Archetypal Roles In Sir Gawain And The Green Knight

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

Sir Gawain and the Green Knight, the poem of a Sir Gawain and his quest to find the Green Knight and the green chapel in one year and a day later. This occurs after the Green Knight appears in King Arthur's court to test the honor of the legendary knights of the roundtable. The challenge he brought would be that he will withstand the blow of his axe from any of the knights as long as that knight would agree to meet him in a year and a day later to receive a blow from the axe in return. No one would accept it, not even King Arthur. Therefore Sir Gawain decides he would accept the challenge after the Green Knight provokes Arthur because he was not accepting the challenge. Sir Gawain would go on a year later on a journey to find the Green Knight and the Green Chapel with many peculiar things happening on the way. He eventually finds him and receives the same blow from the Green Knight with the axe but nothing happens to him. There are some archetypes in the story, and we will see some examples of them.

An archetype, which can also refer to as a universal symbol, can not only limit it to theme, setting, and symbol but can also refer to as a character. A type of archetype can not only represent one character, it can represent many different types of characters. Depending on the story that the author wants to try and portray. In the medieval romance, Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles. This story possesses many different types of characters that can all have more than one archetype. Having characters that more than one archetype in this story helps build Sir Gawain’s character and helps guide him through his initial quest and trails that he encounters to face in order to face the Green Knight. There are several different characters in the story of Sir Gawain and the Green Knight that aid in the troubles that Sir Gawain faces throughout the story.

Throughout the poem, the Green Knight plays various roles as an archetypal figure, for example he serves as both a herald and a mentor to Gawain. The poem begins at the Round Table, with a challenge being presented to the knights by the Green Knight. No one budges to accept the challenge so Gawain steps up and accepts it, knowing Camelot’s honor will be at risk. Gawain is told by the Green Knight that they must meet at the Green Knight Chapel in one year so the Green Knight can return the blow that Gawain gave to him. At this point, the Green Knight serves as the “announcer of adventure” or the “herald” (campbell 48) since he approaches the knights at the Round Table. As Gawain begins his journey to the Green Knight's Chapel, he meets a Host of a castle, who makes a deal with Gawain to stay there for three days. Although it is unknown to Gawain, the Green Knight is the Host, just in disguise. As the Host, the Green Knight mentors Gawain with their deal as a means of training Gawain for his upcoming challenge. Their deal was “we will make a covenant. Whatsoever I win in the wood shall be yours, and whatever may fall to your share, that shall ye exchange for it. Let us swear, friend, to make this exchange, however our hap may be, for worse or for better.” (Weston 20) and it provided a way for Gawain to prove himself and his worth to the Host, which is exactly what he did. As stated before, the many roles of the Green Knight each aid in Gawain’s development as a character and prepare him for his awaiting challenge.

In many works of literature, many archetypes (or symbols) are used to help the reader understand the story of a hero’s quest. In the Sir Gawain and The Green Knight, the hero has to go on a fatal journey to uphold the reputation of Camelot. While enduring that journey, Gawain has to conquer many trails. Gawain’s succession of trials leaves the hero, like Coleridge’s Ancient Mariner, a “sadder but wiser man.” With all the trials that Gawins intakes, many archetypal characters contribute to the theme of the story.

When talking about a morally ambiguous character, many ideas may float to mind. Perhaps a Dr. Jekyll type of person will pop up in your mind, or maybe just simply a person who doesn’t let morality get in the way of their ambitions. For a character to have a sense of evil present in them, it is not necessary for them to walk around with an ominous laugh, or anything comical in those lines. Similarly, for a character to have a sense of good, it does not mean they have to be perfectly correct either. In order to put the morally ambiguity into perspective, it is necessary to analyze the presence of both good and evil into a real character, and how it affects the story as a whole. From the Pearl Poet’s chivalric romance, “Sir Gawain and the Green Knight”, Sir Gawain is an excellent example of a morally ambiguous character. In the poem, Gawain’s purely good image was shattered when he cut off the Green Knight’s head, since he took the game as a challenge. That event could be considered as the event that set the plot into action, as the following events are all resulting from Gawain’s action. However, Gawain symbolizes good by initially embracing the knight's moral code in accepting the challenge and then, agreeing to the terms of the Green Knight. Gawain still symbolizes goodness by demonstrating proper knightly actions at times. The Pearl Poet uses Gawain as a morally ambiguous character to set up the plot. He firstly sets up Gawain as a good character, then uses a series of

Archetypes are universal symbols used in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.

With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. In Sir Gawain and the Green Knight, an Arthurian legend, our protagonist, Gawain, must interact with various character and experience different situations in ways that weave our tale together, alter Gawain’s character, and add meaning behind our story. Gawain must travel from his home of Camelot in order to preserve The Round Table’s honor by fulfilling a challenge proposed to him, In Sir Gawain and the Green Knight, the author utilizes situational archetypes to further our hero, Gawain, along the story. “The Call to Adventure” (Campbell 45) brought forth by the Green Knight pushes Gawain from his familiar community of Camelot out into the world of adventure. Gawain is no longer allowed to live in his peaceful world, but

Archetypes (or recurring symbols) hold a key role in the development of the tale, Sir Gawain and the Green Knight. Throughout the story we get the opportunity to see the development of Gawain’s character, and how much his journey to the center of the abyss had an affect on him. Gawain must travel across the land to defend his king’s territory’s honour, making him an archetypal hero in the process. On his journey Gawain faces many archetypal characters, like a devil figure and creatures of nightmare, which further aid in the development of his character. Gawain’s integrity dissipates, however, when he meets up with a temptress and she threatens his noble personality, and deters the young knight from completing his quest.

In the medieval story of Sir Gawain and the Green Knight, we are introduced to a young man, who, like many of young men, is trying to discover himself and travel through his rite of passage. He is trying to figure out who he is in life, and while in his journey, passes through many phases that mold him into one of the great Knights of the Round Table that old King Arthur wanted to serve with him. These phases affect everyone at some point in their lives. Whether it causes someone to take an iconoclastic stand against a certain more or folkway or if it enables a person to give serious thought to what life could mean, archetypes enable any protagonist

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.