Appearance vs. Reality in The Merchant of Venice
The Merchant of Venice explores the theme of Appearance versus Reality. The theme is supported with many examples in the form of characters, events and objects.
During the discussion of the bond, Shylock says to Antonio “ I would be friends with you and have your love” and “this kindness will I show”. He pretends to be Antonio’s friend, but he has an ulterior motive, which is to take a pound of Antonio’s flesh from whatever part of his body he pleases. The underlying meaning is to kill him, and thus, although Shylock seems good-hearted, he is in truth, harbouring deceit. Shylock is manipulative and crafty as he tries to put up a show to deceive Antonio. He sounds generous about
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Jessica also feels sorry that Launcelot is leaving, because he as a good-natured “merry devil”, brought the only ray of sunshine to an otherwise gloomy place. Furthermore, Launcelot calls Jessica “most beautiful pagan, most sweet Jew”, signifying that he respects and admires her beauty.
When Launcelot happens to meet his father, Old Gobbo, he appears to be a gentleman to him when in reality he is not. He played a tricks on his sand-blind father, for example, he gave confusing directions to Shylock’s house, called himself “young Master Launcelot”, and even declared that he was deceased. Old Gobbo must have thought that the man he was speaking to was highly intellectual, for he talked about “Fates and Destinies” and “Sisters Three”. That man was Launcelot, who was actually trying “confusions with him”. Launcelot is playful and clownish although he possesses a touch of pride and snobbery when he wants to taken for a young gentleman. Launcelot is sensitive, because when he sees that Old Gobbo is genuinely upset about his son’s supposed death, he reveals his identity.
Jessica's wants to elope, for her house is "hell." She is constantly restricted, and is not allowed to look at Christians at the Masque, or listen to music, which to Shylock is “shallow froppery.” As to the "pull" factors, it is her love for Lorenzo and a longing for a free-spending life-style. Jessica disguises herself as a pageboy during her elopement with Lorenzo. She
This makes Shylock, Jessica’s dad very angry because when Jessica marries Lancelot she becomes a Christian.
The central female in the lai of Guigemar is a young “lady of high birth” (46) who is trapped in a tower by her older, jealous husband, Meriaduc. When a wounded Guigemar sails “into the harbour” (46), she becomes smitten and commits adultery. The young lady and Guigemar are not adulterous for the sake of sexual gratification; they are both tortured by love in a pure and noble form, evidenced later by their pledges to love no one but each other. Even through Guigemar and the lady’s separation, “never would he take a wife, for love or money,” (51), further demonstrating the virtue and goodness of their love. On the part of the lady, her love for Guigemar is even more virtuous because she is trapped perpetually by a cruel master.
Imagine waking up one day and transforming into a werewolf, experiencing a change like no other, where you couldn't tell other individuals for fear of death. Bisclavaret was forced to deal with this emotional and physical change by himself. To keep himself and his wife safe, he was forced to leave their house three days out of every week. Some disagree saying that his wife is the one who was betrayed by her own husband because he withheld this important information from her. However, once questioned by his wife about his disappearances, he connected with his emotions by using his ethics and trusting her enough to tell her his secret.
Throughout history there has been a general understanding that appearances can be deceiving. A person may go through life without anyone understanding the true reality of their character. William Shakespeare, one of the greatest writers of all time, understood the relationship between appearance and reality and often gave characters two sides to their personality.
