Appearance vs. Reality, Isolation, and Good Can Come from Evil in The Scarlet Letter

Pearl’s existence reminds Hester of her act of passion, which the cultural morality of Boston dictates as sinful. This is evident not only because Pearl is the product of Dimmesdale and Hester’s action, but because of who Pearl is at heart. Pearl’s personality is as stated,

The Scarlet Letter displays a theme of sin throughout the novel through multiple major events. To start off, in chapter seven, “The Governor’s Hall”, Hester observes herself in a convex shaped mirror, and realizes that the scarlet letter was exaggerated in size. The second major event is the entrance of Roger Chillingworth. He was quickly accepted into the Puritan society as an excellent physician, but as time passed, a few puritans started to suspect Chillingworth of using the skill of black art from the Indians. Hester also starts to realize a change, which goes into another major event to display the theme of sin. As Hester and Chillingworth were talking, she started to recognize a change in him, similar to a demon that had possessed him. But Hester wasn’t the only one to notice, Chillingworth noticed himself. In chapter nine and ten, Chillingworth is given the opportunity to cure Mr. Dimmesdale and to discover all of Dimmesdale’s hidden secrets. The final major event to represent sin is in chapter fifteen, “Hester and Pearl”, when Hester rids herself of the scarlet letter and realizes the freedom from the weight of her sin and shame. In The Scarlet Letter, Nathaniel Hawthorne uses appearance versus reality to illustrate sin.

In the Scarlet Letter, Nathaniel Hawthorne makes many references to the devil and evil’s influence on major characters and on the people in the town. The major characters change the way they act towards one another, and are physically and mentally affected negatively. The evil influence not only affects how the people in the town act towards each other but if affects how different people view the scarlet letter that Hester wears. Hawthorne also tries to convince the reader that Pearl’s existence is evil, but good things can come from evil as well as bad. By describing these instances Hawthorne drives the point that the devil and evil overtime are prominent themes and shape the plot.

From her initial introduction to the reader as the “yonder babe, (…) of some three or four months old”, Pearl represents the beauty of the truth (54). As she struggles to find answers about her mother’s scarlet A while simultaneously growing up, Pearl identifies as an innocent character, despite her creation. It is frequently noted that she looks similar to the scarlet letter that her mother so reluctantly bears, with her “bright complexion [and] eyes possessing intensity both of depth and glow, and hair already of a deep, glossy brown” (76). Her similar appearance to the scarlet letter furthers her permanent connection to the letter. Additionally, it highlights the notion that her mother will likely never be able to look at her without reminiscing upon her sin. As Pearl develops, her fire-like actions and dark appearance further molds her into the fleshly expression of Hester’s adultery. Furthermore, Hawthorne ensures to characterize Pearl throughout the novel as a friend to the sunlight, a friend to the truth. As she begins to pick determine that Dimmesdale is her father, the sunlight welcomes her. This is because she is the only innocent character who is not afraid to step into the sun’s rays. Pearl recognizes the light’s love for her and audibly notes, “the

In spite of that, what makes her the protagonist of the story is how she is able to overcome her punishment that was meant to give her shame. Throughout Chapter 13 of the book, Hawthorne shows how Hester’s confidence has developed in herself and in view of the town, most noticeably when considering the meaning of the scarlet letter, “Such helpfulness was found in her ... that many people refused to interpret the scarlet A by its original signification. They said that it meant Able; so strong was Hester Prynne, with a woman’s strength,” (Hawthorne 107). Instead of subjecting to the shame that was forced upon her, she grew above it, conveying a different aspect of the theme of guilt, which is redemption. This is not to say that Hester did not care about the sin she committed, as she is very much reminded of it every day of her life while living with the child of that sin. In fact, the author addresses this by saying, “In giving her existence a great law had been broken; and the result was a being whose elements were perhaps beautiful and brilliant, but all in disorder,” (Hawthorne 60). Hawthorne is implying how Pearl represents the outcome of a sin and arranged it so that Hester is always living with that sin, therefore, always being reminded of the shame she is supposed to

Merriam-Webster 's Dictionary defines adversity as, "a state or instance of serious or continued difficulty or misfortune; ex. showing courage in the face of adversity" (Merriam-Webster). Unfortunately, life is not fair. Sometimes, people are faced with serious misfortune and must adapt to survive. And sometimes in this state of adaption, the person will learn new skills from the misfortune and can apply those skills to everyday life. Nathaniel Hawthorn 's The Scarlet Letter is a story that takes place in a harsh, puritanical 17th century society called the Massachusetts Bay Colony. In reality, it was actually Boston,

People were burdened with titles and isolated from the community without having the opportunity to plead their cases or attempt to clear their names. In order to overcome the harsh criticism that came with the times, people had to be like Pearl and prevail over the hate they received. For Pearl, sticking to her true identity and refusing to let people’s predetermined negative mindsets control her worked in her favor. By the end of The Scarlet Letter, when Chillingworth, Hester and Dimmesdale have all died, Pearl finds love and becomes the richest woman in New England after obtaining Chillingworth’s inheritance. If nothing else, Pearl bests those who doubted her in terms of wealth and

In The Scarlet Letter, Pearl is often regarded as a symbol to that of the suffering of Hester Prynne and the shamed Reverend Arthur Dimmesdale but Pearls significance is more than just symbolizing the sin committed by her parents. She in many ways represents the innocence that the puritan belief is regressing itself to have. Hawthorne constructs Pearl as an evolving symbol for Hester and Dimmsdale and her progression as a character is shown through that of the actions set forth by these characters. Since the inception of the act of adultery by Hester and Dimmesdale, Pearl is developed by sin but she is not conformed to sin and as a result symbolizing a release of sin. She is essentially the road from childhood to adulthood, innocence to innocence lost to finally understanding and accepting the card that we are all delved with and that’s life after sin.

