize they live in the incubator. Plato’s allegory of the cave is analogous to the story line found in ‘The Matrix.’ People live in a cave, looking at their shadows reflected on the cave wall. They never realize they are in a cave. Plato’s allegory of the cave assumes key words leading the story

All the character deception in The Taming of the Shrew creates dramatic irony. Dramatic irony involves the reader/audience knowing something about what’s happening in the plot, about which the character(s) has/have no knowledge. Dramatic irony can be used in comedic plays, such as this one to engage the reader/audience. Throughout the play, characters are may be oblivious to recognising the truth, however, the reader/audience can sympathise with this character because the reader/audience knows the true motives of the circumstance. The characters mentioned earlier create examples of dramatic irony. Lucentio disguises himself as Cambio; Bianca’s Latin Tutor, little does Bianca or Baptista (Bianca and Katherine’s father) know about

The subjective element of beauty involves judgment, not opinion. Many people feel beauty is only something seen by the eyes. St. Thomas Aquinas views beauty in both the supernatural and natural orders. Aquinas lists the attributes of beauty to be found in nature. These are; unity, proportion, and clarity. We will see how these attributes of beauty are seen through the eye and felt by the heart.

This essay is for women who believe their thighs are too big, their breasts are too small, their hair is boring, their skin is flawed, their body is shaped funny, or their clothes are outdated. This month's column is for women who believe their life would improve if they could lose 15 pounds; if they could afford contact lenses, that new perfume or anti-cellulite concoction; if they got a nose job, a face lift, a tummy tuck, etc. This month's column is for women who feel shame or unhappiness when they ponder some part (or all) of their body. In other words, this month's column is for 99.9% of the women reading it!

     Things are not always as they appear. You may think someone is a certain way because of how they dress and carry themselves this is called stereotyping. Many people stereotype without even noticing that they are doing it. Everyone has his or her right to first impressions, but stereotyping is wrong. There are many examples of this topic in literature as well as in our society today.

Deception and disguise are two key themes in Shakespeare's 'Twelfth Night'. As in most comedies, Twelfth Night celebrates different forms of disguise and deception in order to make the play more entertaining. It also develops a strong connection between the main plot (with Viola, Orsino, Olivia, and the others) and the sub-plot (involving Sir Andrew, Sir Toby, Malvolio, and Maria). Disguise and deception appear in many different ways throughout the story.

Twelfth Night is riddled with numerous cases of disguise, deception, and mistaken identity which helps shape the play because with none of these three things there is no Twelfth Night. It adds to the plentiful cases of humor in the play as well as affecting the other themes like love. The mistaken identities and disguises help entangle the love of each of the characters into a mess that doesn’t clearly resolve itself until the end when they all finally try to shed those disguises; for example, when Cesario reveals that he is actually a woman named Viola.

Shakespeare shows the connection between disguise and deceit in Kent. Kent doesn’t wear a disguise for immoral reasons. King Lear exiled him after Kent was against Lear’s decision to divide his kingdom. Kent wants to serve the

Shakespeare uses the idea of disguise in many of his plays. It is used as an escape from the characters’ personalities and sometimes for comic effect. In As You Like it, the disguise becomes very comical as in the time it was written only men could act on stage. This could lead to much confusion and comedy in the roles of those in disguise. Disguise can give the freedom to a character to act how they like and a chance for them to show their views. It was in the 16th Century that there became an increased sense of self consciousness and identity. This led to people creating an image for themselves. If one can create a self, they can create many different versions of themselves each showing a different aspect of that person. This links in

The concept of disguise has been known and used since the beginnings of drama, but this concept was most famously known for being used in plays written by the biggest playwrights of the Elizabethan era— especially for being used in William Shakespeare’s plays. What do we mean by disguise? In broad terms, it would mean pretending to be something that one is not. The concept of disguise can mean changing behavior, or hiding intentions, the most frequent form of disguise is the change of ones personal appearance, usually through the changing of clothes, to mask ones true self. Shakespeare used disguises in various ways in his plays; As You Like It, Measure for Measure, The Merchant of Venice, and Twelfth Night were all plays in which Shakespeare used the concept of disguise as a device to further the plot, it was sometimes even used for comic relief. Disguises can be used both maliciously and/ or morally, depending on its use and its influence on the characters. In both Merchant of Venice and Measure for Measure, both Portia and Duke Vincentio donned a disguise to pursue justice how they saw morally fit, but ultimately their deception was only for selfish gain; Portia disguises herself to save a friend, and Vincentio disguises himself to know the true feelings of his subjects, both manipulate the law in the name of justice while in their disguises.