Archetype Of Tragedy In Antigone

Antigone has been acclaimed as a model that challenges authority and insists on just acts. However, according to Aristotle, a tragedy requires a man’s harmartia, which means error. Therefore, as a main character of a great tragedy, Antigone must possess flaws.

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Antigone is a Greek tragedy by Sophocles. ONE OF THE three surviving tragedians of classical Athens, along with Aeschylus and Euripides, and one of the great dramatists of world literature, Sophocles spanned in his long life (497-406 B.C.) the cultural flowering of Athens in the fifth century(Segal 1). Antigone is named after the daughter of King Oedipus of Thebes, a young woman who stood against the king’s decision and believed in the gods’ law. There are many arguments regarding who is the real protagonist and antagonist in this play. The protagonist is generally regarded as the good guy and antagonist is the bad guy. Antigone is a protagonist as she is the title character in the

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

Antigone is a Greek tragedy written by Sophocles. Tragedy is defined as an event causing great suffering, destruction, and distress. The story begins with a death and ends with a death, and Sophocles does an excellent job employing many different types of ways to include fear and pity and this brings the tragedy alive. Especially with the fear of death when is abundantly rampant throughout the entire play. Although, written around 442 BC, it is just as well applied now as it was then.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Whether we agree with this play's message, or follow it, it's theme lies in Antigone's triumph against mundane opposition. It definitely showed support for her conviction, and the reader should be able to accept or reject this view. Whether one gives one's life for a cause depends on how deeply our moral standards are imbedded in one's heart, and on our acknowledgment of the importance of a

            To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins

    Sophocles’ tragic drama, Antigone, presents to the reader a full range of conflicts and their resolution after a climax.

In today’s times when someone fights and dies in a war they are honored for their time, effort, and dedication. You can also say that Antigone had determination to fight for what she thought was the right thing to do. This quality is another theme shown in the play. This trait is shown in just about every main character in the play. In each person, it is shown differently in a variety of ways on what and how they believe whether it is right or wrong.

There are many definitions for the word tragedy but today we will use Aristotle's Theory of Tragedy.“A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.”Aristotle (384–322 B.C.). His idea of a tragic hero is widely known where a person is perfect in all but a few aspects which is called their tragic flaw. Today the topic is which character in Sophocles play Antigone

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king

In Jean Anouilh’s version of the play, Antigone, the protagonist, Antigone, is interpreted as a member of the resistance to despotism that parallels the antifascist French resistance against the Nazi occupation. Anouilh’s controversial play was performed in 1944 under Nazi-controlled Paris, so when Antigone sacrifices her life to defy the oppressive ruler Creon, Anouilh makes Antigone not only a heroine, but also a symbol for resistance. Anouilh based his playwright on Sophocles’ version, which was originally written in 442 BC in Ancient Greece. However, Anouilh uses different literary devices such as anachronisms, allusions, similes and symbolism to relate the story to the most disturbing dilemma during his time in the 1940’s. He writes his play to show the importance in joining the French resistance, but he must also make his play acceptable to the controlling Nazis. As such, the play Antigone can be interpreted as a political allegory of Vichy France.

Antigone and Alceste are both eccentrics gifted on changing social morality. Throughout their individual plays, both characters demonstrate through the tone and structure of the plays their thematic ideas that they stand for. Throughout this essay, I will dig into the plays and display how the plays and their themes help make them effective characters as well as I like.

Sophocles and Jean Anouilh use simplistic storytelling in order to discuss the events and societal norms of the times when they were writing Antigone. When the tales are stripped down to their key stories, they both are about a defiant girl who goes against her uncle in order to do what she believes is morally right. In regard to the definition of tragedy, Sophocles follows the Greek standard of tragedy. By making Creon the tragic hero who is plagued by his own ego and unchanging ways when it comes to power. Anouilh puts a twist on the Greek tragedy by putting the focus on Antigone and not having the typical tragic hero who is unattached from the audience. Instead, Antigone is a heroine with everyday imperfections and emotions which seek to inspire people to condemn the French’s relationship with Nazi Germany during the Second World War.