Antonio describes Shylock as a devil in disguise, because the devil Also tried to trick Jesus using the bible. This conveys to the the reader, that Antonio thinks that Shylock is a wicked person, guided by his own self-interest. He even goes to the extent of saying that Shylock is an evil soul, producing holy witness, just to get what he wants. The use of the simile, “A goodly apple, rotten at the heart.” Tells us that Antonio is warning Bassanio that what may seem nice and good on the outside, could be bad and evil on the inside. This is the first instance we see Antonio show a bit of resentment towards Shylock. After seeing what these two men have said about each other, it is no surprise that one of them is Jewish(Shylock) and the other a
The Turquoise Ring gives depth to Shylock’s character by providing insight into his relationship with his daughter Jessica. While the merchant of Venice seems to Portray Shylock as a hostile and overprotective father, the Turquoise Ring offers a different perspective on the matter. It gives an understanding as to the reason for the constant contention seen between Shylock and his daughter. Shylock tells his daughter, “an angel were you, that did preserve me”, showing the central role Jessica plays in Shylocks life. After escaping the atrocities of his homeland in Toledo, Spain, Shylock is left with nothing of importance in his life but his daughter Jessica. His concerned for her is what motivates Shylock to try and create a very sheltered life for his daughter, fearing that he would lose the only thing he had left. After all that he had sacrificed, to lead for his family a Jewish lifestyle in spite of the dangerous implications of doing so, Shylock would not allow his daughter fall to the hands of Christianity,
It is ironic that Jessica’s actions should prove to be the catalyst that hardens Shylock’s attitude towards Antonio; she has turned Christian just as Antonio believed that Shylock’s bond turned him Christian.
The first event that demonstrates that Shylock is a victim would be that he is ridiculed by his community and his family. Antonio and Shylock were never friends. They always fought because Antonio was a Christian and Shylock was a Jew. They also have different money lending practices which cause a lot of discrepancies. Antonio always mocked Shylock. He calls him a misbeliever and a cutthroat dog. Shylock tells us that Antonio “…call me misbeliever, cutthroat dog,/ and spet upon my Jewish gabardine,” (1.3.108-109). Here Shylock demonstrates that Antonio on a day to day basis mocked Shylock. Later on, Antonio mentions that he will call Shylock that again if he wants to. Another example would be Antonio’s friends. They teas Shylock for his faith and his misfortunes. When Jessica runs away with Shylock’s money and jewelry, he asked the Duke to go help him search Bassanio’s ship for them. Solanio heard
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
Literary devices are frequently used throughout acts four and five of Shakespeare’s The Merchant of Venice. Some of the most prominent devices used on TMOF are dramatic irony, allusion and symbolism. These devices help further develop theme ingrained in the story such as marriage, deceive, wealth, and religion. The use of literary devices helps ensure the story transitions smoothly and is pleasant to the reader, it might also help in the comprehension of the story´s characters.
This shows how Shylock is shrewd, by playfully suggesting the forfeiture of the bond which is actually a cunning plan to murder Antonio with the law on his side.
He declares, "I'm very glad of it. I'll plague him, I'll torture him, I am glad of it." (3, 1, 115-116) At the end of Act 3, scene 1, Shylock's true motive is revealed. Shylock says, "I will have the heart of him if he forfeit, for were he out of Venice I can make what merchandise I will." (3, 1, 125-127) All these comments clearly attempt to paint Shylock as a money-worshipping murderer and not as a person.
Jessica is Shylock’s only daughter. She leaves her father heart broken when she decides to run off with a Christian, Lorenzo, and steals to her father’s ducats and some family treasures. Jessica is ashamed to be Shylock's daughter and she absolutely detests living in her father’s house commenting that, ‘What heinous sin it in me to be ashamed to be my father’s child.’ (II, iv, 16-17). When Jessica gives Lancelot a letter for
In Act 2 Scene 4 Jessica decides to leave her father and her home to elope with a Christian man Lorenzo. This strengthens the concept of Shylock being a heartless villain because his child feels she must leave without a word of her desires. This shows that Jessica knows that her father would not listen to or consider her feelings for Lorenzo so she must steal and run away from him. On the night she leaves she says with little remorse ‘Farewell; and if my fortune be not crost, I have a father, you a daughter, lost.’ This shows that her childhood was not happy and that she was ‘ashamed to be her father’s daughter’. This is further evidence of Shylocks heartlessness.
The Merchant Of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships. The play tells us mercy is preferable to revenge. Shylock chose revenge over mercy against Antonio and how his choices affected him. The Court of Venice begging mercy of Shylock. Finally, Portia forgiving Bassanio for giving away his wedding band.