Araby Character Analysis

In the story “Araby” the protagonist is portrayed by the author to seem young, which limited his ability to see past his dull, dead-end neighborhood. The author explains the boy’s carefree mindset by describing how the protagonist and his friends would run through the back lanes of the houses and hide in the shadows when they reached the street again.

In the story of, "Araby" James Joyce concentrated on three main themes that will explain the purpose of the narrative. The story unfolded on North Richmond Street, which is a street composed of two rows of houses, in a desolated neighborhood. Despite the dreary surroundings of "dark muddy lanes" and "ash pits" the boy tried to find evidence of love and beauty in his surroundings. Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion (Borey).

“Araby” by James Joyce, is a short story about a young boy trying to find and his search for inner happiness. The main setting takes place in the boy’s neighborhood where he lives with his aunt and uncle. The sub setting takes place in an Araby or English bazaar, a carnival if you will. In the neighborhood we find that there is; an uninhabited house that has not been occupied for some time, a girl, who’s referred to as ‘Mangan’s sister’, whom the boy has a lustful crush on, and a story of a deceased priest. In the Araby we find a lot of empty booths, along with some hollow characters. The neighborhood, the Araby, the boy, and other characters in the story have an overall theme

James Joyce’s “Araby” is a short story narrated by an adolescent boy who falls in love with a nameless girl on North Richmond Street. Every day this boy watches her “brown figure,” which is “always in [his] eyes,” and chases after it (27). According to the boy, “lher image accompanie[s] [him] even in places the most hostile to romance” (27). He thinks of her bodily figure often, invokes her name “in strange prayers and praises”, and emits “flood[like]” tears at the mere thought of her (27). The boy exhibits all this emotion, despite the fact that he “had never spoken to her, except for a few casual words"(27). Therefore, when he finally has a conversation with her, about a Dublin bazaar called Araby, it causes him to become disoriented. The boy fails to concentrate at his Christian Brother School and at home, because Mangan’s sister finally talks to him. The boy, determined to get something for his lover at the bazaar she cannot attend, asks his uncle for money. However, to his distress, his uncle forgets and the boy is unable to attend the bazaar until “it [is] ten minutes to ten” (31). This delay and the long journey by train causes the boy to become irritated. His irritation soon turns to anger as he enters the bazaar only to find it practically empty except for two men with “English accents” and a female engaged in a conversation (32). At this point, the boy loses interest in buying anything at the bazaar for his lover and decides to feign interest to appease the

"Every morning I lay on the floor in the front parlor watching her door...At night in my bedroom and by day in the classroom her image came between me and the page I strove to read." This shows the extent to which the narrator desires to be with Mangan's sister.

In the story of “Araby” the narrator is a young boy at school going age who is too quick to please a girl same as his age. He is too descriptive of his surroundings. He is well aware of the societal norms and ideas, but he has an illusion about those ideas and we could see him transform in the story towards the realization that what a real adult life is.

Set in Dublin, the narrator of "Araby" tells of his attempts to win the attention of his friend Mangan's older sister.. The boy promises to bring her a gift from a bazaar named Araby. In “A&P”, Sammy is a nineteen­year­old cashier at the local A&P in a shore town outside of Boston. Like Joyce's “Araby”, Sammy also attempts to win the attention of a girl. In both cases, romance gives way to reality, and conflict occurs when the two boys come to the realization that in the real world their attempts are unrealistic.

The unnamed protagonist in “Araby” is just an average adolescent boy. His schedule never changes; week to week it is always the same. Each week he helps his Aunt shop for groceries and for fun he plays outside with other boys his age. There is nothing special about his family either. He lives with his aunt and uncle in an average house, in a normal town. Like most kids, his best friend is his neighbor, Mangan. His uncle is a business man and seems to follow the same routine every day. The only thing that makes the boy excited each day is the thought of Mangan’s sister. He would time his mornings around her and make sure that when she left her house, he left his. He would follow behind her down the street until he had the chance to quickly walk by her. He has only spoken to her a couple times, but the thought of her drives him

The story “Araby” as told by James Joyce is about a young boy that is fascinated with the girl across the street. But deeper down the story is about a very lonely boy lusting for her love and affection. Throughout the story, we see how the frustration of first love, isolation and high expectations breaks the main character emotionally and physically. James Joyce uses the first-person viewpoint to tell this story which helps influence the plot, characterization, themes, and understanding of the main character.

Although "Araby" is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce's uses the boy in "Araby" to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.

“Araby,” is a story of emotional passion carefully articulated by the author, James Joyce, to mark the end of childhood and the start of adolescence. It is told from the perspective of a young boy who is filled with lust for his friend, Mangan’s, sister. He lives in a cheerless town on a street hosting simply complacent families who own brown faced houses that stare vacantly into one another. The boy temporarily detaches himself from this gloomy atmosphere and dwells on the keeper of his affection. Only when he journeys to a festival titled Araby, does he realize that his attempt at winning the heart of Mangan’s sister has been done in an act of vanity. Joyce takes advantage of literary elements such as diction and imagery to convey an at times dreary and foolishly optimistic tone.

James Joyce’s short story Araby delves into the life of a young adolescent who lives on North Richmond Street in Dublin, Ireland. Narrated in the boys’ perspective, he recounts memories of playing with friends and of the priest who died in the house before his family moved in. With unrestrained enthusiasm, the boy expresses a confused infatuation with the sister of his friend Mangan. She constantly roams his thoughts and fantasies although he only ever catches glimpses of her. One evening she speaks to him, confiding that she is unable to visit Araby, a bazaar. Stunned by the sudden conversation, the boy promises he will go and bring her back a small memento. In anticipation, the boy launches into a period of restless waiting and distraction

The story of “Araby” is that of a young boy probably about the age of adolescence who is having his first crush on his friends sister. Although the boy seems to have no intention of realistically perusing the situation when the girl

169). The rooms are described as, “musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless newspapers (p. 169).” Already, the reader can get an image in their head using a bit of imagination. The setting at the beginning of the story suggests that the boy lives in an older building. Not only is the building depicted as old but the former tenant who lived in the house was a priest (p. 169). The settings also move to the bazaar that the boy attends in hopes that he can purchase an item for Mangan’s sister. The bazaar is called Araby, which happens to be the title of the story. The bazaar is a charitable event one that the boy hopes to attend. By the time the boy could attend the bazaar, it was shutting down for the evening as the boy had arrived late into the night. The boy was discouraged into buying any items from the vendors because the one that was open the vendor had a distasteful tone in her voice and it was not at all encouraging for the boy (p. 173). The setting is just one component of the story the plot is

"Araby" tells the story of an adolescent boy's initiation into adulthood. The story is narrated by a mature man reflecting upon his adolescence and the events that forced him to face the disillusioning realities of adulthood. The minor charac­ters play a pivotal role in this initiation process. The boy observes the hypocrisy of adults in the priest and Mrs. Mercer; and his vain, self-centered uncle introduces him to another disillusioning aspect of adulthood. The boy's infatuation with the girl ultimately ends in disillusion­ment, and Joyce uses the specific example of the boy's disillusionment with love as a metaphor for disillusionment with life itself. From the beginning, the boy