Essay about Appearance vs. Reality in William Shakespeare's Hamlet

Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was

In Shakespeare’s Hamlet, the main protagonist, Hamlet experiences a series of events that dramatically change his character. When the audience first meets Hamlet, he is dressed in all black he is portrayed as a sulky, depressed prince. Through the course of the play however, it is revealed that Hamlet as a character has more than one side to him – he is brooding as he is impulsive, and he is vengeful as his is indecisive. The audience sees Hamlet struggling with the death of his father, and the emotional toll of knowing the truth but being unable to exact revenge. This is what essentially changes Hamlet. Because of the constant back and forth of having to act like nothing is wrong and having to suppress his rage towards King Claudius,

In Shakespeare’s play, Hamlet, Hamlet, a studious young man and Prince of Denmark, struggles to face the death of his father and the task to kill his father’s murderer, Claudius. He was once known as a charming, smart young man before his father’s death. However, Hamlet experiences depression and anger at the world, causing him to look outwardly on society but failing to look inwardly on himself. The death of his father and the task for vengeance leads him to question whether or not he should follow through in killing Claudius. He becomes a man of thought rather than a man of action. In addition, the delay of King Claudius’ murder leads the readers to believe that he wishes not to kill him; he

   Most characters in Hamlet present themselves as something other than themselves or how as we, the audience, or another character thinks they should appear.  Two of the main characters in this play, Hamlet and King Claudius, are constantly acting as something other than their true nature.    Ironically, the characters that invoke changes in Hamlet and King Claudius to reveal their real personalities are the players, merely actors themselves, not showing true emotion: (in this short analysis, I will attempt to display the truth revealed by the players) they agitate King Claudius and allow Hamlet to see their appearance as more accurate to the truth than the appearance of "real life

There is a general understanding that appearances can be deceiving. This is one of the most fundamental questions in philosophy, appearance vs. reality. When we meet people and get to know them throughout our lives, we soon discover that there is a genuine side to everyone behind the appearance they show. In the play Hamlet, by William Shakespeare, the characters Polonius, Rosencrantz, Guildenstern, and Claudius use appearance vs. reality to manipulate and deceive, which ultimately leads to their downfall.

In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.

Hamlet is considered to be Shakespeare's most famous play. The play is about Prince Hamlet and his struggles with the new marriage of his mother, Gertrude, and his uncle and now stepfather, King Claudius about only two months after his father’s death. Hamlet has an encounter with his father, Old King Hamlet, in ghost form. His father accuses Claudius of killing him and tells Hamlet to avenge his death. Hamlet is infuriated by this news and then begins his thoughts on what to do to get revenge. Hamlet and Claudius are contrasting characters. They do share similarities, however, their profound differences are what divides them.Hamlet was portrayed as troubled, inactive, and impulsive at times. Hamlet is troubled by many things, but the main source of his problems come from the the death of his father. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the everlasting had not fixed his canon 'gainst self-slaughter” (Act 1, Scene 2). In this scene, Hamlet is contemplating suicide, which is caused by the death of his father and the new marriage of Gertrude and King Claudius. This scene shows the extent of how troubled Hamlet is. Even though Hamlet’s father asked him to avenge his death, Hamlet is very slow to act on this throughout the play. “Now might I do it pat. Now he is a-praying. And now I’ll do ’t. And so he goes to heaven. And so am I revenged.—That would be scanned. A villain kills my father, and, for that, I, his sole son, do this same villain send to heaven” (Act 3, Scene 3). This scene shows King Claudius praying, while Hamlet is behind him drawing his sword but decides not to kill

An act as appalling as this would never cross the mind of a person with a healthy sense of sanity. Although he committed this dreadful crime, Claudius was good at keeping secrets; nobody ever knew of his sins. “Claudius is socially adept, and his charm is genuine. He can exhibit deep distress over his ‘dear brother’s death’ and admiration for his wife, ‘Th’imperial jointress to this warlike state.’ He knows the value of a great funeral, but quickly turns mourning into celebration and moves on ‘With mirth in funeral and with dirge in marriage’ to whatever lies ahead” (Claudius). This narcissistic king only cared to bring attention to himself when his kingdom chose to mourn the death of Hamlet. Claudius mourns his brother’s death in public but he only pretends to grieve so that his crime will not seem conspicuous. “Though yet of Hamlet our dear brother’s death the memory be green, and that it us befitted to bear our hearts in grief , and our whole kingdom to be contracted in one brow of woe, yet so far hath discretion fought with nature that we with wisest sorrow think on him together with remembrance of ourselves” (Shakespeare 10,11). Claudius explains that although it is necessary to mourn, life still goes on. He points out the importance of realizing the health and prosperity of himself as the new king, only to take the attention off of the abhorrent tragedy he caused to the kingdom for the sake of gaining power and a

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full

       Hamlet is organized around various pairs of opposing forces. One of these forces is the difference between that what seems and that which actually is, in other words, appearance versus reality. What is, and what merely appears to be? We can discern two principal angles from which this question is approached in Hamlet. First, we have the angle of inward and outward emotions, and the profound distinction that is drawn between them. In other words, the tranquil face that we all show to the world is never the same as the turmoil of our souls. In Hamlet, Shakespeare explores this both explicitly, through the device of the play within the play, and implicitly, through the ways in which he uses

In the later portion of Claudius’s soliloquy, he questions “what form of prayer Can serve [his] turn? ' Forgive me my foul murder?'” but ultimately he is unable to fully repent from the act of betrayal because he wishes to “still possess'd Of those effects for which [he] did the murder" (3.3.55-57). Claudius is sorry, but he is not sorry enough to fully repent and give back what he has obtained after the murder- his queen, the crown and his power. The idea of becoming king causes Claudius to feel as if his actions are justifiable; however, the immoral act of murdering and betraying his brother overshadows his justification (Pattern

Shakespeare’s play, Hamlet, begins with the appearance of a ghost, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlet's mind, therefore, becomes the central force of the play, choosing the direction of the conflict by his decisions regarding his revenge and defining the outcome.

     Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.

“O, that this too too sullied flesh would melt, Thaw and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God, God, How weary, stale, flat, and unprofitable Seem to me all the uses of this world!” (Act 1 Scene 1, Hamlet) Hamlet’s idea of role-playing was truly important to Hamlet in the play, because it was his way of conducing revenge, for his father’s death. Hamlet acted deranging and irrational throughout the whole play, to cover up his capacity of killing Claudius, who was the killer of his father, King Hamlet. Hamlet’s actions of insaneness, led him to committing many mishaps in the play that completely disarranged his objective of obtaining revenge against Claudius. However, due to Hamlet’s exploitation in role-playing in the play, it precipitated him into temporizing and delaying his ability to obtain his revenge, which effected many characters along the way. Characters like Polonius, Ophelia, Laertes, Gertrude, and Claudius suffered dramatically throughout the whole play, because of Hamlet.