Archetypes In Big Momma

The stereotypes of rural Black women are depicted in the seemingly dilapidated state of mama’s old homestead. This is a stereotype of the poor and humble lives of the black subsistence farmers residing in the old South. Although Dee and her friend look down upon their lives, the reality is different. Mama completely owns her own reality and she is proud

The term Jezebel, a seductive female slave concerned only with matters of the flesh, was used as a means of excusing miscegenation, the sexual exploitation of African American women, and the mulatto population (61). The term Mammy, the premier house servant with expertise in all domestic matters and known for the loving way she raised the master’s children, was used to symbolize race and sex relations at their best. The image of Mammy justified slavery for many white Southerners, for she reflected a positive idea that slaves somehow benefited from the institution of slavery (61).

The Southern Sambo, Mammy, and Jim Crow are three major stereotypical characters of African Americans in past and present popular culture that served their own purposes, held their own characteristics, and completed their respective actions. As a whole, each character completed the task of negatively portraying Blacks in popular culture. Although these characters were made centuries ago, many of them have either transformed or adapted to times in order to remain relevant even in the twenty-first century. These characters served as the foundation of a weapon used for the subconscious oppression of African Americans in a free society.

In contrast, the grandmother states that the blacks did not have things like the whites do (p.2118), putting the blacks down infront of her grandchildren, associating the blacks with poverty. We see how the grandmother fails to treat the blacks equally as human, solely because of their social status, as she perceives them merely as an inanimate object - a picture.

values. Mama was proud of her skills on the farm. She knew her heritage, even if she couldn't read or write, and was proud of it. She could tell you the why and the who. Maggie in her self-defacing way also displayed real attachment to her heritage. Dee on the other hand appeared to be more

The Author can describe characters in many ways and they usual do that. In the novel/play Arthur Miller all my sons the character Chris looks up to his dad and looks at him for leadership and he respects his dad and loves him.The way Joe keller's family views him is he is a trustworthy man and would sacrifice himself for his family. He has always worked hard in life so his family could have a good life and he always puts his family first. In Arthur Miller's play All My Sons Characters are developed through the use of archetypes such as Joe Keller as the martyr.

The racism-steeped social system negatively affects African-American males and females, causing deeply rooted issues. The three women in the story, Beneatha, Ruth, and Mama, represent the different views Black women took during these troublesome times. There were women like Beneatha, who didn’t want to live the typical life of a wife and mother, and openly disapproved the assimilation of Blacks into American culture as well: “Because I hate assimilationist Negroes!” (Hansberry 1500). She wanted to become highly educated, and to change the world somehow. She wanted to be something. Beneatha is a very strong-willed, hard-headed character. This could very well have been caused by the unfair rules of her time constantly being reiterated to her through several mediums. Over and over again she is told that she must

Mrs. Johnson was also conscious about her looks describing herself as a big-boned woman with rough, man-working hands and fat that keeps her warm when the weather turns cold (Walker, 1973). She dreams of being on a television show where Dee shows appreciation for her. The mother knows that Dee does not care for the way

The disparity of the outward imageries by Mama is a small manifestation of her cloaked animosity and resentment as compared to her hyperbolic soliloquies. Even in her dreams she says Dee wants her to be “a hundred pounds lighter, [her] skin like an uncooked barley pancake; [her] hair [glistening] in the hot bright lights” (60). Mama refers to Dee being embarrassed and ashamed of her mother’s appearance. Mama indicates that she can never be what Dee wants her to be in stating “Who ever knew a Johnson with a quick tongue” (60); rhetoric corroborated by Mama’s admission that she “never had an education [herself]. After second grade the school was closed down” (61). However, Mama shunned Dee’s quick tongue, acquired from her education; Mama recalls “[Dee] used to read to [them] without

The character of Mama in the short story “Everyday Use” by Alice Walker endures through intense times and takes advantage of what she has. She is a lady that tells things how they are, only plain truth. She can be entertaining now and again and intense at others. She is self-portrayed as “a large, huge boned, women with rough, man-working

As the story begins, Walker introduces “Mama”. She, the narrator of the story, describes herself as a “large, big-boned woman with rough, man working hands”

Minstrel performers where as the film described, a group of white Caucasians that would perform with black face paint and mock African Americans. This form of entertainment grew popular and provided one of the strongest depiction of the Sambo. Right next to the Sambo was the Zip Coon, a dandy, and a buffoon, a Zip Coon would attempt to imitate whites. But with poor grammar and with little to no intelligents the Zip Coon's attempts proved to be a nothing more then a racist mockery. Therefor creating a generalization of Stupidity with in the African American population and creating a notion of Racial inequality. Also with the Sambo and Zip Coon was the Mammy. The mammy is described and viewed as a jolly, obese, African American women, the strongest Mammy depiction was first evident in the film Judge Priest in 1934. The Uncle figure was depicted in similar nature as the Mammy but in male form and a depiction called the Pickaninny provided a generalization of silly and worthless African American Child.

She is an important character that is viewed as a significant figure. Mama’s behavior through the plays shows that women could play the role of being a man. She conducts the house to her satisfaction. When Beneatha says, “There simply is no blasted God—there is only man and it is he who makes miracles!” (51). Mama reacts by slapping her across the face to show her that this is her house and that she is in control. Not only did Mama control her family’s actions in her house, but she also controlled any guests’ actions in her household. Mama was the controller of the house and the whole neighborhood knew about it. Mrs. Johnson even reminded herself of Mama’s control by saying to Mama, “Oh I always forgets you don’t know ‘low that word in your house” (101). Mama illuminates her status of being woman with not only her control but also her attitude and her dreams.

In another instance, a group of "po' white trash children" confront Momma at her store, taunting her. As Renee Barlow notes, "They were represented as clownish, dirty, and rather silly. On the other hand, Mama simply stood like a rock and sang the Gospel. Her beauty of soul versus their disgusting antics creates a powerful scene about the nature of the oppressed and the oppressor. Marguerite, meanwhile, lies crouched behind the screen in agony at the inability of her class to command respect simply because of their color. Then, as the scene progresses, she understands that in spite of the disparity of power between the po'white trash and Mama, Mama has won" (Barlow, 861927397.html). She has won not because she has outsmarted the white youths or even -- strictly speaking -- overpowered them, but because she has outclassed them.

Society is often seen to have different biases or perspectives on topics such as the role and perception of women. The short story, “Girl” by Jamaica Kincaid, consists primarily of a catalog of commands and instructions, the purpose of which is to make sure that the mother’s daughter is constantly in check and not getting into any trouble. Jamaica Kincaid utilizes a wide range of techniques such as symbolism and diction in order to showcase the theme of how the depiction of women rely mainly on how they present themselves in the public and how they are so easily described as impure or filthy.