Architecture And Architecture: The Components Of Architecture

Introduction: A sculpture is defined as the art of making three-dimensional representative or abstract forms, which are specially by carving stone or wood or by casting metal or plaster. Sculptures, therefore make us to know the history of the life of the ancient people like their thought life, behavior and their ways of life generally. A Statue on the other hand, is defined as a figure usually of a person or animal that is made from stone or metal.

Art is the expression of creative skills and imagination, through a visual medium such as painting or sculptures. Architectural is the art of designing and constriction of an object or a building. During Gilded Age the newly wealth citizens of America traced their ancestry and cultural heritage to the greater civilization and aristocracies of Europe. People spend months collecting and moving art and architecture from Europe to United States. During the Gilded Age, American architects created a different blending of style to their great houses which were initially influenced by European design. As a result of revolution, Ashcan school was introduced by a group of artists who were inspired by Robert henry. The artists believed in worthiness of immigrants and the working class life as artistic subject matter in art.

Sculpture of this period again was to create a sense of movement. The sculptures took into consideration the spaces created by the sculpture not just the piece itself.

When an artist or architect creates some sort of architecture, sculpture or painting there is typically a reasoning or meaning behind why the artist or architect created the piece. It can be either a representation of their life or experiences, an idol or someone the individual looks up to or considers a model

This comparative essay will thoroughly examine two extremely interesting conceptual sculptures. Gemma Smiths Radiant and Ron Robertson–Swanns Vault will serve as focus and stimulus for the description, analysis, interpretation and evaluation.

First of all, the sculpture will fill our lives with the beauty of art as citizens. For example, “the History of Public Art” article gives a background on ancient greek statues and temples, and it states that the “structures helped unite the citizens of the communities of which they stood by providing a concrete focus for national identity and pride” (The History of Public Art). For

The history of Architecture started long time ago. The nomadic were groups of people whom move from one place to another in order find shelter and food to survive. As they progress, their techniques to survive evolve. The need for a permanent shelter became vital for a better stability of the group. This is the time when the first structures that provided protection appeared. Post and lintel were the first forms of Architecture, that satisficed the basic needs. Architecture evolved to be more sophisticated and fulfill the people’s needs. Consequently, Architecture evolved throughout different periods such as: Ancient architecture, Romanesque, The medieval, Renaissance, Early modern, and the industrial age, Modernism and Contemporary

The first sculpture I’ll review is “Solar Bird” by artist Joan Miró made in 1966. The sculpture’s mass is bronze and the size is 3’11” high by 5’11” wide and 3’4” deep. The curvilinear contour of the sculpture used by the artist is implying, in a more abstract than figurative mode, a flying bird with open wings. When describing the sculpture using the 3D design elements, one can see that the sculpture has an organic non-representational

According to Merriam-Webster’s Collegiate Dictionary architecture is “the art or science of building; specifically: the art or practice of designing and building structures and especially habitable ones, a method or style of building”. Architecture is a

The human body is the ultimate tool for discovering the environment. Human anatomy is considered to be nature’s peak of perfection and certain features serve as inspiration for many architects. To study the relationship between the human body and architecture, one must not be limited to human body parts resemblance to architectural works but to a larger extent consider human emotions, sensory nerves, the mind and general human psychology. In essence everything that makes us human. In its simplest definition Architecture can be described as an art or practice of designing buildings. It is practiced in a way that accomplishes both practical and communicative or expressive requirements. To relate it to human body then Architecture can widely define the place, the site, the energy, the systems, the building, the flora and fauna. These components that bring aesthetic property to humanity apart from the utilitarian purpose it serves. The perfect balance of a normal human body and the proportions are incorporated into architecture from a point of view of imitation, idealized allusion and the actual human use. Evidence of such human incorporation into architecture is seen from the Ancient Greek Architectures where it was common for tower columns to take shape of a human being like in the colossus of the Ancient

Architecture is often mistaken as purely an art form, when in actually it is where art and engineering or art and practicality meet. For example, painting is an art, when preformed well it yields a beautiful picture that evokes a deep human reaction and brings pleasure to its viewer, however this painting provides no function, it cannot shield us from the rain or protect us from the wind or snow, it is purely form. An insulated aluminum shed provides shelter and protection from Mother Nature; however, it is a purely functional building, it was drawn by an engineer, not conceived by an artist to have form. The culmination of form and function is Architecture, the Greeks and Romans fathered this idea and Palladio’s study of roman architecture taught him his valuable truth.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

     Like African paintings, poetry, and woodcarvings, sculptures tell a tale and immortalize cultures and beliefs. Different artists have different styles (African Arts Information). Materials and styles differ from village to village. Most sculptors use green wood, copper, tin, zinc alloys, bronze, ivory, or terra cotta, a kind of earth ware. Most sculpture figures are believed to contain ancestor’s spirits. Others represent sacred ideas or events (Fetzer 106). Some objects are said to be magical and believed to have magical powers (African Arts). Africans carve figures, make masks, and decorate articles for ceremonies (Fetzer 106).

When it comes to the relationship between art and design, it can be hard to distinguish where one ends and the other begins. Often the terms are used interchangeably, as certain design work is art.

Architecture can be viewed with two different types of properties. Properties that can be seen like shapes, their composition, the spaces they create and, the colours and textures that make up their appearance. These properties are considered to be visual while other properties are considered to be abstract. These properties can only be described using words; the meanings behind the architecture and the stories that can be told about it. The context, its cultural background and its function also affects how we view architecture. The question is, what