Archetype Of Women In Othello

In the first scene she appears in, she is dressed in all white and looks like a peasant. Her white clothing symbolizes purity and wholeness. She shows that she has given up the luxurious part of her life to be with Othello. This shows her selflessness. Also, Nunn made her more child-like by choosing an actress with a high-pitched voice. She always jumped into the scene with excitement in her voice when she spoke. Nunn also made it obvious that Desdemona’s character is very naive, just like a pure child would be. This is a necessary element to have in her character because without her ability to trust so easily she would have seen right through Iago’s schemes. She needed to present herself as a gullible woman in order to suspect that Iago was nothing but a good friend to

Desdemona is of the higher class and is depicted as a fair, pure and respected woman who makes her own decisions. This is evident from the references made about her in the opening Act, scene 1, spoken by Iago “...an old black ram is tupping your white ewe” as well as in later scenes when she is constantly referred to as “fair Desdemona”. Her ability to make her own decisions was particularly evident within the opening Act where we learn of Desdemona’s deception to her father when she wed the man of her desire by denying her father any right to choose for her. This was Desdemona’s act of independence in her attempt to break away from male authority. Desdemona’s honesty and strong belief in morality plays on the good vs. evil concept with Iago’s character.

“She wishes she had asked him to explain more of what he meant. But she was impatient…to be done with sewing. With doing everything for three children, alone…” (1125, 3), and “Respect, a chance to build. Her children at last from underneath the detrimental wheel. A chance to be on top” (1124, 2) both reveal the motives behind getting married to this man, despite the religious conflict. She is torn between the pros and cons of this new life. It’s although she is trying to convince herself, but the negative thoughts just keep surfacing.

Goody Proctor, you are not summoned here for disputation. Be there no wifely 370 tenderness within you? He will die with the sunrise. Your husband. Do you understand it? (She only looks at him.) What say you? Will you contend with him? (She is silent.) Are you stone? I tell you true, woman, had I no other proof of your unnatural life, your dry eyes now would be sufficient evidence that you delivered up your soul to Hell! A very ape would weep at such calamity! Have the devil dried up any tear of pity in you? (She is silent.) Take her out. It profit nothing she should speak to him! (IV. 363- 379).

In ‘Othello’ Shakespeare portrays the main three female characters as being quite inferior to the other male characters such as Othello himself, Iago and Casto. Because during that time of which Shakespeare was writing these plays in the Elizabethan era. Society was in which religion was as at the very most top and after was men being the second part of the social ladder and later come women and rule justified women's subordination as the natural order because women were thought to be physiologically and psychologically inferior to men women were expected to be silent, chaste, and obedient to their husbands, fathers, brothers. Even education during the Elizabethan era was only for smart men, and not for women, the women were only allowed to work as cleaners and being mothers. Which makes them inferior to the male sex, we see this in

In the given passage, Desdemona illustrates her view of her relationship and stance against doing any wrong by Othello;

Although misperceptions about the other gender are dangerous causes of downfall, flawed views among one’s own gender are also great contributors to destruction. Othello and Desdemona best exemplify this notion. Desdemona presents herself as pure, compassionate, and understanding towards everyone, especially Othello. Shakespeare theorizes on how some women believe the stereotype about females is valid and must be followed, and men can exhibit the same

Desdemona is considered a sincere, kind, -and above all-, an honest wife and woman in general. She is like a model of the perfect woman of that time. We can find proof in her honesty when she and Emilia are talking about infidelity, and Desdemona's words are "Beshrew me, if I would do such a wrong

    In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.

We see Desdemona as a young beautiful white female, madly in love with a powerful black man. She is strong inside but doesn't tend to show that side of her as much as she would want to. She tends to play the peace-maker in her marriage and is always trying to understand Othello. Throughout the play she struggles to prove her loyalty and respect to her husband, no matter what it takes she tries to be a

Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

Here we face a paradox, physically that is impossible, but spiritually they complete each other's life so that in marriage, they are one. We also see throughout these lines that she gives her marriage as an example "If ever two were one", "if ever man were loved by wife", "if ever wife was happy in a man". Compare with me ye women if you can. In this verse the poet seems boastful of her relationship; she calls out to women in a bragging manner.

n Shakespeare's play Othello many issues are undertaken and explored. The three women play a vital role in this. Only one of the women in this play survives. All the women have no separate identity within the play; all three are married or associated with a male character. Bianca is the mistress of Cassio, Emilia is married to Iago and Desdemona is married with Othello. According to the time that the play was written in and the general hierarchy within Venetian society men hold all the power and women are considered to be of low intellect. Yet it is the women that speak the most sense throughout the play and it is also the women that are able to trust other characters in the play. Each woman represents a different social level, Desdemona

Also, while she claims Biblical support for her views on marriage, the support that she cites is conveniently edited to suit her purposes (for example, Solomon did have 700 wives and 300 concubines -- but his appetites led to his turning away from God; and the marital relationship specified in the Bible is a reciprocal one rather than the one-sided one she speaks of, tilted in favour of the wife -- she conveniently ignores that while the "Apostel [...] / [...] bad oure housbondes for to love us weel", he also exhorts women to love their husbands), and she elsewhere ignores the Bible when it proves difficult to "glose" in her favour (as in her dismissal of its injunction to dress "in habit maad with chastitee and shame"). Moreover, her behaviour is a demonstration of all the anti-feminist accusations