Hester's daughter, Pearl, functions primarily as a symbol. She is quite young during most of the events of this novel—when Dimmesdale dies she is only seven years old—and her real importance lies in her ability to provoke the adult characters in the book. She asks them pointed questions and draws their attention, and the reader's, to the denied or overlooked truths of the adult world. In general, children in The Scarlet Letter are portrayed as more perceptive and more honest than adults, and Pearl is the most perceptive of them all.

Pearl is an evident symbol that sends multiple messages in the book. In the novel The Scarlet Letter by Nathaniel Hawthorne symbolism is quite evident throughout the text. In the case of Pearl, Hester's Daughter, she symbolizes many things in the text. Pearl forces Hester to deal with her sin and learn to cope with the consequences she faces resulting from what she did. Pearl helps send the message of the importance of forgiveness and consequences. She symbolizes the sin that Hester has committed and the shame Hester has to face. Pearl also symbolizes the connection between Dimmesdale and Hester and the guilt that Dimmesdale has to face for hiding his secret sin for so long.

Second, Pearl is a symbol of Hester’s salvation and reason to keep living. Hester names her baby Pearl because she has paid a great price for her. In chapter eight, Hester has to fight to keep Pearl. When they go to the governor’s mansion, he threatens to take Pearl away from Hester. Pearl tells the men at the governor’s mansion that she was picked in the garden by the prison door. They are worried about her well being with Hester and want to remove her from mother. Hester fights to keep Pearl. ‘“God gave her into my keeping,” repeated Hester Prynne, raising her voice almost to a shriek. “I will not give her up!”—And here, by sudden impulse, she turned to the young clergyman, Mr. Dimmesdale, at whom, up to this moment, she had seemed hardly so much as once to direct her eyes” (Hawthorne 124). Pearl is a symbol of Hester’s sin and now Hester has to raise Pearl and teach her what she did wrong. Dimmesdale steps in and tries to back up Hester and tells the governor that Pearl would guide Hester and keep her from making mistakes that she made in the past. God has given Pearl to Hester as a blessing and a reminder of her sin. The mother and daughter have already built a strong bond and Pearl is keeping Hester alive. After all of this, Hester is allowed to take Pearl home with her, but she must follow guidelines. Hester was asked to join the Black Man in the

Pearl blesses Hester’s life immensely. As Hawthorne explains, “God, as a direct consequence of the sin which man thus punished, had given her a lovely child… to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in Heaven!” (84). Pearl is not Dimmesdale’s A of human flesh or Hester’s forced scarlet letter. She is a living, breathing A.

There has been a constant dispute over whether people should be governed by determinism or free will. Determinism is the idea that our actions and fate are predetermined and every occurrence can be explained or has a reason for happening; free will, in contrast, is the idea that we have the ability to act independently of external restraints. In the 17th century, Puritan society arose in New England as one that was governed by its religious views, and thus was a deterministic one. Nathaniel Hawthorne illustrates this in his novel The Scarlet Letter, in which the characters Hester, Dimmesdale, Pearl, and Chillingworth are alienated by society. Although

        Pearl primarily serves the role of silently urging Dimmesdale to overcome the pressures to conform to society, and to allow his guilty inner-self to emerge and receive retribution for his sins. She exists as a constant and living reminder and product of the sin Hester and Dimmesdale committed, and acknowledges the false innocence Dimmesdale tries so desperately to maintain. Her inquisition, "Why does he not wear [a scarlet letter] outside his bosom as thou dost?" (ch 16) to her mother concerning Dimmesdale is evidence of this. Pearl has no chance to conform to society because at birth she is regarded

In the stories of The Scarlet Letter by Nathaniel Hawthorne and Frankenstein by Mary Shelley, the antagonist characters display parallel story lines through their searches for the enemy. Roger Chillingworth, the former husband of Hester Prynne and the antagonist of The Scarlet Letter, works against his wife in order to find her untold second lover. Frankenstein is a contrasting story in which an unnamed monster is the antagonist towards his human creator, Dr. Frankenstein. Yet despite quite different story lines, the two characters possess traits that exibit parallels between them. In the novel The Scarlet Letter, Roger Chillingworth displays the startling passionate characteristics of an unwavering drive to seek out his foe, madness as his focus on his search takes over his entire being, and terrible anguish when his task is unexpectedly over, all of which are reflected in the daemon created at the hand of Dr. Victor Frankenstein in Mary Shelley 's novel Frankenstein.