Archetypes Term Paper

You have told me she hath received them, and returned me expectations and comfort of sudden respect and acquaintance; but I find none” (IV, ii, 186-190). Roderigo started to see that Iago is cheating on him, but Iago is smart enough, and Roderigo is dumb enough for Iago to confuse him. In the second act during the party after the defeat over the Turks, Cassio becomes very drunk and easily taken advantage of. He then runs into the room where everyone is and attacks Roderigo. Montano intervenes and is then wounded by Cassio; Othello is forced to demote Cassio from his position of Lieutenant. With Cassio devastated he asks for advice from Iago, he then informs Cassio the only way to gain his position back is to talk to Desdemona. Cassio then leaves “good night, Honest Iago” (II, iii, 306). Shakespeare put in those two extra words on purpose; he is trying to show how Iago is already able to play with people’s minds and how manipulative he can be. Us, the audience knowing what Iago really wants to do, but Cassio puts trust into Iago with his position and future. The last person to believe Iago is honest and to trust him is Othello. Iago started to tell Othello of how Desdemona might be sleeping with Cassio, and how she is cheating on him. Othello does not believe him as there is no proof, “I’ll see before I doubt; when I doubt, prove; and on the proof there is no more but this” (III, iii, 190-191). Othello knows

In the work of literature “The Siren Song,” we notice a variety of archetypes, despite the lack of characters. An archetype is a recurrent symbol or motif in literature, art, or mythology.

Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.

"Keep your friends close and your enemies closer" is a quote that very well describes how two-face Iago really is. In William Shakespeare's play, Othello, Iago's hatred toward the Moor, Othello, leads him to devise a plan against him. As a result, Othello goes from truly loving his wife to hating her with a passion. Othello's hatred and anger proves fatal for Desdemona, Emilia, Roderigo, and Othello, himself. Iago effectively manipulates Othello, Roderigo, and Cassio by; presenting himself as an honest individual to Othello, lying to Roderigo about getting him married to Desdemona and helping Cassio with his problem to obtain the lieutenant position from him.

Even though he genuinely respects her, he can be perceived as provocative. Moving on, Iago tries to get Cassio drunk. Since Cassio is very kind, he eventually gives in and takes some alcohol, which leads to him getting into a brawl with Montano and Roderigo, staged by Iago. Othello becomes aware of the irrational fight and strips Cassio of his lieutenancy, for his foolish behaviour. (II.iii.264-265)

The various characters demonstrate an understanding of certain psychological quirks attached to their respective archetype. For example, Dunstan’s introversion makes him susceptible to become the “Fifth Business,” while his mentality of being the confidant forces him to keep secrets regardless of who is being told or whom the secret is from. Percy’s obsession for power shows the lack of psychological development to gain emotion, becoming emotionally stunted and naive. Mrs. Dempster’s saint archetype as seen by Dunstan is to an extreme degree, to the point where she seemingly does anything to help, often coming off as a miracle worker. Such archetypes have their effects on each individual’s thoughts and behaviour, and the reason that Davies is able to represent these archetypes is due to the fact that these psychological characteristics take part in our everyday life in the people we meet. This allows the readers to better understand the characters as they are able to connect these characters with people they know in real life. It is important to recognize that the thoughts build the person, and the theme of psychology focuses on just that. As a result of this, Davies does an excellent job in representing each of the characters as their own

Later on in the play, Iago lies to Roderigo when he tells him that Othello will be taking Desdemona with him to Mauritania. He suggests that if Roderigo ever wants to see Desdemona again he has to make sure that Othello extends his stay in Cyprus. To do so, he suggests that Cassio must be killed, “Why, by making him uncapable of Othello’s place—/ knocking out his brains.”(4.2.226-227). If Othello goes to Mauritania, Cassio will be assigned Othello’s place. By killing Cassio, Iago gets his revenge and Roderigo would have a chance to win over Desdemona. Roderigo’s character is used to portray the theme of manipulation. He is persuaded into doing Iago’s ill deeds. Iago is only after one thing, to be appointed lieutenant, and he will do whatever is necessary to reach his goal.

Each situation of manipulation proves Shakespeare’s characterization of Iago. He was an evil antagonist, and would do anything to get to the top. Due

Now that Cassio is the lieutenant of Othello Iago plots a plan for Cassio to resign off his duty forever so that he can become the lieutenant he always wanted. Iago misdirected Cassio by getting him drunk one night which made Othello appoint Iago as Cassio’s substitute. “O, they are our friends-but one cup; I’ll drink for you” (II.iii.32). This proves that Iago is trying to make Cassio drunk on the night of his watch which was assigned by Othello. Iago convinces him to take another drink, knowing very well that it will only make him drunk. Even though Cassio doesn’t want to drink Iago

In the opening scene, while Iago is expressing his hatred for the general Othello for his having chosen Michael Cassio for the lieutenancy, he contrives a plan to partially avenge himself (“I follow him to serve my turn upon him”), with Roderigo’s assistance, by alerting Desdemona’s father, Brabantio, to the fact of his daughter’s elopement with Othello: “Call up her father, / Rouse him: make after him, poison his delight [. . .] .” Implied in

Once there was a woman who told a story. However, she had more than just an entertaining tale to tell. She chose common images that everyone would understand, and she wrapped her story around them, and in this way she was able to teach the people . . .

           Iago not only wanted revenge on Othello, but as well on Cassio for stealing his job away from him. "If I can fasten buy one cup upon him, with which he hath drunk tonight already, he'll be as full of quarrel and offense as my young mistress' dog" Othello. Act II. iii. 49-52. Iago got Cassio so drunk that he got into a fight with another officer, and when Othello found out about this, he quickly fired him. Iago, befriending Cassio, told him to speak to Desdemona about getting his job back and this was done for a reason. Iago states his motives clearly. He intended to use Desdemona's righteousness against her.

In Cyprus, Iago designs a brawl with Cassio and Roderigo by having the latter insult the former while they are drunk. This, of course, results in Cassio’s dismissal by Othello but it far from satisfies Iago. He then in turn advises Cassio on how to regain his

That fact in and of itself should make Cassio weary of Iago. Added to that, Iago influences Cassio to drink more alcohol than Cassio can handle. This leads to the fight between Cassio and Roderigo. During this time Iago poisons Montano’s impressions of Cassio by telling him, “I fear the trust Othello puts in him,”(II.iii.120). Iago also says alcohol “‘Tis evermore the prologue to his sleep.”(II.iii.123). Iago, again, uses Othello’s trust in his character. Othello, when he finally gets the story from Iago, is blinded by Iago’s “honesty and love” and says that these “doth mince [his judgement in] this matter,/ making it light to Cassio.”(II.iii.241-242). Nevertheless, Cassio asks for and acts on advice from Iago. This advice is the crucial mandate that ensures Iago will be able to plant the seed of doubt in Othello’s mind.

Iago makes a complete fool out of Roderigo. In fact, as play starts Iago is taking advantage of Roderigo. Roderigo remarks, "That thou, Iago, who hast had my purse as if the strings were thine." [Act I, Scene I, Line 2]. Throughout the play, Iago leads Roderigo by the collar professing that he "hate(s) the Moor" [Act I, Scene III, Line 344] and telling Roderigo to "make money" [Act I, Scene III, Line 339] to give Desdemona gifts to win her over. During the Iago keeps the gifts that Roderigo purchases for Desdemona for himself. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. When faced with this accusation, Iago simply offers that killing Cassio will